Shop a selection of extraordinary artworks and sculptures curated from distinguished private collectors, featuring Realism, Orientalism and Barbizon landscapes.

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Fine Art

Roy Lichtenstein

House I (Study)

Tom Wesselmann

Smoking Cigar, by <a href="https://www.sothebys.com/en/search?query=tom+wesselmann&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Tom Wesselmann</a>, 1999.<ul><li>Tom Wesselmann (American, 1931-2004).</li><li>Liquitex collage on Bristol board.</li><li>Hand signed and dated.</li><li>This work is presented unframed.</li></ul>&nbsp;This work is hand signed in pencil by the artist "Wesselmann", at the center of the lower image.&nbsp;It is additionally dated in pencil “99” [1999] next to the signature.&nbsp;The work is further titled in pencil, verso.&nbsp;

Smoking Cigar

Martial Raysse

Connue-Inconnue

After Pierre Parrocel

Portrait of George Keith, 10th Earl Marischal (1693–1778), half-length, wearing armour and a blue riband, holding a baton in his right hand and grasping a sword in his left, standing by a military encampment, a landscape beyond

Le Pho

Flowers and Figures [Fleurs et Personnages], by <a href="https://www.sothebys.com/en/search?query=Le+Pho&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Le Pho</a>, circa 1970.<ul><li>Le Pho (Vietnamese, 1907-2001).</li><li>Oil on canvas.</li><li>Hand signed.</li><li>This work is presented framed.</li></ul>&nbsp;This oil painting on canvas is hand signed by the artist "Le Pho" both in English and in Vietnamese in the lower right corner.

Flowers and Figures | Fleurs et Personnages

Josef Albers

Homage to the Square: Sentinel II

José Gurvich

Woman with Vase of Flowers, by <a href="https://www.sothebys.com/en/search?query=Jose+Gurvich&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">José Gurvich</a>, 1964.<ul><li>José Gurvich (Uruguayan, 1927-1974).</li><li>Gouache on paper.</li><li>Hand signed and dated.</li><li>This work is presented unframed.</li></ul> This gouache on paper is signed by the artist “J. Gurvich” at the upper right corner. It is also dated “1964” next to the signature. Gurvich traveled extensively throughout the mid-century and was heavily influenced by Yiddish folklore, pastoral traditions of the levant, and his own Jewish heritage.

Woman with Vase of Flowers

Willem de Kooning

Untitled

Sam Francis

Untitled SF64-572, by <a href="https://www.sothebys.com/en/search?query=Sam+Francis&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Sam Francis</a>, 1964.<ul><li>Sam Francis (American, 1923-1994).</li><li>Acrylic and watercolor on paper.</li><li>Hand signed and dated.</li><li>This work is presented unframed.</li></ul> This acrylic painting with watercolor on wove paper is hand signed and dated in pencil “Sam Francis 1964” on the verso and it bears the ink stamp of the Sam Francis Estate, additionally at the verso. This work is identified with the interim identification number of SF64-572 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper.

Untitled SF64-572

Kehinde Wiley

Triple Portrait of Charles II, Mirrored&nbsp;by&nbsp;<a href="https://www.sothebys.com/en/search?query=Kehinde+Wiley&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Kehinde Wiley</a>, 2026.<ul><li>Kehinde Wiley (American, born 1977).</li><li>LITO Hi-Rnd© print on alu dibond.</li><li>Limited Edition of 20</li><li>Hand-signed and numbered by the artist via adhered backplate.</li><li>This work is sold with aluminium frame.</li></ul> Sotheby’s LIMITED and LITO present original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief and color. The series is based on Kehinde Wiley’s 2008 painting Triple Portrait of Charles II. Drawing on the historical tradition of multi-view portraiture, this work explore identity as layered and constructed rather than singular. The composition features engraved floral elements against mirrored background. Shop Sotheby's <a href="https://www.sothebys.com/en/buy/fine-art/editions/LIMITED" rel="noopener noreferrer" target="_blank">LIMITED</a>, exclusive editions created in collaboration with leading contemporary artists only available at Sotheby's. <a href="https://www.sothebys.com/en/articles/introducing-the-sothebys-limited-patron-program" rel="noopener noreferrer" target="_blank">Elevate your experience – join our Sotheby's LIMITED Patron Program</a>

