About Abstract Expressionism
What is Abstract Expressionism?
Abstract Expressionism describes a style of abstract art developed by a group of primarily New York-based painters in the 1940s and 50s, also known as the New York School. This loosely affiliated band of artists, representing a diversity of practices, were united by a dedication to bold formal invention and a conviction in art as a profoundly personal emotional expression. The Abstract Expressionists sought to transcend the artistic vocabulary of Social Realist and Regionalist conventions, that were popular at the time. Many of the artists associated with the movement came of age during the Great Depression and worked for the WPA Federal Art Project, a government-funded project that supported the visual arts in the United States. Exposure to European modernism – through museum exhibitions, lectures and encounters with émigré artists – set the stage for daring innovation. Surrealism in particular, with its emphasis on the unconscious mind, myth and archetype, was a foundational influence. In the wake of the Second World War, Abstract Expressionists harnessed these modernist tendencies, creating a distinctly American expression of post-war trauma and anxiety.
Characteristics and Style of Abstract Expressionism
Monumental in scale and ambition, Abstract Expressionist painting evokes the distinctly American spirit of rugged individualism. Valuing freedom, spontaneity and personal expression, the movement naturally produced a variety of technical and aesthetic innovations. In general, however, Abstract Expressionism can be clustered around two major tendencies: action painting and color field painting. Action painting, often featuring energetically applied paint – in sweeping gestural brushstrokes, or dripped and splattered with no brushes at all – is both an improvised revelation of the artist’s individual psyche and an exercise in balancing chaos and control. By contrast, the more cerebral discipline of color field painting is characterized by large swaths of color in reductive compositions. Enveloping, meditative, and verging on the sublime, these vast canvases are both authentic and intimate.
Legacy of Abstract Expressionism
The first American artistic movement to achieve international influence, Abstract Expressionism effectively shifted the art world’s focus from Europe (specifically Paris) to New York. The Abstract Expressionists’ dynamism and emphasis on process reverberated across the international stage, with its influence ranging from the Japanese Gutai movement to Viennese Actionism. Pollock in particular, with his reimagining of the canvas as a space in which to act, was an important precursor to the work of Allan Kaprow, Fluxus, and other performance artists. Nearly every American artist maturing in the shadow of Abstract Expressionism’s monumental legacy has been informed in some way by the movement. While the aesthetic and rhetorical tendencies of the Abstract Expressionists are most evident in Post-Painterly Abstraction, Lyrical Abstraction and Neo-expressionism, other artistic styles, such as Minimalism and Pop Art, evolved in direct contrast.
Timeline & History of Abstract Expressionism
1943Mark Rothko and Adolph Gottlieb pen a letter to the New York Times in which they articulate key ideas of Abstract Expressionism.
(left) The facade of The New York Times Building
1945New Yorker critic Robert Coates coins the term “Abstract Expressionism”.
(left) New Yorker critic Robert Coates
1946Willem de Kooning creates a series of dynamic paintings that blend aspects of Cubism, Surrealism and Expressionism.
(left) Willem de Kooning in his studio, 1961. Photographer unknown. Courtesy: Smithsonian Institution Archives
1947Jackson Pollock develops his signature technique, dripping and pouring paint onto huge canvases laid flat on the floor.
(left) Jackson Pollock, number 12, 1950 (detail). Sold for $18,282,000
1948Mark Rothko creates his first paintings using luminous rectangles of color.
(left) Mark Rothko, photographed by Consuelo Kanaga, circa 1949. Courtesy: Brooklyn Museum, Gift of Wallace B. Putnam from the estate of Consuelo Kanaga
1950-51Eighteen artists, dubbed “The Irascibles”, boycott the Metropolitan Museum of Art’s Contemporary Painting Today exhibition. Life magazine publishes a photo story which popularises the term “Abstract Expressionists”.
(left) An open letter to the president of The Metropolitan Museum of Art rejecting entry into the museum's exhibition American Painting Today
1951The Ninth Street Show marks the stepping out of the New York School and cements Abstract Expressionism as an important artistic movement. Critic Harold Rosenberg coins the term “action painting".
(left) Joan Mitchell, City Landscape, 1955
1952Helen Frankenthaler creates her first “stain” paintings, prefiguring a second wave of Abstract Expressionism – what Clement Greenberg later dubs “post-painterly abstraction.”
(left) American abstract expressionist painter Helen Frankenthaler photographed in her New York City studio in 1971. (Photo by Jack Mitchell/Getty Images)
1953Willem de Kooning exhibits his Women series, heralding a return to figuration after years of pure abstraction.
(left) Willem de Kooning, Seated Woman, 1951. Sold for $471,000 in Sotheby's Contemporary Art Day Auction
Who are the Abstract Expressionists?
The most important and influential of the action painters, Jackson Pollock rose to fame in the late 1940s, pioneering a radical technique of dripping and pouring thinned paint onto raw canvas laid flat on the ground. Willem de Kooning’s vigorously charged canvases, loosely based on figurative imagery, are also emblematic of the gestural style. Other exponents included Franz Kline and Robert Motherwell.
Among the color field painters, Mark Rothko, known for his soft-edged rectangles of luminous color, is certainly the most famous; others include Barnett Newman and Clyfford Still.
Although Abstract Expressionism is typically associated with the swaggering machismo of a select group of male artists, there were also several important female artists working in this milieu, including Helen Frankenthaler, Elaine de Kooning, Lee Krasner and Joan Mitchell.
The Abstract Expressionists at Auction
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