View full screen - View 1 of Lot 9. A jester: a grotesque head of a fool brandishing a wooden spoon | 《小丑:揮舞木匙的趣怪愚人頭像》.
9

Attributed to Quinten Massys

A jester: a grotesque head of a fool brandishing a wooden spoon | 《小丑:揮舞木匙的趣怪愚人頭像》

Estimate:

40,000 to - 60,000 GBP

Attributed to Quinten Massys

Attributed to Quinten Massys

A jester: a grotesque head of a fool brandishing a wooden spoon | 《小丑:揮舞木匙的趣怪愚人頭像》

A jester: a grotesque head of a fool brandishing a wooden spoon | 《小丑:揮舞木匙的趣怪愚人頭像》

Estimate:

40,000 to - 60,000 GBP

Lot sold:

523,200

GBP

Attributed to Quinten Massys

Leuven 1466 - 1530 Kiel near Antwerp

A jester: a grotesque head of a fool brandishing a wooden spoon


bears inventory number lower left: 213

oil on paper, laid on panel, with two collectors' red wax seals on the reverse

25.3 x 19.4 cm.; 10 x 7⅝ in.



傳為昆騰・馬賽絲製

1466年生於魯汶,1530年卒於安特衛普附近的基爾

《小丑:揮舞木匙的趣怪愚人頭像》


款識:具清單品號213(左下)

油彩紙本,固定於畫板,背面具兩個藏家火漆印

25.3 x 19.4 公分;10 x 7⅝ 英寸

The following condition report is provided by Henry Gentle who is an external specialist and not an employee of Sotheby's:

 

Attributed to Quentin Massys

The World feeds many fools

Oil on paper laid on to panel, in a modern dark wood frame in good condition.

 

The oak support is in good condition and the adhesion between the paper and the support is well maintained.

 

A small 4cm repaired tear can be detected to the right of the three collection numbers, lower left.

 

The paint layer is stable and secure and in a good preserved condition.

 

Slight strengthening of minor loss can be seen under u-v around the edges; some losses appear regular and could denote original pin marks.

 

An older discoloured varnish fluoresces under u-v, but has been removed from the flesh tones. Very minor pin prick paint loss has been replaced to the cheek and augmentation along the two fingers has been carried out, perhaps to reduce the presence of the pale ground colour beneath.

 

Fine original details such as eyelashes and eyebrows are preserved and many of the more vulnerable ‘top note’ glazes are intact leading to strong modelling of the facial features.

 

Energetic original brushwork through the hair is preserved.

 

Subtle impasted highlights are unaffected.

 

Removal of the remainder of the discoloured varnish would improve chromatic and tonal values.

 

The painting presents well.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Chavagnac collection, France (according to a red wax seal on the reverse);

Private collection, France, since the 19th century;

Whence sold ('An aristocratic private collection, France'), New York, Christie's, 31 October 2017, lot 1 (as Flemish School, 16th century), where acquired.