Indian & South Asian Modern & Contemporary Art

Preview One of Sayed Haider Raza's Greatest Works to Ever Appear on the Market

By Sotheby's

H idden from public view for years, Ville Provenҫale is one of the greatest and largest works by Indian artist Sayed Haider Raza to ever appear on the market. This painting was made in 1956 while Raza was living in France – an incredibly formative period for the artist. Distinguished by its vivid colours, this seminal work displays a semi-abstracted view of a town in rural Provence. Raza was amongst only 5 artists to represent India at the Venice Biennale, where Ville Provençale was displayed in 1956, before it was secreted away into private collections for many decades. 

A testament to the enduring legacy of one of the foremost pioneers of Indian Modern Art, Ville Provenҫale will be offered as the star lot of Sotheby’s Modern & Contemporary South Asian Art Sale in New York on 19 March. The work will be exhibited as part of a travelling exhibition of highlights from the sale at The Oberoi Hotel in New Delhi from 22–23 February.


Sayed Haider Raza’s influential relationship with France began in 1950, when he left India for Paris with a bursary from the French Government to study at the École Nationale des Beaux-Arts. This was to be Raza's first experience of France, during which he was exposed to the works of Post-Impressionist artists, in particular, Paul Cézanne and Vincent Van Gogh, who became major sources of inspiration to the artist. Raza admired how such artists used colour to structure their paintings. 

Following his graduation from the École Nationale des Beaux-Arts, the Galerie Lara Vincy in Paris, which represented some of the foremost abstract artists from across the globe, came to play a significant role in launching Raza’s career. In 1955, Madame Lara Vincy opened her gallery in Saint-Germain-des-Prés, an area which was at the heart of post-War literary life, the existential movement and the Parisian jazz scene. Raza was given a regular contract with Lara Vincy and the Galerie itself, which provided him with a substantial livelihood and offered him the freedom of exploration that he craved and for which he left India. Ville Provenҫale is an exceptional example of the result of this patronage.

"Many of us felt [in 1953] the need to leave for a country where art was a vital, essential activity. In India at the time, although there was a good working atmosphere, we did not feel the same stimulus as we would in Paris, for example, which was where many of us wanted to go... Instead of retreating to an 'ashram' in the Himalayas to meditate, we came to Paris."
S.H. Raza in 'Coups de Coeur' 1987, Exhibition Catalogue, Halles Sud, Geneva, 1987, p.26

1956, the year Ville Provenҫale was created, proved to be seminal for the artist. Raza became the first non-French artist to secure the coveted Prix de La Critique award, providing him with the international recognition which led him to hold an historic show at the Musee d’Art Moderne, Paris. Two years prior, in 1954, the India Pavillion at the Venice Biennale hosted 60 paintings by 32 Indian artists. 

In 1956, Raza was invited to participate, however this time only 4 artists were chosen (Maqbool Fida Husain, Dinkar Kaushik, Akbar Padamsee and Sayed Haider Raza). Ville Provenҫale was one of the paintings chosen to be exhibited, with the intention of showcasing a new direction of Indian Art pioneered by these young artists inspired by Modern art movements. 

Raza’s move to France provided him with the foundation on which to grow and flourish as an international artist; however it also encouraged him to reconnect with his Indian heritage. These compound influences proved most significant. 


Exhibition Dates:

22–23 February 2018
The Oberoi Hotel
Dr. Zakir Hussain Marg
New Delhi

14–18 March 2018
Sotheby’s New York
1334 York Avenue
New York, NY 10021


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