Shop a curated selection of Editions at Sotheby’s from top modern and contemporary artists. Browse collectible editions from Damien Hirst, Jeff Koons and more. Discover new to market exclusive editions only available at Sotheby’s.&nbsp;

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Pablo Picasso

Andy Warhol

Marc Chagall

Jeff Koons

Damien Hirst

Editions

Daniel Arsham

Canyons of the Unknown by <a href="https://www.sothebys.com/en/search?query=Daniel+Arsham&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Daniel Arsham</a>, 2026.<ul><li>Daniel Arsham (American, born 1980).</li><li>LITO Hi-Rnd © technology print on paper.</li><li>Part of a limited edition of 25.</li><li>Signed and numbered by the artist.</li><li>This work is presented in a black aluminum frame.</li></ul> Sotheby’s and LITO present a new release of LIMITED editions by Daniel Arsham, featuring two new works, Jungle Sculpture (2026) and Canyons of the Unknown (2026). Drawing on the archaeological language that has become central to his practice over the past decade, Arsham creates images that exist outside a fixed moment in time. Suspended somewhere between past and future, his works invite viewers to imagine their own narratives, encountering familiar forms as though they were discovered in an unknown era. Both Jungle Sculpture and Canyons of the Unknown reflect this approach, presenting evocative scenes that feel at once ancient, contemporary and speculative. Selected by the artist for their ability to expand the visual vocabulary of his editions, the two works introduce new palettes while remaining rooted in the themes that have defined his broader body of work. Structured around carefully balanced compositions that guide the viewer through the image, they create a sense of movement and perspective, drawing the eye across the landscape and into the narrative space of the painting. The result is an exclusive series of works that feel cinematic in atmosphere, inviting viewers to place themselves within the scene and imagine what came before, or what may come after. Produced using LITO’s proprietary Hi-Rnd© technology, the editions bring together texture, relief, color and surface in a new original body of work. Presented on paper and framed in black aluminum, each edition captures the depth and material presence of Arsham’s paintings while offering a distinctive viewing experience. Shop Sotheby's <a href="https://www.sothebys.com/en/buy/fine-art/editions/LIMITED" rel="noopener noreferrer" target="_blank">LIMITED</a>, exclusive editions created in collaboration with leading contemporary artists only available at Sotheby's. <a href="https://www.sothebys.com/en/articles/introducing-the-sothebys-limited-patron-program" rel="noopener noreferrer" target="_blank">Elevate your experience – join our Sotheby's LIMITED Patron Program</a>

Canyons of the Unknown

Raymond Pettibon

No Title (But the sand...) by <a href="https://www.sothebys.com/en/search?query=Raymond+Pettibon&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Raymond Pettibon</a>, 2026.<ul><li>Raymond Pettibon (American, born 1957).</li><li>LITO Hi-Rnd © technology print on mirrored aluminum.</li><li>Part of a limited edition of 25.</li><li>Signed and numbered by the artist.</li><li>This work is presented framed.</li></ul> Sotheby’s and LITO present a new release by Raymond Pettibon, featuring three works drawn from the artist’s enduring engagement with the imagery of the ocean and the solitary surfer. Emerging from the Southern California punk scene of the 1980s, Pettibon developed a visual language that would come to define a generation. Originally recognized for his graphics, posters and album artwork for influential bands including Black Flag and Sonic Youth, he has since established himself as one of the most celebrated figures in contemporary American art. Throughout his practice, Pettibon has combined image and text to create works that are at once poetic, provocative and psychologically charged. First developed in the mid-1980s, Pettibon’s wave and surfer works occupy a distinctive place within his oeuvre. Neither straightforward depictions of surfing nor celebrations of coastal life, these compositions explore the tension between human scale and the immense, unpredictable forces of nature. The motif of the lone surfer navigating towering waves has become one of the most enduring and recognizable subjects in the artist’s work. The three new editions — No Title (What is the…), No Title (As she turn’d…) and No Title (But the sand…) — embody this recurring theme through dynamic compositions, expressive mark-making and vibrant color. Conceived on mirrored aluminum and anodized aluminum, the works engage with the material qualities of their supports, creating shifting visual experiences that evolve with light, perspective and environment. Produced using LITO’s proprietary Hi-Rnd© technology, the editions bring together texture, relief, color and surface in a new original body of work. Shop Sotheby's <a href="https://www.sothebys.com/en/buy/fine-art/editions/LIMITED" rel="noopener noreferrer" target="_blank">LIMITED</a>, exclusive editions created in collaboration with leading contemporary artists only available at Sotheby's. <a href="https://www.sothebys.com/en/articles/introducing-the-sothebys-limited-patron-program" rel="noopener noreferrer" target="_blank">Elevate your experience – join our Sotheby's LIMITED Patron Program</a>

No Title (But the sand...)

