Shop handmade fine gold jewelry by <a href="https://www.sothebys.com/en/buy/british-goldsmiths?creators=Sian%2520Evans" rel="noopener noreferrer" target="_blank">Sian Evans</a>, <a href="https://www.sothebys.com/en/buy/british-goldsmiths?creators=Lucie%2520Gledhill" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a> and <a href="https://www.sothebys.com/en/buy/british-goldsmiths?creators=Christopher%2520Thompson%2520Royds" rel="noopener noreferrer" target="_blank">Christopher Thompson Royds</a>. Originally part of <a href="https://www.sothebys.com/en/articles/sothebys-presents-a-group-of-innovative-british-designers-in-quartet-goldsmithing-in-london-now?iid=bn1000000188" rel="noopener noreferrer" target="_blank">London Craft Week</a>, these modern masterpieces showcase the creativity of British design.

British Goldsmiths

Ring designed as a bow with white micro-set diamonds, set in white gold.<ul><li>Diamonds weighing a total of approximately 1.32 carats</li><li>18 karat white gold</li><li>Size 6</li></ul>

Diamond and White Gold Medium Beaux Ring

Designed as a pair of bows, pavé-set with round diamonds.<ul><li>Diamonds weighing a total of approximately 1.06 carats</li><li>18 karat white gold</li></ul>

White Gold and Diamond Beaux Earrings

Ring designed as a pair of bows with white micro set diamonds, set in white gold.<ul><li>Diamonds weighing a total of 2.02 carats</li><li>18 karat white gold</li><li>Size 6</li></ul>

Diamond and White Gold Double Beaux Ring

Bangle designed as a pair of bows with micro-set diamonds, set in white gold.<ul><li>Diamonds weighing a total of 1.70 carats</li><li>18 karat white gold</li></ul>

 Diamond and White Gold Double Beaux Bangle

Designed as a small bow pavé-set with round diamonds<ul><li>Diamonds weighing a total of 0.70 carat</li><li>18 karat white gold</li><li>Size 6</li></ul>

White Gold and Diamond Small Beaux Ring

Designed as a graduated and articulated series of brushed metal curb links.<ul><li>Maker's mark LG; British hallmarks</li><li>18 karat yellow gold</li><li>Total weight 12.2 grams</li><li>Size 8</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Gold Double Graduated Chain Ring

Designed as a series of graduating interlocking circular links.<ul><li>18 karat yellow gold</li><li>Earring length 1.9 inches</li><li>Total weight 3.2 grams</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>

Gold Tapered Fishbone Earrings

Designed as interlocking hammered gold links.<ul><li>18 karat yellow gold</li><li>Length 2.9 cm</li><li>Total weight 13.8 grams</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Gold Sun Wheel Earrings

Designed as a single link.<ul><li>18 karat yellow gold</li><li>Length 0.82 inches</li><li>Total weight 4.8 grams</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Gold Single Fishbone Link Earrings

Composed of interlocking circular links.<ul><li>18 karat yellow gold</li><li>Earrings length 3 11/32 inches</li><li>Total weight 16.9 grams</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Gold Straight Fishbone Earrings

Designed as a series of hammered links.<ul><li>Maker's mark LG; British hallmarks</li><li>18 karat yellow gold</li><li>Total weight 9.7 grams</li><li>Size 8 ½</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Gold Fishbone Ring

Of rope-twist design, composed of interlocking wire links.<ul><li>18 karat yellow gold</li><li>Inner circumference 45.5 cm</li><li>Total weight 50.7 grams</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Gold Rope Necklace

Designed as interlocking hammered gold links.<ul><li>18 karat yellow gold</li><li>Length 1.67 cm</li><li>Total weight 7.4 grams</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Designed as a series of twisted curb links.<ul><li>18 karat yellow gold</li><li>Length 2.7 inches</li><li>Total weight 9 grams</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

 Gold Jumbled Chain Earrings

Designed as a series of hammered links.<ul><li>Length 44 cms</li><li>18 karat gold</li><li>Gross weight approximately 46 grams</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Gold Fishbone Necklace

Designed as a series of hammered links.<ul><li>Maker's mark LG; British hallmarks</li><li>18 karat yellow gold</li><li>Total weight 6.0 grams</li><li>Size 6</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Designed as a series of interlocking circular links.<ul><li>18 karat yellow gold</li><li>Earrings length 1 3/16 inches</li><li>Total weight 10.3 grams</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Gold Triangle Fishbone Earrings

Designed as a series of interlocking hammered links.<ul><li>18 karat yellow gold</li><li>Earrings length 3.4 inches</li><li>Total weight 7 grams</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Gold Tapered Eclipse Earrings

Designed as a series of interlocking hammered flat links.<ul><li>Maker's mark LG; British hallmarks</li><li>18 karat yellow gold</li><li>Total weight 10.8 grams</li><li>Size 6</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Gold Single Fishbone Chain Ring

Designed as a brushed, graduated and articulated gold curb-link chain.<ul><li>British hallmarks and maker's mark</li><li>18 karat yellow gold</li><li>Total weight 9.4 grams</li><li>Size 7 ½</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Gold Curb Link Ring

Designed as a graduated series of hollow gold curb links.<ul><li>Length 40.64 cm</li><li>18 karat recycled gold</li><li>Gross weight approximately 71.7 grams</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=lucie" rel="noopener noreferrer" target="_blank">Lucie Gledhill</a>&nbsp;uses recycled precious metals for chain making. Whilst chain is what she creates, she also engages with themes including connectivity, strength, flexibility and material relationships. Lucie’s relationship with her materials has enabled her to predict what they will do and how they will behave. She likes to push the material to its limits as it pushes her to her own. Lucie deliberately uses a low-tech approach to making – alloying gold, pouring ingots, drawing wire, which she uses for jewelry collections as well as sculptural objects.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">This piece is part of Sotheby's London Craft Week</a>.

