David de Haen

With Galerie Hahn, Paris;

By whom offered, New York, Sotheby’s, 19 May 1995, lot 89a, unsold;

With Piero Corsini, New York, 1995;

With Galerie Virginie Pitchal, Paris, from 1998;

Private collection, Paris;

Anonymous sale, London, Bonhams, 7 December 2005, lot 68, for £33,600;

Where acquired by Luigi Koelliker (Koelliker Collection, Milan, inv. no. LK1538);

With Robilant & Voena, Paris, by 2013.

Paris, Galerie Virginie Pitchal, Tableaux de maîtres anciens: «Etats d'âme» Visages à travers la peinture du XVI^e au XVIII^e siècle, 10 November – 20 December 1999;

London, Robilant+Voena, French Dutch and Flemish Caravaggesque Paintings from the Koelliker collection, Part II, 28 November – 19 December 2007;

New York, Robilant+Voena at Sperone Westwater, Portraits / Self-Portraits from the 16th to the 21st Century, 12 January – 25 February 2012;

London, Robilant+Voena, In Pursuit of Caravaggio, 21 November 2016 – 17 February 2017;

New York, Robilant+Voena, The Caravaggesque, 20 January 2022 – 11 March 2022;

C. Grilli, ‘David de Haen, pittore olandese a Roma’, in Paragone, XLVIII, 563, 99, January 1997, pp. 43 and 50 nn. 59 and 60, reproduced pl. 38 (as whereabouts unknown);

Gallerie Pitchal, Tableaux de maîtres anciens: «Etats d'âme» Visages à travers la peinture du XVI^e au XVIII^e siècle, exh. cat., Paris, 1999, pp. 40−41, reproduced in colour;

C. Grilli, in Caravaggio e I'Europa. II movimento caravaggesco internazionale da Caravaggio a Mattia Preti, exh. cat., Milan 2005, p. 497;

C. Grilli, in French Dutch and Flemish Caravaggesque Paintings from the Koelliker Collection, Part II, exh. cat., Turin 2007, pp. 30–32, no. 8, reproduced in colour p. 31, as a detail p. 33 and p. 34, under no. 9, fig. 1;

G. Papi, Ribera a Roma, Soncino 2007, pp. 32–33, reproduced p. 198, fig. 33;

C. Grilli, in Portraits / Self-Portraits from the 16th to the 21st Century, G.E. Sperone and M. Voena (eds), exh. cat., New York 2012, pp. 36–38;

W. Franits, The Paintings of Dirck van Baburen ca. 1592/93–1624, Catalogue Raisonné, Amsterdam 2013, pp. 14 n. 73 and 15–16, reproduced p. 339, fig. 12;

C. Grilli, in In Pursuit of Caravaggio, exh. cat., Robilant+Voena, Turin 2016, pp. 54–55, no. 6, reproduced in colour;

G. Papi, ‘Nuove attribuzioni per David de Haen’, in G. Papi, Entro l'aria bruna di'una camera rinchiusa. Scritti su Caravaggio e l'ambiente caravaggesco, Naples 2016, pp. 131 and 137–38 n. 5, reproduced p. 134, fig. 4;

E. Theiler, Painters and Sitters in Early Seventeenth-Century Rome: Portraits of the Soul, Turnhout 2023, pp. 194 and 324 n. 1704, reproduced in colour p. 192, fig. 123;

L.M. Helmus, in De Bentvueghels, Een berucht kunstgenootschap in Rome 1620–1720, L.M. Helmus (ed.), exh. cat., Amsterdam 2023, pp. 62 and 65, reproduced in colour p. 64, fig. 37.