Al Hirschfeld

Cultural Calendar, by <a href="https://www.sothebys.com/en/search?query=Al+Hirschfeld&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Al Hirschfeld</a>, 1983.<ul><li>Al Hirschfeld (American, 1903-2003).</li><li>Lithograph.</li><li>Hand signed and numbered.</li><li>Part of an edition of 250, this being 54.</li><li>This work is presented framed.</li></ul>

Cultural Calendar

Richard Anuszkiewicz

Red II, by <a href="https://www.sothebys.com/en/search?query=Richard+Anuszkiewicz&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Richard Anuszkiewicz</a>, 1991.<ul><li>Richard Anuszkiewicz (American, 1930–2020).</li><li>Screenprint on panel mounted to screenprint paper.</li><li>Hand signed and dated.</li><li>Artist proof for an edition of 60.</li><li>This work is presented unframed.</li></ul> Richard Anuszkiewicz, a student of Josef Albers, shared Albers’ fascination with shapes and their relationships to color. Considered a major force in the Op Art movement, Anuszkiewicz concerned himself with the optical changes that occur when different high-intensity colors are applied to the same geometric configurations.

Red II

Rachel Whiteread

Squashed, by <a href="https://www.sothebys.com/en/search?query=Rachel+Whiteread&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Rachel Whiteread</a>, 2010.<ul><li>Rachel Whiteread (British, born 1963).</li><li>Print on handmade paper.</li><li>Hand signed, numbered, titled, and dated.</li><li>Par of an edition of 42, this being 30.</li><li>Printed and published by Mixografia, Los Angeles, 2010.</li><li>This work is presented unframed.</li></ul> Apart from the standard limitation of 42, Squashed additionally saw 5 artist proofs and 5 hors commerce impressions. The present example is signed and dated at the lower right of the image and numbered at the lower left.

Squashed

Rufino Tamayo

Figura en Rojo, by <a href="https://www.sothebys.com/en/search?query=Rufino+Tamayo&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Rufino Tamayo</a>, 1989.<ul><li>Rufino Tamayo&nbsp;(Mexican, 1899-1991).</li><li>Print on handmade paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 100, this being 20.</li><li>Printed and published by Mixografia, Los Angeles, 1989.</li><li>This work is presented unframed.</li></ul> Apart from the standard limitation of 100, Figura en Rojo additionally saw 30 artist proofs and 30 hors commerce impressions. The present example is signed at the lower right of the image and numbered at the lower left.

Figura En Rojo

Jason Martin

Untitled White, by <a href="https://www.sothebys.com/en/search?query=Jason+Martin&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Jason Martin</a>, 2014.<ul><li>Jason Martin (British, born 1970).</li><li>Print on handmade paper.</li><li>Hand signed, numbered, and dated.</li><li>Part of an edition of 25, this being 11.</li><li>Printed and published by Mixografia, Los Angeles, 2014.</li><li>This work is presented unframed.</li></ul> Apart from the standard limitation of 25, Untitled White additionally saw 5 artist proofs and 5 hors commerce impressions. The present example is signed, numbered, and dated at the lower right edge.

Untitled White

Leonora Carrington

Angeles, by <a href="https://www.sothebys.com/en/search?query=Leonora+Carrington&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Leonora Carrington</a>, 1974.<ul><li>Leonora Carrington (British-Mexican, 1917-2011).</li><li>Lithograph on Arches paper.</li><li>Hand signed, dated, and numbered.</li><li>Part of an edition of 80, this being 12.</li><li>Printed and published by Mixografia, Los Angeles, 1974.</li><li>This work is presented unframed.</li></ul> Apart from the standard limitation of 80, Angeles additionally saw 10 artist proofs and 10 hors commerce impressions. The present example is numbered 12/80 at the lower left, and it is signed and dated at the lower right.

Angeles

Polly Apfelbaum

Twinkle Twinkle, by <a href="https://www.sothebys.com/en/search?query=Polly+Apfelbaum&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Polly Apfelbaum</a>, 2023.<ul><li>Polly Apfelbaum (American, born 1955).</li><li>Print on handmade paper.</li><li>Hand signed, numbered, and dated.</li><li>Part of an edition of 25, this being 13.</li><li>Printed and published by Mixografia, Los Angeles, 2023.</li><li>Published by Mixografia, Los Angeles, 2023.</li><li>This work is presented unframed.</li></ul> Apart from the standard limitation of 25, Twinkle Twinkle additionally saw 5 artist proofs and 5 hors commerce impressions. The present example is numbered 13/25 at the bottom left, and it is signed and dated at the bottom right.

Twinkle Twinkle

George Harrison | Keith West

Piggies, Taxman, and Here Comes the Sun, from: Songs by George Harrison, by <a href="https://www.sothebys.com/en/search?query=George+Harrison&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">George Harrison</a> and <a href="https://www.sothebys.com/en/search?query=Keith+West&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Keith West</a>, 1987.<ul><li>George Harrison (British, 1943-2001).</li><li>Keith West (British, b. 1943).</li><li>Chromolithographs.</li><li>Piggies hand signed by George Harrison and Keith West, Taxman hand signed by Keith West, Here Comes the Sun hand signed by Keith West.</li><li>Part of an edition of 850, these being 456.</li><li>Publisher's set, hors commerce.</li><li>Printed and published by Genesis Publications, Surrey.</li><li>These works are presented unframed.</li></ul> Published in 1987 in conjunction with the Genesis limited edition Songs by George Harrison, these lithographs were created in collaboration with botanical artist Keith West, translating Harrison’s selected lyrics into visual form. Produced in a limitation of 850 impressions, the present examples are numbered 456. The prints were conceived as symbolic reflections on recurring themes in Harrison’s work — nature, society and human behavior. The imagery draws on a long tradition of satirical animal symbolism, carrying unmistakable echoes of Orwellian themes while remaining closely aligned with the spirit of Harrison’s Beatles-era writing. Viewed together, the three works reveal the breadth of Harrison’s lyrical observations and the ambition of West’s visual approach Preserved in the Genesis archive since publication, these lithographs are from the small number of publisher-held copies that remained. This set is presented with a certificate of authenticity from the publishers.

