Magnificent Jewels

Magnificent Jewels

View full screen - View 1 of Lot 85. A Rare and Important Pair of Egyptian-Revival Colored Stone and Diamond Pendant-Earclips, Paris | Lacloche Frères | 一對罕有埃及復興風格彩色寶石及鑽石耳墜,巴黎.

Property from an Important Private Collection

Lacloche Frères

A Rare and Important Pair of Egyptian-Revival Colored Stone and Diamond Pendant-Earclips, Paris | Lacloche Frères | 一對罕有埃及復興風格彩色寶石及鑽石耳墜,巴黎

Auction Closed

December 7, 09:12 PM GMT

Estimate

300,000 - 500,000 USD

Lot Details

Description

Property from an Important Private Collection

Lacloche Frères | A Rare and Important Pair of Egyptian-Revival Colored Stone and Diamond Pendant-Earclips, Paris


Lacloche Frères | 一對罕有埃及復興風格彩色寶石及鑽石耳墜,巴黎


The panels depicting two Egyptian figures, set with old European- and single-cut diamonds, accented by buff top emeralds, rubies and onyx, supporting articulated fringes, signed Lacloche Frères Paris, with French assay marks; circa 1925. Fitted with screw backs.

Illustrated in Lacloche Joailliers by Laurence Mouillefarine and Véronique Ristelhueber, page 114.

To be featured in a forthcoming book on Egyptian revival jewelry by Laurence Mouillefarine.

In the 1920s, the vocabulary of luxurious jewelry was largely spelled-out in diamonds and precious colored stones, and the shapes, forms and iconography were thematically influenced to a great degree by various ancient cultures. Vogue magazine published a number of features in 1921 on fashions in ancient Egypt, Greece and the Near East. The discovery of King Tutankhamen’s tomb in 1922 inflamed a fascination with the land of the pharaohs that spread across the globe, and jewelers turned to symbols from ancient Egyptian art as a source of inspiration for their creations of glittering statement pieces. It is a period when trends in fashion and jewelry were inextricably linked. Bias cuts and tunic shapes proliferated. Couturiers such as Doucet, Lanvin and Vionnet created evening dresses which perfectly complemented the latest fashions in jewels such as elongated pendant earrings and panel bracelets. Scarabs, sphinxes, pharaohs, scribes, musicians and archers along with gods in their animal forms such as Anubis and Nekhbet, were often accented by hieroglyphics in undecipherable narratives using diamonds, rubies, sapphires, emeralds and onyx to tell the story. Jean-Marcel Humbert, who was curator at the Musée du Louvre during the 1994 exhibition titled Egyptomania accurately observed that “Egyptomania” is more than a simple mania for Egypt. It is not enough to copy Egyptian forms, artists must “re-create” them in the cauldron of their own sensibility and in the context of their times.” This was surely the goal of Lacloche and they successfully achieved that goal. In 1925, at the Paris Exposition Internationale des Arts Décoratifs, Lacloche exhibited at the Grand Palais and was awarded a Grand Prix. The production of Art Deco Egyptian-themed jewelry was short-lived, lasting until the onset of the 1930s, and it is important to note that these Egyptian-themed examples were fewer in number compared with other types of jewels created during the same period. The exceedingly rare bracelet and pair of earrings by Lacloche offered here can be considered among the finest examples of Egyptian revival Art Deco jewelry and are highly sought-after by an ever increasing number of distinguished collectors.