Enchantment
Left: India,
Kangra or Guler Portrait of an Illustration to the Harivamsa: Krishma and His Companions,
circa 1820. Sold $75,000. Right:
A Rare and Important Diamond, Coral, Emerald and Seed Pearl Brooch,
Cartier. Estimate $250,000–350,000. Krishna is among the most revered of all Hindu gods, an exemplar of compassion, tenderness, and love. Here, on the banks of the Yamuna, he and his companions celebrate, bedecked in exquisite jewels and finery of many colors. Krishna is the divine enchanter, his music rousing some guests to dance while lulling others into a state of blissful serenity. Even the fish from the river have surfaced, ineluctably drawn to Krishna’s magnetic presence. It is a scene of fantastical bounty and beauty.
It is this vision of India that so captivated the West: the promise of adventure, exoticism and unforetold riches. It is also the dream that Jacques
Cartier
pursued when he travelled to India in 1911 and the dream he delivered to his clients when he created jewels such as the rare example shown here. Its pendeloque form, designed to be worn high on the shoulder, takes inspiration from the Indian
sarpech, a jeweled turban pin. The Mughal aesthetic continues with the carved emerald pendant reminiscent of the Taj Mahal’s onion domed finial and the coral and pearl grape-cluster motif, a symbol of pleasure in Indian miniature paintings.
Both painting and jewel were created when the world was a far bigger place, but their power to enchant remains to this day.