Triple Portrait of Charles II | Mirrored

Peter Halley

Rebus I, by <a href="https://www.sothebys.com/en/search?query=peter+halley&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Peter Halley</a>, 2026.<ul><li>Peter Halley (American, born 1953).</li><li>Acrylic and fluorescent acrylic, on LITO Hi-Rnd© technology print on aluminum.</li><li>Part of a limited edition of 20.</li><li>Hand signed and numbered via adhered backplate.</li></ul> Sotheby’s LIMITED and LITO present original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief and color. The two new artworks, Rebus I and Rebus IV, by American artist Peter Halley, feature the artist's signature Roll-A-Tex textured surface digitally rendered and "cloned" twelve times. Inspired by Halley’s ‘Cell Grid’ paintings, a series which began in 2014. Each edition offers the tactility of Halley’s iconic textured paintings combined with intense and vibrating colors, creating a new hybrid art form that is both serial and unique. A central figure in the American Neo-Conceptualist movement of the 1980s, Peter Halley is known for the use of geometric abstraction and grid-like compositions in his paintings. Over the past five decades, Halley’s lexicon has included three elements which explore the digital era and industrialization: ‘prisons’, ‘cells’ and ‘conduits.’ The texture of Rebus I, and Rebus IV is informed by Halley’s use of Roll-A-Tex in his paintings (a low-budget paint additive seen in popcorn ceilings). Halley challenged LITO Editions to "clone" this material, repeating the twelve individual cells on metal frames, which were then bolted together into a tightly packed contra- punctual grid, an effect heightened by the arrangement of each cell at a different level of relief. The series has been conceived through digital processes – to create the texture, relief and structure of the work – and then hand-painted at the LITO Tech Lab – a large space in Austria spanning a laboratory, studio and workshop. Shop Sotheby's <a href="https://www.sothebys.com/en/buy/fine-art/editions/LIMITED" rel="noopener noreferrer" target="_blank">LIMITED</a>, exclusive editions created in collaboration with leading contemporary artists only available at Sotheby's. <a href="https://www.sothebys.com/en/articles/introducing-the-sothebys-limited-patron-program" rel="noopener noreferrer" target="_blank">Elevate your experience – join our Sotheby's LIMITED Patron Program</a>

Rebus I

Rebus IV, by <a href="https://www.sothebys.com/en/search?query=peter+halley&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Peter Halley</a>, 2026.<ul><li>Peter Halley (American, born 1953).</li><li>Acrylic and fluorescent acrylic, on LITO Hi-Rnd© technology print on aluminum.</li><li>Part of a limited edition of 20.</li><li>Hand signed and numbered via adhered backplate.</li></ul> Sotheby’s LIMITED and LITO present original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief and color. The two new artworks, Rebus I and Rebus IV, by American artist Peter Halley, feature the artist's signature Roll-A-Tex textured surface digitally rendered and "cloned" twelve times. Inspired by Halley’s ‘Cell Grid’ paintings, a series which began in 2014. Each edition offers the tactility of Halley’s iconic textured paintings combined with intense and vibrating colors, creating a new hybrid art form that is both serial and unique. A central figure in the American Neo-Conceptualist movement of the 1980s, Peter Halley is known for the use of geometric abstraction and grid-like compositions in his paintings. Over the past five decades, Halley’s lexicon has included three elements which explore the digital era and industrialization: ‘prisons’, ‘cells’ and ‘conduits.’ The texture of Rebus I, and Rebus IV is informed by Halley’s use of Roll-A-Tex in his paintings (a low-budget paint additive seen in popcorn ceilings). Halley challenged LITO Editions to "clone" this material, repeating the twelve individual cells on metal frames, which were then bolted together into a tightly packed contra- punctual grid, an effect heightened by the arrangement of each cell at a different level of relief. The series has been conceived through digital processes – to create the texture, relief and structure of the work – and then hand-painted at the LITO Tech Lab – a large space in Austria spanning a laboratory, studio and workshop. Shop Sotheby's <a href="https://www.sothebys.com/en/buy/fine-art/editions/LIMITED" rel="noopener noreferrer" target="_blank">LIMITED</a>, exclusive editions created in collaboration with leading contemporary artists only available at Sotheby's. <a href="https://www.sothebys.com/en/articles/introducing-the-sothebys-limited-patron-program" rel="noopener noreferrer" target="_blank">Elevate your experience – join our Sotheby's LIMITED Patron Program</a>