Gold Hollow Curb Link Chain

Designed with a hand-engraved rabbit and carrot motif, with white rhodium plating.<ul><li>9 karat yellow gold</li><li>Total weight 6.5 grams</li><li>Pendent dimensions 0.5 x 0.4 inches</li><li>Chain length 20 inches</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Gold Rabbit Pendant Necklace

Hand-engraved gold, decorated with black onyx.<ul><li>9 karat gold</li><li>Total weight 15.8 grams</li><li>Ring size 9</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Gold and Onyx Oubiette Ring

The oval pendant is hand-engraved with a floral motif, set with a circular cut sapphire and decorated with blue ceramic and yellow gold plating.<ul><li>Silver</li><li>Total weight 10.3 grams</li><li>Chain length 20 inches</li><li>Pendant dimensions 1.27 x 0.78 inches</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Silver, Ceramic and Sapphire Floral Pendant Necklace

Hand-engraved with a snake design, decorated with metallic green ceramic plating.<ul><li>Maker's mark JEH; British hallmarks</li><li>&nbsp;9 karat rose gold</li><li>Gross weight 9.7 grams</li><li>Ring size 8½</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Rose Gold and Ceramic Speak In Tongues Ring

The hand-engraved gold band set with circular cut pink sapphires and burgundy ceramic plating.<ul><li>18 karat yellow gold</li><li>Total weight 9.8 grams</li><li>Ring size 7¾</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry you, either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Gold, Ceramic and Pink Sapphire Tribal Band Ring

Featuring a hand-engraved floral heart design.<ul><li>Maker's mark JEH; British hallmarks</li><li>22 karat gold</li><li>Total weight 9.2 grams</li><li>Pendant dimensions 0.78 x 0.63 inches</li><li>Chain length 18 inches</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Gold Heart Motif Pendant Necklace

Designed as a continuous series of circular plaques, each with red ceramic-plated hand-engravings, one set with a brilliant cut diamond, the others set with circular cut rubies.<ul><li>9 karat gold</li><li>Total weight 7.6 grams</li><li>Ring size 11¾</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Gold, Ceramic and Ruby Mini Carousel Ring

Of signet ring design, with hand-engraved decorations.&nbsp;<ul><li>Maker's mark JEH; British hallmarks</li><li>Silver</li><li>Total weight 11.6 grams</li><li>Size 7</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Silver Japanese Chisel Ring

Decorated with a hand-engraved sunflower design, plated with ceramic yellow gold.<ul><li>Maker's mark JEH; British hallmarks</li><li>Silver</li><li>18 karat gold plating</li><li>Total weight 10 grams</li><li>Ring size 5</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Gold and Ceramic Sunflower Ring

Hand-engraved and decorated with purple ceramic plating.<ul><li>Silver</li><li>Total weight 24.8 grams&nbsp;</li><li>Pendant dimensions 1.6 x 1.18 inches</li><li>Chain length 24 inches</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Silver and Ceramic Guardian Pendant Necklace

Featuring a hand-engraved floral heart design.<ul><li>Maker's mark JEH; British hallmarks</li><li>22 karat gold</li><li>Total weight 12.8 grams</li><li>Pendant dimensions 1.1 x 0.82 inches</li><li>Chain length 20 inches</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Gold Heart Pendant Necklace

Hand-engraved silver pigeon signet ring with yellow gold engravings.<ul><li>Maker's mark JEH; British hallmarks</li><li>Silver</li><li>Total weight 3 grams</li><li>Ring size 3¾</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Silver Pigeon Ring

The oval pendant is hand-engraved with a heart and floral motif, decorated with pearlescent pink ceramic enamel plating, suspended from a single-strand of pink cultured pearls.<ul><li>Maker's marks JEH; British hallmarks</li><li>9 karat gold</li><li>Pendant dimensions 1.1 x 0.8 inches</li><li>Necklace length 17.9 inches</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Gold and Cultured Pearl Pendant Necklace

Hand-engraved with a snake design, with blue ceramic plating.<ul><li>Maker's mark JEH; British hallmarks</li><li>9 karat yellow gold</li><li>Total weight 5.2 grams</li><li>Ring size 8 ¼</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

Gold and Ceramic Three Serpents Ring

Designed as a central hand-engraved fissure with metallic purple ceramic-plated decoration.&nbsp;<ul><li>Maker's mark JEH; British hallmarks</li><li>9 karat gold</li><li>Total weight 8.6 grams</li><li>Size 7½</li></ul> <a href="https://www.sothebys.com/en/buy/london-craft-week?query=castro" rel="noopener noreferrer" target="_blank">Castro Smith</a>&nbsp;began his training with a traditional apprenticeship with the Goldsmiths’ Company and studied with one of the largest engraving firms, RH Wilkins. It took him three months just to learn how to hold the tools correctly. He now makes his tools; it’s such a small industry, you either need to have them handed down to you or make them yourself. The technique Smith uses, "seal engraving," goes back to ancient times. A seal is always engraved in reverse and is much deeper than traditional two-dimensional hand-engraving with a third or fourth dimension added, which is deeper and finer and takes much more time to achieve. Traditionally the signet ring would bear the family crest and the ring would be stamped onto hot wax to seal important documents. Now, Castro uses his knowledge of engraving to create contemporary pieces and to experiment with European and Japanese engraving techniques, producing a cross-fertilization of styles and processes. Smith’s trademark is to engrave around the whole ring rather than just its top as is traditional.&nbsp;<a href="https://www.sothebys.com/en/buy/london-craft-week" rel="noopener noreferrer" target="_blank">Sotheby's London Craft Week</a>.

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