T he encounter sparked a fascination within van Gogh; in 1888, he wrote to his brother, an art dealer, “what Gauguin has to say about the tropics seems wonderful to me. There, certainly, is the future of the great renaissance of painting… Not everyone is free and in a position to be able to emigrate. But what things there I would be to do! I regret not being ten or twenty years younger; I’d certainly go.”
Enthralled by the tropical tales, the brothers proceeded to visit Gauguin’s studio in Paris, in an attempt to see Martinique through the eyes of Gauguin. They were not disappointed; at the studio, the pair witnessed a mysterious new world created by Gauguin: a realm where the waters are a deep purple and the horizon is composed of brushstrokes of green and orange. Instead of going to Martinique himself, Vincent traded his own painting Still Life with Two Sunflowers, 1887, for Gauguin’s On the Banks of the River at Martinique, 1887.
Now on view at the Van Gogh Museum, Amsterdam, the exhibition Gauguin and Laval in Martinique explores Gauguin’s brief, four-month retreat to Martinique in 1887. The show brings together approximately 20 canvases painted by Gauguin and his companion, fellow artist Charles Laval. The loans, many of which have never been publicly viewed, constitute a dialogue between Parisian impressionists about a distant place of inspiration.
Most interestingly, rather than focusing on the ideals and exotic fantasies as presented in Gauguin's paintings, the Van Gogh Museum doesn't hesitate to explore the harsh realities faced by residents of the island during the 1880s, as they appear in instances of Laval's work.
Gauguin and Laval in Martinique is on view at the Van Gogh Museum from 5 October 2018 to 13 January 2019