View full screen - View 1 of Lot 72. A Louis XIV gilt-bronze mounted turtleshell and brass boulle marquetry, ebony and blackened pearwood “régulateur de parquet”, attributed to André-Charles Boulle, Claude Raillard, Paris, circa 1675.

A Louis XIV gilt-bronze mounted turtleshell and brass boulle marquetry, ebony and blackened pearwood “régulateur de parquet”, attributed to André-Charles Boulle, Claude Raillard, Paris, circa 1675

Auction Closed

June 24, 04:51 PM GMT

Estimate

20,000 - 30,000 EUR

Lot Details

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Description

10-inch replaced black velvet dial with gilt chapter ring with every minute numbered, held aloft by a reclining figure of Chronos on a plaque signed Claude Raillard A Paris, centre seconds, the similarly signed movement with five tapered pillars, weight-driven going train with later dead beat escapement with depth adjustment to the pallets, spring barrel to the striking train with numbered outside count wheel striking on the top-mounted bell, the case with arched top and corner herms above a slender trunk with glazed lenticle, on a later moulded base; (regilt)


Haut. 210 cm, larg. 33,5 cm, prof. 18 cm ; Height 82 ½ in, width 13 ¼ in, depth. 7 in


Please note that this lot contains restricted materials. Sotheby's is not able to assist buyers with the shipment of any lots containing restricted materials into the U.S.A. Buyer's inability to export or import these lots cannot justify a delay in payment or a sale's cancellation.

Veuillez noter la nouvelle estimation de ce lot : 20 000 - 30 000 € Please note the new estimate of this lot : 20 000 - 30 000 €

Thierry de Maigret, Drouot, Paris, 5 June 2013, lot 75 (Sold 74 000 €)

Related literature :

J-D. Augarde, Les Ouvriers du Temps, Genève, 1996, p. 248, fig. 195)

R. Plomp, Early French Pendulum Clocks, known as Pendules Religeuses, Schiedam, 2009

Museum Angewandte Kunst, André-Charles Boulle, un nouveau style pour l’Europe, Somogy, 2009 p. 71, fig. 11

C. Demetrescu, Les ébénistes de la Couronne sous le règne de Louis XIV, Lausanne, La Bibliothèque des Arts, 2021

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