Songs by George Harrison Portfolio Set

Maurizio Cattelan 

L.O.V.E, by <a href="https://www.sothebys.com/en/search?query=Maurizio+Cattelan&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Maurizio Cattelan</a>, 2015.<ul><li>Maurizio Cattelan (Italian, born 1960).</li><li>Concrete.</li><li>Stamped by the artist's estate.</li><li>Part of an edition of 1800.</li></ul>

L.O.V.E

Wassily Kandinsky | Joan Miró | Various Artists

Fraternity, a set of etchings by various <a href="https://www.sothebys.com/en/buy/fine-art/editions?locale=en" rel="noopener noreferrer" target="_blank">artists</a>, 1939, including <a href="https://www.sothebys.com/en/search?query=Joan+Mir%C3%B3&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Joan Miró</a> and <a href="https://www.sothebys.com/en/search?query=Wassily+Kandinsky&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Wassily Kandinsky</a>.<ul><li>Sold as a set of 9 etchings, with accompanying portfolio.</li><li>Hand Signed Etchings on Montval Wove Paper.</li><li>Edition 97 of 101.</li><li>Presented in the original green paper bound portfolio sleeve and cover; the cover bears a further etching by Stanley William Hayter.</li></ul> Each of the works in the portfolio is hand signed in pencil by each artist. The portfolio is hand numbered in pencil “97” on the justification page. This portfolio was printed in the limited edition of 101 by Atelier 17 and Henri Hecht, there were a further 12 copies produced for the collaborators. The portfolio contains the poem by English poet Stephen Spender, titled Fall of a City. The poem was translated into French by Louis Aragon, who has signed the translation “Aragon” in pencil. The contributing artists are:1. John Buckland-Wright2. Stanley William Hayter3. Josef Hecht4. Dalla Husband5. Wassily Kandinsky6. Roderick Mead7. Joan Miró8. Dolf Reiser9. Luis Vargas This work was commissioned in support of the Spanish Republic and was published to mark the fall of Madrid on 29th March 1939.

Fraternity | Fraternité, 1939

Deux Femmes Avec un Vase à Fleurs, by <a href="https://www.sothebys.com/en/search?query=pablo+picasso&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Pablo Picasso</a>, 1959.<ul><li>Pablo Picasso (Spanish, 1881-1973).</li><li>Linocut in colors on Arches wove paper.</li><li>Hand signed.</li><li>Part of an edition of 20 artist proofs outside the standard edition of 50.</li><li>Printed by Arnéra, Vallauris, 1960.</li><li>Published by Galerie Louise Leiris, Paris, 1960.</li><li>This work is presented unframed.</li></ul> Hand signed "Picasso" in graphite to the at the lower right of the image. This set of artist proofs, limited to an edition of 20, was printed by Arnéra in cream white on black ground, which results in its blue-grey tonality.

 Deux Femmes Avec un Vase à Fleurs

Jacqueline de Profil à Droite, by <a href="https://www.sothebys.com/en/search?query=Pablo+Picasso&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Pablo Picasso</a>, 1958.<ul><li>Pablo Picasso (Spanish, 1881-1973).</li><li>Lithograph on Arches wove paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 50, this being 20.</li><li>Printed by Mourlot, 1958-59.</li><li>Published by Galerie Louise Leiris, 1958-59.</li><li>This work is presented framed.</li></ul> Signed "Picasso" in graphite at the lower right of the image, numbered "20/50" at the lower left. Having relocated to the Côte d’Azur with Françoise Gilot, in the late 1940s, Picasso met Jacqueline in summer 1952 in the Madoura pottery workshops. By this time, the artist’s relationship with Gilot was deteriorating, and Jacqueline quickly replaced her in his affections, becoming his lover, muse and eventually his wife—the last great female presence in Picasso’s life and the subject of innumerable paintings and prints produced in the 1950s and 1960s.&nbsp; Picasso embarked on a series of portraits of Jacqueline in the summer of 1955. That December, he created the first state of six of the series of prints to which Jacqueline en profil à Droite belongs. The plates were transported to Mourlot’s workshop in Paris so that proofs could be printed and then taken back to Picasso in the south for his scrutiny. More than a year passed before the artist resumed work on the plates. On December 27, 1958, he developed them in one day, taking some through as many as three states.

