Shop Sotheby's LIMITED, exclusive editions created in collaboration with leading contemporary artists only available at Sotheby's. Exclusive editions from Raymond Pettibon, Kehinde Wiley, Peter Halley and more.

LIMITED

Raymond Pettibon

No Title (But the sand...)&nbsp;by <a href="https://www.sothebys.com/en/search?query=Raymond+Pettibon&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Raymond Pettibon</a>, 2026.<ul><li>Raymond Pettibon (American, born 1957).</li><li>LITO Hi-Rnd © technology print on mirrored aluminum.</li><li>Part of a limited edition of 25.</li><li>Signed and numbered by the artist.</li><li>This work is presented framed.</li></ul> Sotheby’s and LITO present a new release of <a href="https://www.sothebys.com/en/buy/fine-art/editions/exclusive-editions" rel="noopener noreferrer" target="_blank">Exclusive Editions</a> by Raymond Pettibon, featuring three works drawn from the artist’s enduring engagement with the imagery of the ocean and the solitary surfer. Emerging from the Southern California punk scene of the 1980s, Pettibon developed a visual language that would come to define a generation. Originally recognized for his graphics, posters and album artwork for influential bands including Black Flag and Sonic Youth, he has since established himself as one of the most celebrated figures in contemporary American art. Throughout his practice, Pettibon has combined image and text to create works that are at once poetic, provocative and psychologically charged. First developed in the mid-1980s, Pettibon’s wave and surfer works occupy a distinctive place within his oeuvre. Neither straightforward depictions of surfing nor celebrations of coastal life, these compositions explore the tension between human scale and the immense, unpredictable forces of nature. The motif of the lone surfer navigating towering waves has become one of the most enduring and recognizable subjects in the artist’s work. The three new editions — No Title (What is the…), No Title (As she turn’d…) and No Title (But the sand…) — embody this recurring theme through dynamic compositions, expressive mark-making and vibrant color. Conceived on mirrored aluminum and anodized aluminum, the works engage with the material qualities of their supports, creating shifting visual experiences that evolve with light, perspective and environment. Produced using LITO’s proprietary Hi-Rnd© technology, the editions bring together texture, relief, color and surface in a new original body of work.

No Title (But the sand...)

No Title (What is the...) by <a href="https://www.sothebys.com/en/search?query=Raymond+Pettibon&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Raymond Pettibon</a>, 2026.<ul><li>Raymond Pettibon (American, born 1957).</li><li>LITO Hi-Rnd © technology print on anodized aluminum.</li><li>Part of a limited edition of 15.</li><li>Signed and numbered by the artist.</li><li>This work is presented framed.</li></ul> Sotheby’s and LITO present a new release of <a href="https://www.sothebys.com/en/buy/fine-art/editions/exclusive-editions" rel="noopener noreferrer" target="_blank">Exclusive Editions</a> by Raymond Pettibon, featuring three works drawn from the artist’s enduring engagement with the imagery of the ocean and the solitary surfer. Emerging from the Southern California punk scene of the 1980s, Pettibon developed a visual language that would come to define a generation. Originally recognized for his graphics, posters and album artwork for influential bands including Black Flag and Sonic Youth, he has since established himself as one of the most celebrated figures in contemporary American art. Throughout his practice, Pettibon has combined image and text to create works that are at once poetic, provocative and psychologically charged. First developed in the mid-1980s, Pettibon’s wave and surfer works occupy a distinctive place within his oeuvre. Neither straightforward depictions of surfing nor celebrations of coastal life, these compositions explore the tension between human scale and the immense, unpredictable forces of nature. The motif of the lone surfer navigating towering waves has become one of the most enduring and recognizable subjects in the artist’s work. The three new editions — No Title (What is the…), No Title (As she turn’d…) and No Title (But the sand…) — embody this recurring theme through dynamic compositions, expressive mark-making and vibrant color. Conceived on mirrored aluminum and anodized aluminum, the works engage with the material qualities of their supports, creating shifting visual experiences that evolve with light, perspective and environment. Produced using LITO’s proprietary Hi-Rnd© technology, the editions bring together texture, relief, color and surface in a new original body of work.

No Title (What is the...)