Rebus IV

Walasse Ting

Reclining Woman with Horse Riders, by <a href="https://www.sothebys.com/en/search?query=Walasse+Ting&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Walasse Ting</a>, undated.<ul><li>Walasse Ting (Chinese-American, 1929-2010).</li><li>Watercolor on handmade paper.</li><li>Stamp signed.</li><li>This work is presented unframed.</li></ul>&nbsp;This watercolor is stamp signed with the artist’s seal in red ink in the center of the composition.&nbsp;

Reclining Woman with Horse Riders

Untitled SF75-040 [Mandala], by <a href="https://www.sothebys.com/en/search?query=Sam+Francis&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Sam Francis</a>, 1975.<ul><li>Sam Francis (American, 1923-1994).</li><li>Acrylic on wove paper.</li><li>Stamp signed and dated.</li><li>This work is presented unframed.</li></ul> This work is stamp signed with the two ink stamps of the Sam Francis Estate on the verso. It is identified with the interim identification number of SF75-040 in the Sam Francis: Online Catalogue Raisonné Project.

Untitled SF75-040 [Mandala]

Oscar Murillo

Mango by <a href="https://www.sothebys.com/en/search?query=Oscar+Murillo&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Oscar Murillo</a>, 2026.<ul><li>Oscar Murillo (Colombian, born 1986).</li><li>LITO Hi-Rnd© print on alu dibond.</li><li>Limited Edition of 25.</li><li>Hand-signed and numbered by the artist via adhered backplate.</li><li>This work is sold with dark brown aluminum frame.</li></ul>&nbsp;Sotheby’s and LITO present original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief, and color. This release marks Oscar Murillo’s first-ever limited edition print, based on his celebrated “Word Paintings” series, Drawings off the Wall (2010–2014). Combining gestural abstraction with fragments of language, the works draw on personal memory and everyday cultural references to explore how ordinary words can carry layered social and cultural meaning. In celebration of the South London Gallery's 135th anniversary, all artist proceeds are being donated to the SLG.&nbsp; Shop Sotheby's <a href="https://www.sothebys.com/en/buy/fine-art/editions/LIMITED" rel="noopener noreferrer" target="_blank">LIMITED</a>, exclusive editions created in collaboration with leading contemporary artists only available at Sotheby's. <a href="https://www.sothebys.com/en/articles/introducing-the-sothebys-limited-patron-program" rel="noopener noreferrer" target="_blank">Elevate your experience – join our Sotheby's LIMITED Patron Program</a>

Mango

George Condo

Marc Chagall

Sketch for the Cover of Andrei Voznesensky's Collection of Poems [Esquisse pour la couverture du recueil de poèmes de Andreï Voznessenski], by <a href="https://www.sothebys.com/en/search?query=marc+chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>, 1973.<ul><li>Marc Chagall (Russian-French, 1887-1985).</li><li>Brush with pen, India ink, and pencil on wove paper.</li><li>Stamp signed.</li><li>This work is presented unframed.</li></ul> This brush, pen and India ink with pencil drawing is stamp signed “Marc Chagall” in the lower left corner. The work was executed in 1973 and bears the estate inventory number D1852f, verso.&nbsp;This piece is accompanied by a certificate of authenticity from the Comité Chagall.

Sketch for the Cover of Andrei Voznesensky's Collection of Poems

Small Seated Figure

Andy Warhol

Selected Portraits of Beverly Grossman and Andy Warhol [7 Polaroids]

Zao Wou-Ki

Etching No. 163, by <a href="https://www.sothebys.com/en/search?query=zao+wou+ki&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Zao Wou-Ki</a>, 1965.<ul><li>Zao Wou-Ki (Chinese 1921-2013).</li><li>Etching and aquatint in colors on Arches wove paper.</li><li>Hand signed, numbered, and dated.</li><li>Part of an edition of 95, this being 89.</li><li>Printed by Atelier Lacourière et Frélaut, Paris, 1965.</li><li>Published by Atelier Lacourière et Frélaut, Paris, 1965.</li><li>This work is presented unframed.</li></ul>&nbsp;This etching and aquatint in colors is hand signed in pencil by the artist in Chinese and Pinyin at the lower right margin. It is dated in pencil “65” [1965], next to the signature. The work is additionally hand numbered in pencil from the edition of 95 at the lower left margin.&nbsp;This impression is one of the 75 impressions on Arches paper, the remaining 20 were on Japan Nacre paper. In addition to these 95 impressions, there were 20 signed and numbered artist’s proofs. This work was printed and published by Atelier Lacourière et Frélaut, Paris in the same year.&nbsp;The paper bears the blindstamp of the publisher in the lower left corner and the Arches watermark in the center of the lower margin.