Jacqueline de Profil à Droite

Zao Wou-Ki

Etching No. 163, by <a href="https://www.sothebys.com/en/search?query=zao+wou+ki&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Zao Wou-Ki</a>, 1965.<ul><li>Zao Wou-Ki (Chinese 1921-2013).</li><li>Etching and aquatint in colors on Arches wove paper.</li><li>Hand signed, numbered, and dated.</li><li>Part of an edition of 95, this being 89.</li><li>Printed by Atelier Lacourière et Frélaut, Paris, 1965.</li><li>Published by Atelier Lacourière et Frélaut, Paris, 1965.</li><li>This work is presented unframed.</li></ul>&nbsp;This etching and aquatint in colors is hand signed in pencil by the artist in Chinese and Pinyin at the lower right margin. It is dated in pencil “65” [1965], next to the signature. The work is additionally hand numbered in pencil from the edition of 95 at the lower left margin.&nbsp;This impression is one of the 75 impressions on Arches paper, the remaining 20 were on Japan Nacre paper. In addition to these 95 impressions, there were 20 signed and numbered artist’s proofs. This work was printed and published by Atelier Lacourière et Frélaut, Paris in the same year.&nbsp;The paper bears the blindstamp of the publisher in the lower left corner and the Arches watermark in the center of the lower margin.

Etching No. 163

Canto Pisan, by <a href="https://www.sothebys.com/en/search?query=zao+wou+ki&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Zao Wou-Ki</a>, 1972.<ul><li>Sold as a set of 8.</li><li>Zao Wou-Ki (Chinese, 1921-2013).</li><li>Etchings and aquatints in colors on Arches wove paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 50, these being 29.</li><li>Printed by Atelier Bellini, Paris.</li><li>Published by Pierre Belfond, Paris, 1972.</li><li>These works are presented unframed.</li></ul>&nbsp;These eight original etchings and aquatints in colors are hand signed in pencil by the artist "Zao Wou-Ki" in Chinese and Pinyin at the lower right margin. They are each hand numbered in pencil from the edition of 50, at the lower left margin.&nbsp;The works were printed by Atelier Bellini, Paris and published by Pierre Belfond, Paris in 1972 in a total limited edition of 260 signed and numbered impressions. There were an additional 30 numbered in Roman numerals on Japan nacre and an edition of 180 on Arches wove paper. The eight etchings and aquatints are accompanied by the text and folio case.&nbsp;The Cantos are a collection of epic poems spanning 40 years of writing by Ezra Pound. The Pisan Cantos were written by the poet during his wartime incarceration following the American liberation of Italy. The Pisan Cantos are significant for their inclusion of Chinese characters and other non-English languages in the core of the texts. With only three books permitted during his detention, Pound selected a text by Confucius in the original language, a translation to English of the same text, and a Chinese dictionary.&nbsp;Zao Wou-Ki blended traditional Chinese expressionism with Western European abstraction to produce his interpretation of The Canto Pisan. With this series, Wou-Ki continued his ongoing union of Eastern and Western ideas, finding a common visual language.&nbsp;

Canto Pisan

Fishing [La Pêche], by <a href="https://www.sothebys.com/en/search?query=zao+wou+ki&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Zao Wou-Ki</a>, 1951.<ul><li>Zao Wou-Ki (Chinese, 1921-2013).</li><li>Drypoint on wove paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 30, this being 22.</li><li>Printed by G. Leblanc, Paris, 1951.</li><li>Published by Editions d'Art L'Oeuvre Gravée.</li><li>This work is presented unframed.</li></ul>&nbsp;This original drypoint is hand signed in pencil by the artist "Zao Wou-Ki" at the lower right margin.&nbsp;It is also hand numbered in pencil from the edition of 30, at the lower left margin.&nbsp;The drypoint was printed by G. Leblanc, Paris in 1951 in a limited edition of 30 signed and numbered impressions. There were an additional small number of artist’s proofs aside from the standard edition. Attached to the sheet's verso, there is the original publisher's label from Editions d'Art L'Oeuvre Gravée stating the medium, title and date.

Fishing | La Pêche

Gerhard Richter

Cube on Lawn Chair, from: Nine Objects [Neun Objekte], by <a href="https://www.sothebys.com/en/search?query=gerhard+richter&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Gerhard Richter</a>, 1969.<ul><li>Gerhard Richter (German, b. 1932).</li><li>Offset lithograph on wove paper.</li><li>Hand signed, numbered, and dated.</li><li>Part of an edition of 80, this being 51.</li><li>Printed by Hoppe &amp; Werry, Mulheim an der Ruhr.</li><li>Published by Galerie Heiner Friedrich and Verlag G. v. Pape, Munich, 1969.</li><li>This work is presented unframed.</li></ul> This offset lithograph is hand signed and dated in pencil by the artist "Richter, 1969" at the lower right margins. It is hand numbered in pencil “51/80” at the lower right margin. It was printed by Hoppe &amp; Werry, Mulheim an der Ruhr. and was co-published by Galerie Heiner Friedrich and Verlag G. v. Pape, Munich in 1969 in a limited edition of 80 impressions with 20 artist’s proofs. This impression is illustrated in the Gerhard Richter official website.&nbsp;In Neun Objekte, Richter produced very elaborate optical illusions. He constructed the nine three-dimensional objects himself and photographed them in everyday environments. He then had the photographs professionally retouched so that the constructions appeared spatially impossible. After re-photographing the reworked images, Richter printed them using offset technique.

