S otheby’s and the Yale School of Art are pleased to present a benefit auction during The New York Sales, in support of a major long-term initiative to expand access to arts education. Bringing together works donated by artists, alumni, collectors, and galleries, the sale reflects a shared commitment to bolstering the next generation of artists through meaningful, lasting financial support.
This collaboration marks a rare partnership between a leading university and an international auction house, grounded in a common goal: to strengthen access to artistic training at one of the world’s most influential art schools. Proceeds from the sale will be directed to the Yale School of Art Dean’s Scholarship Fund, contributing to an ongoing effort to build endowed resources that support students over time.
“We have made significant gains in expanding access to the Yale School of Art and in strengthening the support available to our students. This initiative builds on that progress in a meaningful and lasting way, helping to ensure that our MFA students graduate debt-free. By increasing our endowed scholarship resources, we are not only supporting artists today but investing in a community that will continue to grow. Sotheby’s has played a vital role in helping us bring this effort forward, uniting artists, alumni, and supporters around a shared commitment to access and opportunity.”
Since 2021, the Yale School of Art has significantly expanded its commitment to financial aid access for students, increasing scholarship funding and broadening access to its Master of Fine Arts program. The School is now working toward a further expansion of endowed scholarships, with the aim of substantially supporting all students admitted to its MFA program following the need-blind admissions process. The benefit auction at Sotheby’s forms part of this wider initiative, helping to advance a model of sustained investment in arts education and to minimize the burden of debt that may prevent MFA graduates from pursuing careers in art.
Funds raised through the sale will be placed within Yale’s endowment, where they will be invested to provide consistent, long-term support exclusively for MFA student scholarships. Structured to balance existing needs with future growth, this approach ensures that the auction’s impact will extend well beyond the moment of the sale, to support successive generations of artists over time.
“The Yale School of Art is a defining force in shaping contemporary artistic practice, and its influence extends across generations and geographies. This collaboration underscores the important role the art market can play in supporting institutions and expanding educational access for artists. We are proud to engage our audiences around an initiative that invests directly in the next generation of artists.”
Works included in the auction have been contributed by members of the global art community, including prominent Yale alumni and leading contemporary artists whose practices reflect the School of Art’s enduring influence. The advisory committee includes Yvonne Force and Leo Villareal, Yana Peel, Lucas Zwirner, Komal Shah, Mickalene Thomas, among others, and additional donors include Ilana Savdie, William Cordova, Wardell Milan, and Iwan and Manuela Wirth. Their participation underscores a shared belief in the importance of access to arts education, the necessity of creating conditions for artists to commit themselves to their work post-graduation, and the ongoing resonance of contemporary artistic practice. The works will be sold in the Contemporary Day Auction taking place on May 15th, 2026.
Sotheby's and Yale School of Art announce Benefit Auction to support Art Education
- Josef Albers
- Barkley L. Hendricks
- Richard Prince
- Do Ho Suh
- Howardena Pindell
- Mickalene Thomas
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Study for Homage to the SquareA foundational figure in twentieth-century art and pedagogy, Josef Albers played a defining role in shaping modern approaches to color and perception, particularly during his influential tenure at Yale, where he led the Department of Design Study for Homage to the Square (1976) belongs to the artist’s seminal series, exploring the relational properties of color through precise and methodical variation. Works on paper such as this offer a rare insight into the disciplined process that underpins one of the most influential bodies of work in modern art.
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Quarry ShortcutBarkley L. Hendricks, who earned both his BFA and MFA from the Yale School of Art, is celebrated for his incisive portraits that center Black subjects with clarity and presence. Painted during the artist’s travels in Jamaica, Quarry Shortcut (2008) forms part of a series of landscapes that reflect his engagement with the island’s terrain and histories, including the enduring impact of colonialism. In contrast to his iconic studio portraits, these works offer a quieter, contemplative view of place, expanding the scope of Hendricks’s practice.
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Spiritual America IVA central figure in postwar American art, Richard Prince has long interrogated authorship, image circulation, and the construction of identity. Spiritual America IV (2025) revisits one of the artist’s most controversial and enduring bodies of work, reworking imagery first associated with a widely debated 1983 photograph to probe questions of originality and reproduction. In the present work, Prince returns to the subject decades later, underscoring the lasting resonance of these ideas within contemporary visual culture.
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Staircase/sDo Ho Suh, who received his MFA from the Yale School of Art in 1997, is internationally recognized for his large-scale fabric architectures, translucent 1:1 replicas of homes and spaces he has inhabited that explore memory, migration and the idea of home as something carried within us rather than fixed in place. Staircase/s belongs to a body of works on paper through which Suh translates the three-dimensional concerns of his installations into an intimate medium. The breadth and ambition of Suh's practice was recently celebrated in The Genesis Exhibition: Do Ho Suh: Walk the House at Tate Modern in London in 2025.
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Jeffrey SturgesUntitled #123Howardena Pindell received her MFA from the Yale School of Art and Architecture in 1967, where she was among the first Black women to study art at the institution. Untitled #123, executed in 2024, reflects the full depth of a practice that has unfolded over six decades. Drawing on her signature use of the grid as both formal device and conceptual readymade, Pindell works across layers of color and texture, incorporating influences drawn from textile traditions that have defined her practice. Pindell represents a living link between Yale's foundational pedagogy and the most vital currents in contemporary American abstraction.
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Josephine BakerMickalene Thomas, who received her MFA from the Yale School of Art in 2002, is celebrated for her richly layered portraits that reframe histories of representation. In Josephine Baker (2002), Thomas turns to the legendary performer and activist, constructing a bold, stylized image that foregrounds Black femininity, glamour, and agency. Through her distinctive collage-like approach, the work reclaims and repositions a cultural icon within the canon of art history.
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Auctions
Exhibition Information
Exhibition Information
New York | 2–14 May 2026
Monday–Saturday | 10:00AM–5:00PM
Sunday | 1:00PM–5:00PM
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