View full screen - View 1 of Lot 7. The Holy Family with Saints Catherine and Ursula | 《聖家與聖凱薩琳及烏蘇拉》.
7

The Master of 1518

The Holy Family with Saints Catherine and Ursula | 《聖家與聖凱薩琳及烏蘇拉》

VAT reduced rate

Estimate:

150,000

to
- 200,000 GBP

Property from a Distinguished Spanish Private Collection

The Master of 1518

The Master of 1518

The Holy Family with Saints Catherine and Ursula | 《聖家與聖凱薩琳及烏蘇拉》

The Holy Family with Saints Catherine and Ursula | 《聖家與聖凱薩琳及烏蘇拉》

Estimate:

150,000

to
- 200,000 GBP

Lot sold:

289,800

GBP

Property from a Distinguished Spanish Private Collection

The Master of 1518

Antwerp, active early 16th century

The Holy Family with Saints Catherine and Ursula



oil on oak panel, arched top

55.5 x 37 cm.; 21⅞ x 14⅝ in.


知名西班牙私人收藏

1518年畫師

安特衛普,活躍於十六世紀初

《聖家與聖凱薩琳及烏蘇拉》


油彩橡木畫板配拱形頂

55.5 x 37 公分;21⅞ x 14⅝ 英寸

The following condition report is provided by Henry Gentle who is an external specialist and not an employee of Sotheby's:


Master of 1518

Madonna and Child

Oil on shaped panel, unframed


The oak panel has been cradled and the reverse of the panel has been painted.


The restricting cradle support has introduced slight tension to the panel resulting in three full length vertical hairline fractures and one small hairline vertical split. There is some slight movement along these fractures but minimal paint loss.


The paint layer is stable and secure and generally very well preserved.


There is visible discoloured restoration down the vertical fractures and some minor paint thinness to the clouds.


The paint texture is in good original condition and the fine details to the figures and subtleties of composition in the background are well preserved.


Chromatic integrity and the tonal nuances of atmospheric perspective are well maintained.


The painting presents well.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Jakob Johann Nepomuk Lyversberg (1761–1834), Cologne;

His posthumous sale, Cologne, 16 August 1837, lot 39 (as School of Dinant);

Count Gregory S. Stroganoff (1829–1910), Palazzo Stroganoff, Rome, by 1911;

Roerich Museum, New York;

By whom sold, New York, American Art Association, 27–28 March 1930, lot 148 (as Herri met de Bles), for $4,500, to

Henry L. Moses (d. 1961), New York;

By inheritance to his wife Lucy G. Moses (d. 1990), New York;

By whose Estate sold ('The Property from the Estate of Lucy G. Moses, New York'), New York, Christie's, 31 May 1991, lot 36A;

With Galerie de Jonckheere, Paris, 1992 (when exhibited at Maastricht);

Probably from whom acquired by the father of the present owners.

A. Muñoz and L. Pollak, Pièces de Choix de la Collection du Comte Grégoire Stroganoff à Rome, Rome, vol. 2, 1911, p. 63, reproduced pl. XLV (as Herri Met de Bles);

M.J. Friedländer, Early Netherlandish Painting: The Antwerp Mannerists, Adriaen Ysenbrandt, vol. XI, Leiden and Brussels 1974, p. 75, cat. no. 79, reproduced pl. 79 (as Master of 1518, location unknown).