No Title (As she turn'd...) by <a href="https://www.sothebys.com/en/search?query=Raymond+Pettibon&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Raymond Pettibon</a>, 2026.<ul><li>Raymond Pettibon (American, born 1957).</li><li>LITO Hi-Rnd © technology print on mirrored aluminum.</li><li>Part of a limited edition of 15.</li><li>Signed and numbered by the artist.</li><li>This work is presented framed.</li></ul> Sotheby’s and LITO present a new release of <a href="https://www.sothebys.com/en/buy/fine-art/editions/exclusive-editions" rel="noopener noreferrer" target="_blank">Exclusive Editions</a> by Raymond Pettibon, featuring three works drawn from the artist’s enduring engagement with the imagery of the ocean and the solitary surfer. Emerging from the Southern California punk scene of the 1980s, Pettibon developed a visual language that would come to define a generation. Originally recognized for his graphics, posters and album artwork for influential bands including Black Flag and Sonic Youth, he has since established himself as one of the most celebrated figures in contemporary American art. Throughout his practice, Pettibon has combined image and text to create works that are at once poetic, provocative and psychologically charged. First developed in the mid-1980s, Pettibon’s wave and surfer works occupy a distinctive place within his oeuvre. Neither straightforward depictions of surfing nor celebrations of coastal life, these compositions explore the tension between human scale and the immense, unpredictable forces of nature. The motif of the lone surfer navigating towering waves has become one of the most enduring and recognizable subjects in the artist’s work. The three new editions — No Title (What is the…), No Title (As she turn’d…) and No Title (But the sand…) — embody this recurring theme through dynamic compositions, expressive mark-making and vibrant color. Conceived on mirrored aluminum and anodized aluminum, the works engage with the material qualities of their supports, creating shifting visual experiences that evolve with light, perspective and environment. Produced using LITO’s proprietary Hi-Rnd© technology, the editions bring together texture, relief, color and surface in a new original body of work.

No Title (As she turn'd...)

Kehinde Wiley

Triple Portrait of Charles II, Blue by <a href="https://www.sothebys.com/en/search?query=Kehinde+Wiley&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Kehinde Wiley</a>, 2026.<ul><li>Kehinde Wiley (American, born 1977).</li><li>LITO Hi-Rnd© print on alu dibond.</li><li>Limited Edition of 10</li><li>Hand-signed and numbered by the artist via adhered backplate.</li><li>This work is sold with aluminium frame.</li></ul> Sotheby’s and LITO present Exclusive Editions: original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief and color. The series is based on Kehinde Wiley’s 2008 painting&nbsp;Triple Portrait of Charles II. Drawing on the historical tradition of multi-view portraiture, this work explore identity as layered and constructed rather than singular.&nbsp;The composition features engraved floral elements against mirrored background.

Triple Portrait of Charles II | Blue

Triple Portrait of Charles II, Gold&nbsp;by&nbsp;<a href="https://www.sothebys.com/en/search?query=Kehinde+Wiley&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Kehinde Wiley</a>, 2026.<ul><li>Kehinde Wiley (American, born 1977).</li><li>LITO Hi-Rnd© print on alu dibond.</li><li>Limited Edition of 20.</li><li>Hand-signed and numbered by the artist via adhered backplate.</li><li>This work is sold with aluminum frame.</li></ul> Sotheby’s and LITO present Exclusive Editions: original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief and color. The series is based on Kehinde Wiley’s 2008 painting&nbsp;Triple Portrait of Charles II. Drawing on the historical tradition of multi-view portraiture, this work explore identity as layered and constructed rather than singular.&nbsp;The composition features engraved floral elements against mirrored background.

Triple Portrait of Charles II | Gold

Triple Portrait of Charles II, Mirrored&nbsp;by&nbsp;<a href="https://www.sothebys.com/en/search?query=Kehinde+Wiley&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Kehinde Wiley</a>, 2026.<ul><li>Kehinde Wiley (American, born 1977).</li><li>LITO Hi-Rnd© print on alu dibond.</li><li>Limited Edition of 20</li><li>Hand-signed and numbered by the artist via adhered backplate.</li><li>This work is sold with aluminium frame.</li></ul> Sotheby’s and LITO present Exclusive Editions: original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief and color. The series is based on Kehinde Wiley’s 2008 painting&nbsp;Triple Portrait of Charles II. Drawing on the historical tradition of multi-view portraiture, this work explore identity as layered and constructed rather than singular.&nbsp;The composition features engraved floral elements against mirrored background.