Cube on Lawn Chair from Nine Objects | Neun Objekte

Object on Cloth, from: Nine Objects [Neun Objekte], by <a href="https://www.sothebys.com/en/search?query=gerhard+richter&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Gerhard Richter</a>, 1969.<ul><li>Gerhard Richter (German, b. 1932).</li><li>Offset lithograph on wove paper.</li><li>Hand signed, numbered, and dated.</li><li>Part of an edition of 80, this being 51.</li><li>Printed by Hoppe &amp; Werry, Mulheim an der Ruhr. </li><li>Published by Galerie Heiner Friedrich and Verlag G. v. Pape, Munich, 1969.</li><li>This work is presented unframed.</li></ul> This offset lithograph is hand signed and dated in pencil by the artist "Richter, 1969" at the lower right margins. It is hand numbered in pencil “51/80” at the lower right margin. It was printed by Hoppe &amp; Werry, Mulheim an der Ruhr. and was co-published by Galerie Heiner Friedrich and Verlag G. v. Pape, Munich in 1969 in a limited edition of 80 impressions with 20 artist’s proofs. This impression is illustrated in the Gerhard Richter official website.&nbsp;In Neun Objekte, Richter produced very elaborate optical illusions. He constructed the nine three-dimensional objects himself and photographed them in everyday environments. He then had the photographs professionally retouched so that the constructions appeared spatially impossible. After re-photographing the reworked images, Richter printed them using offset technique.

Object on Cloth from Nine Objects | Neun Objekte

Emil Nolde

Conversation [Unterhaltung], by <a href="https://www.sothebys.com/en/search?query=Emil+Nolde&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Emil Nolde</a>, 1906.<ul><li>Emil Nolde (German, 1867-1956).</li><li>Etching in color on Van Gelder laid paper.</li><li>Hand signed, numbered, and dated.</li><li>Part of an edition of 20, this being 3.</li><li>Printed by Otto Felsing, Berlin.</li><li>This work is presented unframed.</li></ul> This etching in blue ink is hand signed and dated in pencil by the artist "Emil Nolde 06" at the lower right margin.&nbsp;It is also titled Unterhaltung [Conversation], by the artist’s wife Ada Nolde, in the lower margin.&nbsp;It is additionally hand numbered in pencil from the edition of 20, at the lower left margin. The work is further signed and inscribed by the printer “O. Felsing Berlin gdr.” [Otto Felsing, Berlin Printed], along the lower left platemark. The paper bears the Van Gelder Zonen watermark in the upper right margin.

Conversation | Unterhaltung

Henry Moore

Reclining Figure Architectural Background I, by <a href="https://www.sothebys.com/en/search?query=Henry+Moore&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Henry Moore</a>, 1977-80.<ul><li>Henry Moore (British, 1898-1986).</li><li>Lithograph in colors on T.H. Saunders wove paper.</li><li>Hand signed and numbered.</li><li>Part of an artist's proof edition of 10, this being 3.</li><li>Printed by Curwen Prints Ltd., London.</li><li>Published by Raymond Spencer Company Ltd. for the Henry Moore Foundation, Much Hadham, 1980.</li><li>This work is presented unframed.</li></ul>&nbsp;&nbsp;This lithograph in colors is hand signed by the artist in pencil "Moore" at the lower right margin. It is also hand numbered in Roman numerals, at the lower left margin. This impression is one of ten artist's proofs aside from the standard edition of 50. It was printed by Curwen Prints Ltd., London and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in 1980.

Reclining Figure Architectural Background I

Joan Miró

The Convict and his Companion [Le Bagnard et sa Compagne], by <a href="https://www.sothebys.com/en/search?query=Joan+Mir%C3%B3&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Joan Miró</a>, 1975.<ul><li>Joan Miró (Spanish, 1893-1983).</li><li>Etching and aquatint in colors on Arches wove paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 50, this being 35.</li><li>Printed by Arte Adrien Maeght, Paris.</li><li>Published by Maeght Éditeur, Paris.</li><li>This work is presented unframed.</li></ul> This original etching and aquatint is hand signed in white pencil by the artist "Miró" in the lower right image. It is also hand numbered in pencil from the edition of 50, at the lower left image. There were also a small number of hors commerce impressions. It was printed in a limited edition of 50 signed and numbered impressions by Arte Adrien Maeght, Paris, and it was published by Maeght Éditeur, Paris in the same year. The paper bears the Maeght watermark in the lower left and right sheet.

The Convict and His Companion | Le Bagnard et Sa Compagne

David Hockney

On it May Stay its Eye, from: The Blue Guitar, by <a href="https://www.sothebys.com/en/search?query=David+Hockney&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">David Hockney</a>, 1976.<ul><li>David Hockney (British, 1937-2026).</li><li>Etching and aquatint in colors on Inveresk paper.</li><li>Hand signed and numbered.</li><li>Part of an artist's proof edition of 35, this being 4.</li><li>Printed by Maurice Payne of the Petersburg Press, London.</li><li>Published by Petersburg Press, London, 1977.</li><li>This work is presented unframed.</li></ul> This etching and aquatint is hand signed in pencil by the artist "David Hockney" at the lower right margin.&nbsp;It is also inscribed “AP” [artist’s proof] and hand numbered in pencil from the edition of 35, at the lower left margin. This impression is one of 35 artist’s proofs hand signed and numbered with Roman numerals aside from the standard edition of 200. This composition is the 17th from the series of 20 for The Blue Guitar. This work was printed by Maurice Payne of the Petersburg Press, London and was published by Petersburg Press, London in 1977. The title is stamped in ink at the center of the lower margin, verso.

