- 2759
潘振鏞 臨曹岳〈竹垞圖〉
估價
120,000 - 180,000 HKD
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招標截止
描述
- Pan Zhenyong
- 設色絹本 手卷 一九一八年作
- ink and colour on silk, handscroll
李瑞清題引首
引首：
潘雅聲臨曹秋厓〈竹垞圖〉。
先生歸矣，憶江湖廊廟，生涯萍泊。自種垞南千個竹，老讓懶雲閒託。繭線牽魚，弓枝射鴨，足伴填詞樂。畫圖常在，肯教踪跡零落。今日水淺荷荒，岩低桂蠹，殘阯難斟酌。何處牆邊樓影小，當日雨窗風冪。儒老乾坤，書懸日月，莫漫悲亭壑。重摹橫卷，遠山須染三角。嘉慶元年秋八月，儀徵阮元觀於嘉興試院，即用竹垞先生百字令韵題之，且訪遺址，重構小亭，邀諸詞客共賦別、摹畫卷，錄以自藏。元并識。
沖甫仁兄屬臨。芸臺相國題後小詞不復錄矣。清道人。
款識：
竹垞圖寫為錫鬯先生教。弟曹岳。
戊午夏四月，雅聲潘振鏞摹，時年六十有七。
鈐印：
〈潘〉 「潘振鏞印」、「亞笙」。
〈李〉 「清道人」、「炬龠萬枯」。
引首：
潘雅聲臨曹秋厓〈竹垞圖〉。
先生歸矣，憶江湖廊廟，生涯萍泊。自種垞南千個竹，老讓懶雲閒託。繭線牽魚，弓枝射鴨，足伴填詞樂。畫圖常在，肯教踪跡零落。今日水淺荷荒，岩低桂蠹，殘阯難斟酌。何處牆邊樓影小，當日雨窗風冪。儒老乾坤，書懸日月，莫漫悲亭壑。重摹橫卷，遠山須染三角。嘉慶元年秋八月，儀徵阮元觀於嘉興試院，即用竹垞先生百字令韵題之，且訪遺址，重構小亭，邀諸詞客共賦別、摹畫卷，錄以自藏。元并識。
沖甫仁兄屬臨。芸臺相國題後小詞不復錄矣。清道人。
款識：
竹垞圖寫為錫鬯先生教。弟曹岳。
戊午夏四月，雅聲潘振鏞摹，時年六十有七。
鈐印：
〈潘〉 「潘振鏞印」、「亞笙」。
〈李〉 「清道人」、「炬龠萬枯」。
來源
香港蘇富比，二〇〇一年十月，中國書畫拍賣，編號110
Condition
-Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
上款：「沖甫」即錢熊祥，號聽松，嘉興人。縣學附貢生，歷任陸軍部郎中、武選司幫辦、統計處處長等職。後曾任交通大學、聖約翰大學教席，擅經史、詩文、金石。與滬上文化界碩宿多所交往。
註：〈竹垞圖〉原卷乃清初著名畫家曹岳為詩人朱彝尊所寫。曹岳，字秋厓，江蘇泰興人，康熙期間畫家，山水師董其昌，清潤秀朗，得享時譽，北遊後聲望更隆。他與時稱詩壇南北二宗的朱彝尊和王士禎均友善，兩人亦好其畫。曹岳與朱彝尊（1629-1709）交好，故以其號「竹垞」寫圖贈之。圖中院宅前築蓮塘，外連阡陌，背依土丘，青蔥林蔭繞之，傍遍植琅玕，一片幽深雅緻，真文人棲隱耕讀之佳處。其中青竹漫植於土丘上，以應「竹垞」之意。
本幅乃民初著名人物畫家潘振鏞臨本。潘氏畫工人物，尤擅仕女，師法費丹旭而自成面貌。偶作山水，法近文徵明，惟傳世極稀。〈竹垞圖〉乃其晚歲之筆，雖年逾六旬，但描繪精細，行筆流暢，線綫準確，如叢竹排列之疏密井然、異種樹木之勾勒不同、房舍檐瓦之間格組合以至沿窗窺望室內之陳設佈置，俱一絲不苟地仔細描寫，毫無頹唐粗疏的老態。設色取小青綠為主調，如陂地、池塘、各種樹木源出一調，深淺濃淡各隨物狀不同而清晰陳現，無不切合其情其態，清麗淡逸處，盡得文人畫幽遠滌俗意境，從中流露「細文」風韵，有別與潘氏一貫人物畫風之俗艷刻板。如此精細流麗的畫風，與晚清期間吳大澂、顧澐、陸恢等風格頗近，既屬時代背景下的產物，稱之潘振鏞山水畫中畢生力作，自非托大之辭！
引首具清道人題署，他移錄嘉慶元年（1796）秋，內閣學士兼禮部待郎阮元出試嘉興，觀曹秋厓原卷於試院時的題跋，復題「百字令」詞一闋，追述阮芸臺訪竹垞舊宅觸景感懷，與畫卷圖文對照，追古思源，別有一番情致！
註：〈竹垞圖〉原卷乃清初著名畫家曹岳為詩人朱彝尊所寫。曹岳，字秋厓，江蘇泰興人，康熙期間畫家，山水師董其昌，清潤秀朗，得享時譽，北遊後聲望更隆。他與時稱詩壇南北二宗的朱彝尊和王士禎均友善，兩人亦好其畫。曹岳與朱彝尊（1629-1709）交好，故以其號「竹垞」寫圖贈之。圖中院宅前築蓮塘，外連阡陌，背依土丘，青蔥林蔭繞之，傍遍植琅玕，一片幽深雅緻，真文人棲隱耕讀之佳處。其中青竹漫植於土丘上，以應「竹垞」之意。
本幅乃民初著名人物畫家潘振鏞臨本。潘氏畫工人物，尤擅仕女，師法費丹旭而自成面貌。偶作山水，法近文徵明，惟傳世極稀。〈竹垞圖〉乃其晚歲之筆，雖年逾六旬，但描繪精細，行筆流暢，線綫準確，如叢竹排列之疏密井然、異種樹木之勾勒不同、房舍檐瓦之間格組合以至沿窗窺望室內之陳設佈置，俱一絲不苟地仔細描寫，毫無頹唐粗疏的老態。設色取小青綠為主調，如陂地、池塘、各種樹木源出一調，深淺濃淡各隨物狀不同而清晰陳現，無不切合其情其態，清麗淡逸處，盡得文人畫幽遠滌俗意境，從中流露「細文」風韵，有別與潘氏一貫人物畫風之俗艷刻板。如此精細流麗的畫風，與晚清期間吳大澂、顧澐、陸恢等風格頗近，既屬時代背景下的產物，稱之潘振鏞山水畫中畢生力作，自非托大之辭！
引首具清道人題署，他移錄嘉慶元年（1796）秋，內閣學士兼禮部待郎阮元出試嘉興，觀曹秋厓原卷於試院時的題跋，復題「百字令」詞一闋，追述阮芸臺訪竹垞舊宅觸景感懷，與畫卷圖文對照，追古思源，別有一番情致！