Browse our selection of abstract prints and explore a wide array of works from distinguished artists including&nbsp;<a href="https://www.sothebys.com/en/buy/fine-art/print/abstract?creators=JASPER%2520JOHNS" rel="noopener noreferrer" target="_blank">Jasper Johns</a>,&nbsp;<a href="https://www.sothebys.com/en/buy/fine-art/print/abstract?creators=Tom%2520%2520Wesselmann" rel="noopener noreferrer" target="_blank">Tom Wesselmann</a>,&nbsp;<a href="https://www.sothebys.com/en/buy/fine-art/print/abstract?creators=Terry%2520Winters" rel="noopener noreferrer" target="_blank">Terry Winters</a>&nbsp;among others. <a href="https://www.sothebys.com/en/buy/fine-art/print" rel="noopener noreferrer" target="_blank">All Prints</a>&nbsp;|&nbsp;<a href="https://www.sothebys.com/en/buy/fine-art" rel="noopener noreferrer" target="_blank">All Fine Art</a>

Abstract Prints

William Tillyer (British, b. 1938).This work is offered unframed.

Living in Arcadia III

Wangechi Mutu (Kenyan, b. 1972).150 knots per inch. Wangechi Mutu’s work deals with the very idea of human representation; how we perceive and reproduce images of what we think we are, how we view others and create images of what we think of them. In her ongoing conversations with figuration, what Mutu’s work looks at are value systems in art and beyond, that either obscure or elevate our image and reflections.

Bloody Rug

Alexandre Noll (French, 1890-1970).Sold as a set of 2.Abstract woodcut prints with black ink on paper.White mat, glass glazing, with matching simple black frames.

Untitled

Farah Atassi (Belgian, b. 1981).This work is offered unframed.

Seated Woman

Carroll Dunham (American, b. 1949).This work is offered unframed.

Wrestling Details 4

Sam Moyer (American, b. 1983).This work is offered unframed.

MOON SUN

Tom Wesselmann (American, 1931-2004).This work is offered unframed.

Seascape

Analia Saban (Argentinian-American, b. 1980).This work is offered unframed. Transcending Pigment from Paint to Canvas, from Canvas to Paint&nbsp;is an edition of 40 unique, mixed-media monoprints in which Saban continues to test the limits of printmaking. Each print is a work without paper. Similar to Saban's previous collaboration with The Lapis Press, this new edition uses layered, acrylic paint as a substitute for paper, but takes the process one step further by printing on paint as well as Belgian linen. Throughout history, pigment was added to a medium such as turpentine to create paint for its application on canvas. In this series, pigment is layered on top of a white layer of acrylic paint transforming what it means to add color to paint.&nbsp;Transcending Pigment&nbsp;includes four color compositions, each in two orientations. The color schemes are inspired by the printing process itself and refer to the 'color targets' that are used to test and calibrate ink and printer functionality. These targets were developed in the 1970's as color printing became more accessible, and the process needed to be uniform. As printing evolved the color targets became more sophisticated and are now used to determine the accuracy and calibration of pigment and ink. In&nbsp;Transcending Pigment, Saban synthesizes the history of pigment and paint making with the technological advances in printing.

Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, No. V

Fred Tomaselli (American, b. 1956).This work is offered unframed. Tomaselli begins this foray into the nature of nature and its intersection with the psyche and the cosmos with leaves from his own garden. The pattern laid down creates a base for radiating rings of color which burst forth full bloom from each individual pad. The result is lush and hypnotic, a ready-made mandala for modern man.

Bloom

Dana Schutz (American, b. 1976).This work is offered unframed.

Backstroke

Terry Winters (American, b. 1949).This work is offered unframed. Location Plan is related to a series of drawings included in a recent exhibition at the Kunsthalle Basel. Inspired by advanced imaging technologies from information mapping systems to spatial renderings, the drawings explore a dialogue between order and disorder. In the print, Winters combines 30 unique images in a grid or storyboard which seems to serve as a key to his current investigations. Moving from one image to the next, through ever-shifting relationships, a sense of flux develops, suggesting weather patterns, emotional states and urban dynamics.

Location Plan

Chris Ofili (British, b. 1968).This work is offered unframed.

Last Night, New Day

Tomma Abts (German, b. 1967).This work is offered unframed.

Untitled (small circles)

Charline von Heyl (German, b. 1960).This work is offered unframed.

Nightpack (Red Yellow Blue)

Patricia Treib (American, b. 1979).

Pendulum

Dennis Hollingsworth (American, b. 1956).This work is offered unframed.

Oboja Negra

Elizabeth Murray (American, 1940-2007).Three-dimensional collage

Shack

Jasper Johns (American, b. 1930).This work is offered unframed.

Regrets

Marina Adams (American, b. 1960).This work is offered unframed.