On it May Stay its Eye

Figures with Still Life, from: The Blue Guitar, by <a href="https://www.sothebys.com/en/search?query=David+Hockney&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">David Hockney</a>, 1976.<ul><li>David Hockney (British, 1937-2026).</li><li>Etching and aquatint in colors on Inveresk paper.</li><li>Hand signed and numbered.</li><li>Part of an artist's proof edition of 35, this being 4.</li><li>Printed by Maurice Payne of the Petersburg Press, London.</li><li>Published by Petersburg Press, London, 1977.</li><li>This work is presented unframed.</li></ul> This etching and aquatint is hand signed in pencil by the artist "David Hockney" at the lower right margin.&nbsp;It is also inscribed “AP” [artist’s proof] and hand numbered in pencil from the edition of 35, at the lower left margin. This impression is one of 35 artist’s proofs hand signed and numbered with Roman numerals aside from the standard edition of 200. This composition is the 10th from the series of 20 for The Blue Guitar. This work was printed by Maurice Payne of the Petersburg Press, London and was published by Petersburg Press, London in 1977. The title is stamped in ink at the center of the lower margin, verso.

Figures with Still Life

Sam Francis

Untitled (SF-311), by <a href="https://www.sothebys.com/en/search?query=Sam+Francis&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Sam Francis</a>, 1979.<ul><li>Sam Francis (American, 1923-1994).</li><li>Lithograph in colors on wove paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 24, this being 11.</li><li>Printed by George Page at The Litho Shop, Santa Monica.&nbsp;</li><li>Published by The Litho Shop, Santa Monica.&nbsp;</li><li>This work is presented unframed.</li></ul> This lithograph in colors is hand signed by the artist in pencil "Sam Francis" at the lower left image. It is also hand numbered from the edition of 24, at the lower right image. It was printed and published by George Page, master printer at The Litho Shop, which Francis founded in Santa Monica, California.&nbsp;The paper bears a blindstamp of the publisher at the lower right image.

Untitled (SF-311)

Alexander Archipenko

The Mannequins, from: Living Forms [Les Mannequins: Les Formes Vivantes], by <a href="https://www.sothebys.com/en/search?query=alexander+archipenko&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Alexander Archipenko</a>, 1963.<ul><li>Alexander Archipenko (Ukrainian-Russian-American, 1887-1964).</li><li>Lithograph on BFK Rives wove paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 75, this being 32.</li><li>Printed by Erker Presse, St. Gallen, 1963.</li><li>Published by Erker Presse, St. Gallen, 1963.</li><li>This work is presented unframed.</li></ul>&nbsp;This original lithograph is hand signed in pencil "Archipenko" at the lower right corner. It is also hand numbered from the edition of 75, at the lower right corner. This lithograph was printed and published by Erker Presse, St. Gallen Switzerland in 1963. The paper bears the BFK Rives watermark in the right margin and the blindstamp of the publisher in the lower left corner.&nbsp;

The Mannequins | Les Mannequins

Composition III, from: The Seers [Les Voyants], by <a href="https://www.sothebys.com/en/search?query=Joan+Mir%C3%B3&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Joan Miró</a>, 1970.<ul><li>Joan Miró (Spanish, 1893-1983).</li><li>Lithograph in colors on BFK Rives wove paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 75, this being 51.</li><li>Printed by Mourlot, Paris, 1970.</li><li>Published by Louis Broder, Paris, 1970.</li><li>This work is presented unframed.</li></ul>&nbsp;This lithograph in colors is hand signed in pencil by the artist "Miró" at the lower right margin.&nbsp;It is additionally hand numbered in pencil from the edition of 75, at the lower left margin.&nbsp;It was printed by Mourlot, Paris and was published by Louis Broder, Paris in 1970. This is the third composition of six from the portfolio Les Voyants [The Seers]. The paper bears the ‘L.B’ [Louis Broder] watermark in the lower right corner.