Etching No. 163

Canto Pisan, by <a href="https://www.sothebys.com/en/search?query=zao+wou+ki&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Zao Wou-Ki</a>, 1972.<ul><li>Sold as a set of 8.</li><li>Zao Wou-Ki (Chinese, 1921-2013).</li><li>Etchings and aquatints in colors on Arches wove paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 50, these being 29.</li><li>Printed by Atelier Bellini, Paris.</li><li>Published by Pierre Belfond, Paris, 1972.</li><li>These works are presented unframed.</li></ul>&nbsp;These eight original etchings and aquatints in colors are hand signed in pencil by the artist "Zao Wou-Ki" in Chinese and Pinyin at the lower right margin. They are each hand numbered in pencil from the edition of 50, at the lower left margin.&nbsp;The works were printed by Atelier Bellini, Paris and published by Pierre Belfond, Paris in 1972 in a total limited edition of 260 signed and numbered impressions. There were an additional 30 numbered in Roman numerals on Japan nacre and an edition of 180 on Arches wove paper. The eight etchings and aquatints are accompanied by the text and folio case.&nbsp;The Cantos are a collection of epic poems spanning 40 years of writing by Ezra Pound. The Pisan Cantos were written by the poet during his wartime incarceration following the American liberation of Italy. The Pisan Cantos are significant for their inclusion of Chinese characters and other non-English languages in the core of the texts. With only three books permitted during his detention, Pound selected a text by Confucius in the original language, a translation to English of the same text, and a Chinese dictionary.&nbsp;Zao Wou-Ki blended traditional Chinese expressionism with Western European abstraction to produce his interpretation of The Canto Pisan. With this series, Wou-Ki continued his ongoing union of Eastern and Western ideas, finding a common visual language.&nbsp;

Canto Pisan

Fishing [La Pêche], by <a href="https://www.sothebys.com/en/search?query=zao+wou+ki&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Zao Wou-Ki</a>, 1951.<ul><li>Zao Wou-Ki (Chinese, 1921-2013).</li><li>Drypoint on wove paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 30, this being 22.</li><li>Printed by G. Leblanc, Paris, 1951.</li><li>Published by Editions d'Art L'Oeuvre Gravée.</li><li>This work is presented unframed.</li></ul>&nbsp;This original drypoint is hand signed in pencil by the artist "Zao Wou-Ki" at the lower right margin.&nbsp;It is also hand numbered in pencil from the edition of 30, at the lower left margin.&nbsp;The drypoint was printed by G. Leblanc, Paris in 1951 in a limited edition of 30 signed and numbered impressions. There were an additional small number of artist’s proofs aside from the standard edition. Attached to the sheet's verso, there is the original publisher's label from Editions d'Art L'Oeuvre Gravée stating the medium, title and date.

Fishing | La Pêche

Georg Baselitz 

Composition VII, from: One Week [Eine Woche], by <a href="https://www.sothebys.com/en/search?query=Georg+Baselitz&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Georg Baselitz</a>, 1972.<ul><li>Georg Baselitz (German, 1938-2026).</li><li>Drypoint on Chine appliqué on Rives wove paper.</li><li>Hand signed, numbered, and dated.</li><li>Part of an edition of 52, this being 31.</li><li>Printed by Editionen der Galerie Heiner Friedrich, Munich.</li><li>Published by Editionen der Galerie Heiner Friedrich, Munich.</li><li>This work is presented unframed.</li></ul>&nbsp;This drypoint is hand signed in pencil by the artist "Baselitz" at the lower right margin and dated “72” [1972] next to the signature. It is further hand numbered from the edition of 52, at the lower left corner. There were additionally 15 artist’s proofs. The work was printed and published by Editionen der Galerie Heiner Friedrich, Munich, in a portfolio of seven drypoints, together titled Eine Woche [One Week]. The paper bears the Rives watermark in the lower left margin.

