S
otheby's is delighted to welcome NBA superstar Karl-Anthony Towns and entrepreneur, creator, model and philanthropist Jordyn Woods as guest curators of this season's Contemporary Curated auction. Together, they bring their shared perspective as collectors and cultural tastemakers to the sale, reflecting a new generation of globally engaged patrons whose interests span art, fashion, sports and entrepreneurship. Drawing on their enthusiasm for collecting and visual culture, Towns and Woods have assembled a highly personal selection of works by leading postwar and contemporary artists, including George Condo, Andy Warhol, Roy Lichtenstein, Helen Frankenthaler, Alma Thomas, John Chamberlain and Rashid Johnson. Spanning painting, sculpture and works on paper, the selection reflects a dynamic cross-section of artistic innovation across generations. Exploring themes of identity, perception, transformation and cultural expression, the group offers insight into the couple's evolving journey as collectors and the artists, ideas and creative voices that continue to resonate most deeply with them.
“We're drawn to works that spark emotion, hold memories, and tell stories. Whether it's the energy of a piece, the history behind it, or the way it resonates with our own experiences, we're always looking for art that we can connect with and live with every day.”
Karl-Anthony Towns and Jordyn Woods' Picks
- Andy Warhol, Flowers
- George Condo, I Want My Brain Back
- Roy Lichtenstein, Interior with Painting of Nude (Study)
- Roy Lichtenstein, Green Head
- Rashid Johnson, Anxious Man
- Alma Thomas, Red Mums Display
- Ed Ruscha, Cities Across the Globe
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Andy Warhol, Flowers
“We have always gravitated toward Warhol's work, and this feels especially personal. Flowers remind us of family, of remembrance, and of the garden we hope to create one day. It's a work that we could easily imagine living with.”
–Jordyn
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George Condo, I Want My Brain Back“Seeing this work in person is amazing. 2020 was such a tough year for me, and I feel like the face shows a little bit of who I was then and how much I was losing myself. It's a work about trying to keep it together, and that's something that really spoke to me.”
–Karl
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Roy Lichtenstein, Interior with Painting of Nude (Study)Every time you look at it, you see something different. There are so many patterns and details within the composition that different parts capture your eye each time.”
–Jordyn
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Roy Lichtenstein, Green Head“I've always liked Lichtenstein's pieces. I love seeing something that's different from what people usually associate with him.”
–Karl
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Rashid Johnson, Anxious Man“To me, it's about finding your true face through the mud, through the hardships of life, and figuring out who you really are at the end of it all. There's an ugly beauty to that. Rashid is a friend of ours and his art is part of our own collection – we are so excited to include him here.”
–Karl
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Alma Thomas, Red Mums Display“It's all about the color story to me, how it makes me feel and the energy I get from a piece. I want to feel inspired and uplifted.”
–Jordyn
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Ed Ruscha, Cities Across the Globe“I like Ruscha because he always has a sense of Los Angeles in his work, and that reminds me of Jordyn. Every time I think of Ed Ruscha, I think of where we met, where we live, and the place we call home.”
–Karl
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Karl-Anthony Towns and Jordyn Woods Bring Their Curator's Eye to Sotheby's
S otheby's is honored to present the Collection of architect, educator, and historian Robert A.M. Stern. Among the most influential American architects of his generation, Stern built his legacy on the conviction that tradition and innovation need not be opposing forces. His architecture, scholarship, and teaching were grounded in a deep understanding of history while remaining open to the possibilities of the present. The Collection he assembled over decades reflects this same sensibility. Bringing together highlights by leading figures of Minimalism, Post-Minimalism, and Pop Art, it reveals an enduring engagement with form, space, materiality, and the ways artists and architects alike have reimagined modernism across generations.
Highlights from the Collection of Robert A.M. Stern
Deeply committed to the cultural life of St. Louis, Caro and James Schneithorst Sr. were active supporters of the arts whose engagement extended far beyond collecting. While Caro played the leading role in shaping the Collection, the couple immersed themselves in a vibrant community of artists, dealers, collectors and museum patrons, developing close relationships throughout the art world. Particularly influential were legendary St. Louis dealer and collector Ronald “Ronnie” Greenberg and his wife, Jan Greenberg, whose friendship helped guide and inform their collecting journey. Beginning with Caro’s acquisition of Henry Moore’s Reclining Figure in 1984 (to be offered in Sotheby’s Modern Discoveries auction), the Schneithorsts assembled an exceptional collection of modern and contemporary art, including highlights by Roy Lichtenstein, Frank Stella, Richard Diebenkorn and Betty Woodman. A defining acquisition came in 1986 with Roy Lichtenstein's Green Head, purchased from Leo Castelli Gallery to become the cornerstone of the Collection for the last 40 years.
The Schneithorsts' collecting was shaped by a remarkable circle of artists and fellow patrons, including Julian Schnabel, Donald Sultan, Bernard "Barney" Ebsworth, Joseph Pulitzer Jr. and Sydney Schoenberg, among many others. Their home became a gathering place for conversations around contemporary art, reflecting the relationships that stood at the heart of the Collection. Caro further distinguished herself through her service on the boards of the Saint Louis Art Museum and Laumeier Sculpture Park, while she and James were generous supporters of museum acquisitions and initiatives that helped strengthen the city's cultural institutions. Reflecting decades of curiosity, engagement and patronage, the Schneithorst Collection stands as a testament not only to significant works of art, but also to the artists, dealers, collectors and institutions that shaped its formation