Untitled 2

Terry Winters (American, b. 1949).This work is offered unframed.

Fate Map

Christopher Wool (American, b. 1955).This work is offered unframed.Sold as a set of 3. "For me, Wool is a very pure version of something dissonant and poignant. His all-or-nothing, caustic-cerebral, ambivalent-belligerent gambit is riveting and even a little thrilling. It's what makes him one of the more optically alive painters out there."-Jerry Saltz on Christopher Wool&nbsp;Christopher Wool (b. 1955) was born in Chicago and now lives and works in New York. He is one of the most recognized abstract painters working today. His influential method and practice has dramatically evolved throughout his career. Over the years, he has developed a number of signature techniques; interested in the visual representation of language and color through abstraction, he is best known for his graphic black and white word paintings.&nbsp;He has consistently questioned painting as a medium by deliberately removing himself from historical conventions and uses the process of painting as a vehicle for critique from within. What persists in his experimental work is a willingness to confront the ongoing dislocations and tensions between the configuration and the representational dimensions of the artistic process. The result is a refusal, which is as much political as it is aesthetic, of the agreeable synthesis of configuration and representation in classical art theory.

Untitled (Triptych)

Robert Kelly (American, b. 1956).A composition conceived by the artist who takes inspiration from the De Stijl movement as well as Mondrian and Bauhaus.Color lithograph on paper in gray, cloudy blue and earth tones.Titled in pencil at lower center.Blindstamped at lower left.Unframed.

Asana II

Elspeth Lamb, (Scottish, b. 1951).Colorful patchwork of images, shapes and text.Black painted wood frame.Framer's label on verso.

Anaktos

June Redfern (Scottish, b. 1951).Enigmatic rendition of abstract seal executed in black with red.Framed in whitewashed wood on white background.Hangs with wire.Framers stamp verso.

Seal

Steven Sorman (American, b. 1948).Delicate metallic gold line over an abstract blue, orange, gray and rust pattern.Black painted frame by Bark Frameworks.Inventory label affixed verso.

I Am Too

June Redfern (Scottish, b. 1951).Enigmatic and abstract interpretation of a wolf executed in blue and black.Framed in whitewashed wood on white background.Hangs with wire.Framers stamp verso.

Wolf

June Redfern (Scottish, b. 1951).Enigmatic and abstract interpretation of a lion executed in yellow and black.Framed in whitewashed wood on white background.Hangs with wire.Framers stamp verso.

Lion

Gregory Amenoff (American, b. 1948).Sublime interpretation of "Beacon" under a pink sky.Artist marked Smith Proof V on lower left.Framed in maple with white mat.

Beacon Pink

Bill Jensen (American, b. 1945).Monochromatic abstract composition with rounded forms created by intaglio engraved marks.Floats within a wood frame with white backing.Hangs with metal brackets on reverse.

Original Face

Karen Kunc (American, b. 1952).Waves, spirals and zigzag lines depict this colorful fluid scene.Black lacquered frame with framer's stamp on reverse.

Current's Edge

Mark Fox (American b. 1963).Vibrant and dense abstract composition in black.Floats inside a painted wood frame with white backing.Metal brackets for hanging on reverse.

Beneath

Kate Whiteford (Scottish, b. 1958).Red and green abstract silkscreen.Whitewashed frame by Bark Frameworks.Inventory label affixed verso.

Sitelines

Diane Cionni (American, 20th century).Watercolor and oil monoprint.Each monoprint was hand-pulled on an etching press in a process combining many individual copperplate and polymer etching plates, hand-cut mylar stencils and watercolor transfers.White lacquered frame by PSG Framing.

Reason And Romance #9

Ron Janowich (American, b. 1948).Floating abstract form with imprints of paint in earth tones and dark blue.Floats in a whitewashed oak frame with white backing.Metal brackets for hanging on reverse.

Paul Huxley (British b. 1938).Gray geometric abstract acrylic painting on paper.Whitewashed wood frame with floating mount on off-white background.

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William Tillyer

Wangechi Mutu

Alexandre Noll

Farah Atassi

Carroll Dunham

Sam Moyer

Tom Wesselmann

Analia Saban

Fred Tomaselli

Dana Schutz

Terry Winters

Chris Ofili

Tomma Abts

Charline von Heyl

Patricia Treib

Dennis Hollingsworth

Elizabeth Murray

Jasper Johns

Marina Adams

Terry Winters

Christopher Wool

ROBERT KELLY

Elspeth Lamb

June Redfern

Steven Sorman

June Redfern

June Redfern

Gregory Amenoff

Bill Jensen

Karen Kunc

Mark Fox

Kate Whiteford

Kate Whiteford

Diane Cionni

Ron Janowich

Paul Huxley