In the second video of this short series, exhibition curator Dr. Jill Lloyd explains Hodler's beginnings as a Symbolist, and, how the artistic theory of Parallelism unifies color, gender and the natural landscape in his majestic figure paintings.
Ferdinand Hodler, Symbolist Painter: An Interview with Curator Jill Lloyd, Part 2
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JudaicaA Medieval Masterpiece With One of the Rarest Provenances: The Rothschild Vienna Mahzor -
Old Masters WeekThe Woman Who Changed the World of Master Drawings: Inside the Diane Nixon Collection -
Old Masters WeekHeld, Kissed and Hidden for 500 Years: The Most Intimate Antonello da Messina You’ll Ever See