Triple Portrait of Charles II | Mirrored

Oscar Murillo

Mango by <a href="https://www.sothebys.com/en/search?query=Oscar+Murillo&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Oscar Murillo</a>, 2026.<ul><li>Oscar Murillo (Colombian, born 1986).</li><li>LITO Hi-Rnd© print on alu dibond.</li><li>Limited Edition of 50.</li><li>Hand-signed and numbered by the artist via adhered backplate.</li><li>This work is sold with dark brown aluminum frame.</li></ul>&nbsp;Sotheby’s and LITO present Exclusive Editions: original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief, and color. This release marks Oscar Murillo’s first-ever limited edition print, based on his celebrated “Word Paintings” series, Drawings off the Wall (2010–2014). Combining gestural abstraction with fragments of language, the works draw on personal memory and everyday cultural references to explore how ordinary words can carry layered social and cultural meaning. In celebration of the South London Gallery's 135th anniversary, all artist proceeds are being donated to the SLG.&nbsp;

Mango

Peter Halley

Rebus I, by <a href="https://www.sothebys.com/en/search?query=peter+halley&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Peter Halley</a>, 2026.<ul><li>Peter Halley (American, born 1953).</li><li>Acrylic and fluorescent acrylic, on LITO Hi-Rnd© technology print on aluminum.</li><li>Part of a limited edition of 20.</li><li>Hand signed and numbered via adhered backplate.</li></ul> Sotheby’s and LITO present <a href="https://www.sothebys.com/en/buy/fine-art/editions/exclusive-editions" rel="noopener noreferrer" target="_blank">Exclusive Editions</a>: original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief and color. The two new artworks, Rebus I and Rebus IV, by American artist Peter Halley, feature the artist's signature Roll-A-Tex textured surface digitally rendered and "cloned" twelve times. Inspired by Halley’s ‘Cell Grid’ paintings, a series which began in 2014. Each edition offers the tactility of Halley’s iconic textured paintings combined with intense and vibrating colors, creating a new hybrid art form that is both serial and unique. A central figure in the American Neo-Conceptualist movement of the 1980s, Peter Halley is known for the use of geometric abstraction and grid-like compositions in his paintings. Over the past five decades, Halley’s lexicon has included three elements which explore the digital era and industrialization: ‘prisons’, ‘cells’ and ‘conduits.’ The texture of Rebus I, and Rebus IV is informed by Halley’s use of Roll-A-Tex in his paintings (a low-budget paint additive seen in popcorn ceilings). Halley challenged LITO Editions to "clone" this material, repeating the twelve individual cells on metal frames, which were then bolted together into a tightly packed contra- punctual grid, an effect heightened by the arrangement of each cell at a different level of relief. The series has been conceived through digital processes – to create the texture, relief and structure of the work – and then hand-painted at the LITO Tech Lab – a large space in Austria spanning a laboratory, studio and workshop.

Rebus I

Rebus IV, by <a href="https://www.sothebys.com/en/search?query=peter+halley&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Peter Halley</a>, 2026.<ul><li>Peter Halley (American, born 1953).</li><li>Acrylic and fluorescent acrylic, on LITO Hi-Rnd© technology print on aluminum.</li><li>Part of a limited edition of 20.</li><li>Hand signed and numbered via adhered backplate.</li></ul> Sotheby’s and LITO present <a href="https://www.sothebys.com/en/buy/fine-art/editions/exclusive-editions" rel="noopener noreferrer" target="_blank">Exclusive Editions</a>: original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief and color. The two new artworks, Rebus I and Rebus IV, by American artist Peter Halley, feature the artist's signature Roll-A-Tex textured surface digitally rendered and "cloned" twelve times. Inspired by Halley’s ‘Cell Grid’ paintings, a series which began in 2014. Each edition offers the tactility of Halley’s iconic textured paintings combined with intense and vibrating colors, creating a new hybrid art form that is both serial and unique. A central figure in the American Neo-Conceptualist movement of the 1980s, Peter Halley is known for the use of geometric abstraction and grid-like compositions in his paintings. Over the past five decades, Halley’s lexicon has included three elements which explore the digital era and industrialization: ‘prisons’, ‘cells’ and ‘conduits.’ The texture of Rebus I, and Rebus IV is informed by Halley’s use of Roll-A-Tex in his paintings (a low-budget paint additive seen in popcorn ceilings). Halley challenged LITO Editions to "clone" this material, repeating the twelve individual cells on metal frames, which were then bolted together into a tightly packed contra- punctual grid, an effect heightened by the arrangement of each cell at a different level of relief. The series has been conceived through digital processes – to create the texture, relief and structure of the work – and then hand-painted at the LITO Tech Lab – a large space in Austria spanning a laboratory, studio and workshop.

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Raymond Pettibon

Raymond Pettibon

Raymond Pettibon

Kehinde Wiley

Kehinde Wiley

Kehinde Wiley

Oscar Murillo

Peter Halley

Peter Halley