W atch collectors love a bit of technological anachronism. If the very idea of wearing a mechanical wristwatch in an age of digital timekeepers is the start of the climb, sitting at the summit is the minute repeater.
Invented in the early 18th century as a way to tell time at night (remember, there was no luminous paint back then), watchmakers figured out how to use miniature hammers and gongs to chime out the hours and minutes on demand. It’s a feat even more complicated than it sounds, and it requires a watchmaker with both incredible technical skills and a fine ear to accomplish properly. Today, minute repeaters are loved by collectors for their complexity and the way they show off the true capabilities of the people who craft them – and no maker is more lauded for its minute repeaters than Patek Philippe.
We Turned a Patek Philippe Minute Repeater’s Chime Into Music
Patek’s history with chiming watches goes back to the mid-19th century, with the earliest known Patek Philippe minute-repeater pocket watch dating to 1845. The brand continued to pioneer complications, like grand and petite sonneries, in the ensuing years. As watches made their way from pockets to wrists, Patek made its first minute-repeating wrist watch in 1916 – a custom commission made for a female client. These watches have always been the purview of special clients and even having the opportunity to purchase one was, and remains today, a privilege among true die-hard collectors.
That has led to these watches being extremely rare. “Patek Philippe is famously discreet about exact production numbers, but estimates have them producing between 40 and 60 individual minute repeating wristwatches between 1924 and 1989,” says Jonathon Burford, Senior VP and Senior Specialist in the Sotheby’s Watches Department. “Today, they only produce approximately 40 to 50 minute repeater watches per year, all entirely hand assembled, individually tuned and approved personally by Thierry Stern.”
Yes, the company’s president and owner inspects each minute repeater, giving it a good listen, before it leaves the workshop – just as his father Philippe Stern did before him. Even coming from a world-renowned brand, these watches have a special artisanal quality to them that is tough to find in today’s market.
Sometimes Patek Philippe combines the minute repeater and other complications to great effect. This can be a perpetual calendar, in the case of references like the reference 5013P and 5213G, or a worldtimer, such as with the reference 5531R. There are even watches like the Sky Moon Tourbillon and the Grandmaster Chime that push this idea to even loftier heights. These watches are undoubtedly masterpieces and about as good as a contemporary, highly complicated watch can get.

“Listen closely. The sound is everything.”
But Patek Philippe’s simpler, time-only minute repeaters offer something extremely special as well. These watches are the descendants of that original 1916 minute repeater and have been made in various styles and flavors ever since. They tend to feature modest case sizes and simple three-hand layouts with a small seconds display, often paired with exceptional dials and clean, no-nonsense designs. It’s only the slide for activating the chimes that betrays their complexity from the outside. On the wrist they’re extremely understated, making them appealing options for those who want to wear something superlative without drawing unwanted eyes their way. Historic models like the reference 2419 and reference 2524/1 and represent the very best of mid-century Patek Philippe in both design and mechanics, with more contemporary pieces like the reference 3979, reference 5029 and reference 3939 carrying that torch into the modern era.
Jean-Pierre Hagmann
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Jean-Pierre Hagmann is renowned as the greatest minute-repeater case-maker of all time. In addition to having beautiful, sculptural forms that look great and are comfortable on the wrist, Hagmann’s cases are known for producing incredible sound quality. He made the cases for many iconic Patek Philippe repeaters, such as the ref. 3974 and ref. 3979, and you can quickly identify these cases by the “JHP” hallmark on the underside of their lugs.
While seeing a watch in person is always a good idea, it’s extremely important when looking at minute repeaters. “Firsthand experience is key. Handle as many examples as possible. Listen closely. The sound is everything,” says Burford about how collectors should approach these special watches.
“Decide what speaks to you more: the purity of a time-only repeater or the layered complexity of a grand complication. Then, explore different case metals – each has a distinct acoustic personality. Pink gold, for example, tends to produce a warmer, rounder tone due to Patek’s proprietary alloy; platinum offers a sharper, crisper chime. These subtle differences can completely change the emotional experience of the watch.”

Despite their extreme rarity, there is fantastic scholarship on these watches, largely because they are so desirable and represent such a high watermark in the history of watchmaking. Auction catalogues, books and magazines each offer their own perspectives and opportunities. Doing your homework goes such a long way, and even if you’re not acquiring a particular example yourself, an opportunity to hear a Patek Philippe minute repeater, at an auction preview or on a collector’s wrist, is something not to be missed. There is no better way to learn about watches than by handling them – and, in this case, hearing them as well.
“Patek Philippe stands alone at the summit of minute repeating wristwatches. No other brand has achieved the same level of consistent excellence in sound quality, mechanical reliability, and aesthetic harmony,” reflects Burford. “When you combine technical mastery with this refined philosophy of design, you have something truly extraordinary – watches that speak softly, yet powerfully, to collectors and connoisseurs alike.”