Composition III, from: The Seers | Les Voyants

Franz Marc

The Sleeping Shepherdess [Die Schlafende Hirtin], by <a href="https://www.sothebys.com/en/search?query=franz+marc&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Franz Marc</a>, 1912.<ul><li>Franz Marc (German, 1880-1916).</li><li>Woodcut on tissue-thin Japan Paper.</li><li>Hand signed by the artist's wife.</li><li>Proof plate from an unpublished edition.</li><li>This work is presented unframed.</li></ul>&nbsp;This woodcut by Franz Marc is hand signed in pencil by the artist’s wife "Maria Marc", verso. The paper also bears the violet inkstamp, verso "Handdruck vom Originalholzstock bastaetigt:" (Lugt 1782 b) that confirms that work has been printed by hand. This is one of a small number of proofs from an unpublished edition.&nbsp;

The Sleeping Shepherdess | Die Schlafende Hirtin

Kehinde Wiley

Triple Portrait of Charles II, Gold&nbsp;by&nbsp;<a href="https://www.sothebys.com/en/search?query=Kehinde+Wiley&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Kehinde Wiley</a>, 2026.<ul><li>Kehinde Wiley (American, born 1977).</li><li>LITO Hi-Rnd© print on alu dibond.</li><li>Limited Edition of 20.</li><li>Hand-signed and numbered by the artist via adhered backplate.</li><li>This work is sold with aluminum frame.</li></ul> Sotheby’s LIMITED and LITO present original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief and color. The series is based on Kehinde Wiley’s 2008 painting Triple Portrait of Charles II. Drawing on the historical tradition of multi-view portraiture, this work explore identity as layered and constructed rather than singular. The composition features engraved floral elements against mirrored background. Shop Sotheby's <a href="https://www.sothebys.com/en/buy/fine-art/editions/LIMITED" rel="noopener noreferrer" target="_blank">LIMITED</a>, exclusive editions created in collaboration with leading contemporary artists only available at Sotheby's. <a href="https://www.sothebys.com/en/articles/introducing-the-sothebys-limited-patron-program" rel="noopener noreferrer" target="_blank">Elevate your experience – join our Sotheby's LIMITED Patron Program</a>

Triple Portrait of Charles II | Gold

Samson Carries Off the Gates of Gaza, from The Bible, by <a href="https://www.sothebys.com/en/search?query=marc+chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>, 1958.<ul><li>Marc Chagall (Russian-French, 1887-1985).</li><li>Etching with watercolor on Arches Wove paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 100, this being 84.</li><li>Printed by Raymond Haasen, Paris.</li><li>Published by Tériade, Paris.&nbsp;</li></ul> This etching is hand-colored by the artist in watercolor.&nbsp;It is signed in pencil "M. Ch." in the lower right margin.&nbsp;It is additionally hand numbered in pencil from the edition of 100, in the lower left margin. This etching is part of the The Bible series and was printed by Raymond Haasen in 1958 in a limited edition of 100 hand-colored impressions. It is one the 105 images that Chagall created for this series published by Tériade, Paris.&nbsp;

Samson Carries Off the Gates of Gaza

Jungle Sculpture by <a href="https://www.sothebys.com/en/search?query=Daniel+Arsham&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Daniel Arsham</a>, 2026.<ul><li>Daniel Arsham (American, born 1980).</li><li>LITO Hi-Rnd © technology print on paper.</li><li>Part of a limited edition of 50.</li><li>Signed and numbered by the artist.</li><li>This work is presented in a black aluminum frame.</li></ul> Sotheby’s and LITO present a new release of LIMITED editions by Daniel Arsham, featuring two new works, Jungle Sculpture (2026) and Canyons of the Unknown (2026). Drawing on the archaeological language that has become central to his practice over the past decade, Arsham creates images that exist outside a fixed moment in time. Suspended somewhere between past and future, his works invite viewers to imagine their own narratives, encountering familiar forms as though they were discovered in an unknown era. Both Jungle Sculpture and Canyons of the Unknown reflect this approach, presenting evocative scenes that feel at once ancient, contemporary and speculative. Selected by the artist for their ability to expand the visual vocabulary of his editions, the two works introduce new palettes while remaining rooted in the themes that have defined his broader body of work. Structured around carefully balanced compositions that guide the viewer through the image, they create a sense of movement and perspective, drawing the eye across the landscape and into the narrative space of the painting. The result is an exclusive series of works that feel cinematic in atmosphere, inviting viewers to place themselves within the scene and imagine what came before, or what may come after. Produced using LITO’s proprietary Hi-Rnd© technology, the editions bring together texture, relief, color and surface in a new original body of work. Presented on paper and framed in black aluminum, each edition captures the depth and material presence of Arsham’s paintings while offering a distinctive viewing experience. Shop Sotheby's <a href="https://www.sothebys.com/en/buy/fine-art/editions/LIMITED" rel="noopener noreferrer" target="_blank">LIMITED</a>, exclusive editions created in collaboration with leading contemporary artists only available at Sotheby's. <a href="https://www.sothebys.com/en/articles/introducing-the-sothebys-limited-patron-program" rel="noopener noreferrer" target="_blank">Elevate your experience – join our Sotheby's LIMITED Patron Program</a>

Jungle Sculpture

Mel Ramos

Mel Ramos1935 - 2018Dita incised Mel Ramos and numbered 41/60 (on the underside)cast and polished stainless steel56.5 by 33 by 26 cm., 22 1/4 by 13 by 10 1/4 in.Executed in 2017, this work is number 41 from an editionof 60, plus 6 artist’s proofs. This work is accompanied by a certificate of authenticityissued by the Mel Ramos Studio and signed by the artist.

