Highlights
Giorgio Morandi: the irreducible
Resilient and profoundly contemplative, Morandi’s atmospheric gaze remains one of the most incisive testimonies of the twentieth century, resonating far beyond Italian borders. Three canvases trace a definitive trajectory through the Bolognese master’s subtle reflections. The journey begins with an early phase, defined by restless energy, before transitioning into two mature milestones: a landscape imbued with wartime suspense and expectancy, and finally, a postwar masterpiece—a purely contemplative act reaching the threshold of abstraction.
- 1924
- 1940
- 1959
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1924Giorgio Morandi
Natura morta
Our journey begins with a rare early work (Still Life, 1924), marked by a restless energy and a dense atmosphere, achieved through the rich texture of the paint typical of this post-Metaphysical period of experimentation. The compact central composition seems to float within an environment of warm, deep tones, endowing the objects with a sense of majesty that transforms their humble domestic nature. -
1940Giorgio Morandi
Paesaggio
The journey then arrives at a contemplative Landscape, painted during the troubled summer of 1940. The houses are set into the hillside like pure volumetric presences among the fields and cypress trees; the broken lines of the dusty roads stand out in the summer light; everything is silence and suspension. -
1959Giorgio Morandi
Natura morta
Morandi’s artistic journey concludes with a postwar masterpiece, Still Life, painted in 1959.
This composition, marked by a rare central symmetry, embodies the artist’s most mature phase, when—by then reclusive and solitary—he reinterpreted his relentless formal search as a purely contemplative act, coming close to the threshold of abstraction.
Being Italian: rebuilding from the roots of the past
The heritage of Italian art is masterfully reinterpreted through a contemporary, perceptive lens: from the vibrant nostalgia of Salvo to the urban surfaces torn and revealed anew by Rotella. It reveals itself through the classical plasticity of Sandro Chia and the informal reinventions of Emilio Vedova and Tancredi or dissolved into the profound evanescence of memory in Parmiggiani. Each artist navigates their Italian identity within a network of deep-seated roots which, far from constraining, serve as a vital catalyst for new visual horizons.
Colour Vibrations: the sense of space unfolding on the canvas
Colour as a profound emotional catalyst: here, unprecedented tonalities arrest the eye, seeking their raison d’être within new creative dimensions. From the pioneering 'Blue' of Fontana and Klein to the rhythmic pulsations of Hans Hartung; from the translucent layers of Carla Accardi and Dorazio’s chromatic weaving to the vibrant, richly textured screen of Mario Schifano. The journey culminates in Salvo’s radiant, fairy-tale landscapes and the electric, vibrant blooms of Damien Hirst, celebrating colour as the ultimate frontier of the imagination.