A pair of Russian gilt-bronze mounted malachite veneered tazze circa 1830.
Estimate £3,000—5,000.
"I adore the vibrancy of this Russian malachite veneered tazza. The vivid green pops out against the dark blue lacquered walls in this dining room, and the elegance of its silhouette compliments the simple architectural features in this photograph.”
A pair of late George III gilt-bronze mounted Blue John three-light columnar candelabra, early 19th century.
Estimate £2,000—4,000.
“I find the rarity and colours of good quality Blue John irresistible. The depth of colour and elegance of these opulent candlesticks works perfectly in contrast to this more neutral textured backdrop and contemporary painting.”
A Longquan celadon baluster vase, early Ming Dynasty.
Estimate £2,000—3,000.
“The simple form and luminosity of this celadon Ming baluster vase, standing alongside a 20th century contemporary work and simple Danish cabinet, makes it a key eclectic addition to any interior.”
Pair of Italian Maiolica two-handled albarelli.
Estimate £20,000—30,000.
“This varied 16th century collection of Italian maiolica albarelli is something I seriously covet! The richness of this grouping as shown in this atmospheric dining room shows off their diverse patterns and colours, and they are equally as strong as a stand-alone statement piece.”
A Danish silver 'African Girl' ewer, Henning Koppel for Georg Jensen, Copenhagen, 1945-77.
Estimate £12,000—18,000.
“The unusual and elongated shape of this Danish ‘African Girl’ ewel makes it very appealing to me, despite me knowing so little about 20th century silver! Its sinuous lines means it sits very elegantly as a sculptural object, and I love the play of reflections as seen in this boldly wallpapered library.”
Flora Soames is renowned for designing elegant interiors for her clients that incorporate exceptional furniture and finishes alongside fine art. Ahead of the upcoming Collections and From Earth to Fire sales, she selects key pieces from across the sales and styles them in situ. Click through to see her picks.
Photographed by Trent McMinn