Dita

Jasper Johns

Cross Hatch (Untitled ULAE S.13), by <a href="https://www.sothebys.com/en/search?query=Jasper+Johns&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Jasper Johns</a>, 1977.<ul><li>Jasper Johns (American, born 1930).</li><li>Screenprint on Patapar printing parchment.</li><li>Part of an edition of 3000.</li><li>Published by Brooke Alexander, Inc., New York.</li><li>Printed by Simca Print Artists Inc., New York.</li><li>This work is presented framed.</li></ul> Silkscreen intended as the cover of the Brooke Alexander Jasper Johns Screenprints Catalogue. Includes original booklet.

Cross Hatch (Untitled ULAE S.13)

Muhammad Ali

Under the Sun by <a href="https://www.sothebys.com/en/search?query=Muhammad+Ali&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Muhammad Ali</a>, 1979.<ul><li>Muhammad Ali (American, 1942-2016).</li><li>Screenprint.</li><li>Signed and numbered in pencil.</li><li>Part of an edition of 500.</li><li>This work is presented unframed.</li></ul>

Under the Sun

The Circus [Le Cirque], by <a href="https://www.sothebys.com/en/search?query=Marc+Chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>, 1967.<ul><li>Sold as a set of 38.</li><li>The complete suite of lithographs in colors on Arches wove paper.</li><li>Hand signed and inscribed.</li><li>Edition 244 out of 250.</li><li>Presented in wove paper wrappers, cloth-covered boards and slipcase.</li></ul> This complete suite of 38 original lithographs in colors is hand signed in pencil by the artist "Marc Chagall" on the colophon page. It is stamp numbered from the edition of 250 in Arabic numerals on the justification page. It is one of 250 complete suites printed by Fernand Mourlot and published by Tériade Éditeur, Paris. There were also 20 sets numbered with Roman numerals reserved for the collaborators. The papers bear the Arches watermarks, and it is presented with the original wove paper wrappers, cloth-covered boards and slipcase. Marc Chagall’s deep connection to the circus and its performers stems from his childhood in pre-revolutionary Vitebsk, Russia. During local village fairs, acrobats, clowns, and equestrians would arrive to entertain, yet their lack of recognition often left a somber impression on Chagall. This experience instilled in him a lingering fear that he too might face a similar lack of appreciation as an artist. Despite this, Chagall eventually channeled his fascination with the circus into one of his most celebrated lithographic series, Le Cirque. In 1927, Ambroise Vollard, a leading art dealer and publisher of early 20th-century French art, invited Chagall to create a series of gouaches themed around the circus. Vollard, who himself was a circus enthusiast, even offered Chagall the use of his personal box at the Cirque d’Hiver in Paris. Sidney Alexander, Chagall’s biographer, noted that Chagall was “childishly delighted” by this opportunity. However, after Vollard’s tragic death in 1939, Chagall set the project aside. It was not until Tériade, a close friend and prominent art publisher who had also worked with artists like Pablo Picasso and Henri Matisse, encouraged him to revisit it that Chagall resumed work. Tériade’s support reignited Chagall’s passion, and he chose to switch from gouaches to lithography, a technique he had perfected over the previous two decades. In 1962, Chagall began creating a series of lithographs that captured the vibrant and exhilarating world of the circus. His lithographs featured dreamlike scenes with trapeze artists, dancers, and clowns performing gravity-defying acts amid an adoring audience. The lithographic technique allowed Chagall to integrate his characteristic loose brushwork, rich colors, and layering effects into printmaking. The spontaneity of his hand brilliantly expressed the performers' dazzling movements. The full portfolio, consisting of 38 lithographs—23 in color—was published in 1967 with text by Chagall himself, and it is widely regarded as one of his most remarkable illustrated works.

The Circus | Le Cirque

Niki de Saint Phalle

Happy New Year, by <a href="https://www.sothebys.com/en/search?query=niki+de+saint+phalle&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Niki de Saint Phalle</a>, 1996.<ul><li>Niki de Saint Phalle (American, 1930-2002).</li><li>Etching with hand-coloring on Wove paper.</li><li>Hand signed.</li><li>This work was printed in a small edition.</li><li>Each impression was individually hand painted by Niki de Saint Phalle.</li><li>This work is presented unframed.</li></ul> The work is inscribed “for Ted. with health, laughter, fabulous trips, new encounters, tango lessons, inspiration and all the best for the coming year, love Nikita”, in the lower margin. The word love is followed by a hand drawn heart.

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Daniel Arsham

Raymond Pettibon

Al Hirschfeld

Richard Anuszkiewicz

Rachel Whiteread

Rufino Tamayo

Jason Martin

Leonora Carrington

Polly Apfelbaum

George Harrison, Keith West

Maurizio Cattelan

Wassily Kandinsky, Joan Miró, Various Artists

Pablo Picasso

Pablo Picasso

Zao Wou-Ki

Zao Wou-Ki

Zao Wou-Ki

Gerhard Richter

Gerhard Richter

Emil Nolde

Henry Moore

Joan Miró

David Hockney

David Hockney

Sam Francis

Alexander Archipenko

Joan Miró

Franz Marc

Kehinde Wiley

Marc Chagall

Daniel Arsham

Mel Ramos

Jasper Johns

Muhammad Ali

Marc Chagall

Niki de Saint Phalle