Composition VII from One Week | Eine Woche

Gerhard Richter

Cube on Lawn Chair, from: Nine Objects [Neun Objekte], by <a href="https://www.sothebys.com/en/search?query=gerhard+richter&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Gerhard Richter</a>, 1969.<ul><li>Gerhard Richter (German, b. 1932).</li><li>Offset lithograph on wove paper.</li><li>Hand signed, numbered, and dated.</li><li>Part of an edition of 80, this being 51.</li><li>Printed by Hoppe &amp; Werry, Mulheim an der Ruhr.</li><li>Published by Galerie Heiner Friedrich and Verlag G. v. Pape, Munich, 1969.</li><li>This work is presented unframed.</li></ul> This offset lithograph is hand signed and dated in pencil by the artist "Richter, 1969" at the lower right margins. It is hand numbered in pencil “51/80” at the lower right margin. It was printed by Hoppe &amp; Werry, Mulheim an der Ruhr. and was co-published by Galerie Heiner Friedrich and Verlag G. v. Pape, Munich in 1969 in a limited edition of 80 impressions with 20 artist’s proofs. This impression is illustrated in the Gerhard Richter official website.&nbsp;In Neun Objekte, Richter produced very elaborate optical illusions. He constructed the nine three-dimensional objects himself and photographed them in everyday environments. He then had the photographs professionally retouched so that the constructions appeared spatially impossible. After re-photographing the reworked images, Richter printed them using offset technique.

Cube on Lawn Chair from Nine Objects | Neun Objekte

Object on Cloth, from: Nine Objects [Neun Objekte], by <a href="https://www.sothebys.com/en/search?query=gerhard+richter&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Gerhard Richter</a>, 1969.<ul><li>Gerhard Richter (German, b. 1932).</li><li>Offset lithograph on wove paper.</li><li>Hand signed, numbered, and dated.</li><li>Part of an edition of 80, this being 51.</li><li>Printed by Hoppe &amp; Werry, Mulheim an der Ruhr. </li><li>Published by Galerie Heiner Friedrich and Verlag G. v. Pape, Munich, 1969.</li><li>This work is presented unframed.</li></ul> This offset lithograph is hand signed and dated in pencil by the artist "Richter, 1969" at the lower right margins. It is hand numbered in pencil “51/80” at the lower right margin. It was printed by Hoppe &amp; Werry, Mulheim an der Ruhr. and was co-published by Galerie Heiner Friedrich and Verlag G. v. Pape, Munich in 1969 in a limited edition of 80 impressions with 20 artist’s proofs. This impression is illustrated in the Gerhard Richter official website.&nbsp;In Neun Objekte, Richter produced very elaborate optical illusions. He constructed the nine three-dimensional objects himself and photographed them in everyday environments. He then had the photographs professionally retouched so that the constructions appeared spatially impossible. After re-photographing the reworked images, Richter printed them using offset technique.

Object on Cloth from Nine Objects | Neun Objekte

Emil Nolde

Conversation [Unterhaltung], by <a href="https://www.sothebys.com/en/search?query=Emil+Nolde&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Emil Nolde</a>, 1906.<ul><li>Emil Nolde (German, 1867-1956).</li><li>Etching in color on Van Gelder laid paper.</li><li>Hand signed, numbered, and dated.</li><li>Part of an edition of 20, this being 3.</li><li>Printed by Otto Felsing, Berlin.</li><li>This work is presented unframed.</li></ul> This etching in blue ink is hand signed and dated in pencil by the artist "Emil Nolde 06" at the lower right margin.&nbsp;It is also titled Unterhaltung [Conversation], by the artist’s wife Ada Nolde, in the lower margin.&nbsp;It is additionally hand numbered in pencil from the edition of 20, at the lower left margin. The work is further signed and inscribed by the printer “O. Felsing Berlin gdr.” [Otto Felsing, Berlin Printed], along the lower left platemark. The paper bears the Van Gelder Zonen watermark in the upper right margin.

Conversation | Unterhaltung

Henry Moore

Reclining Figure Architectural Background I, by <a href="https://www.sothebys.com/en/search?query=Henry+Moore&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Henry Moore</a>, 1977-80.<ul><li>Henry Moore (British, 1898-1986).</li><li>Lithograph in colors on T.H. Saunders wove paper.</li><li>Hand signed and numbered.</li><li>Part of an artist's proof edition of 10, this being 3.</li><li>Printed by Curwen Prints Ltd., London.</li><li>Published by Raymond Spencer Company Ltd. for the Henry Moore Foundation, Much Hadham, 1980.</li><li>This work is presented unframed.</li></ul>&nbsp;&nbsp;This lithograph in colors is hand signed by the artist in pencil "Moore" at the lower right margin. It is also hand numbered in Roman numerals, at the lower left margin. This impression is one of ten artist's proofs aside from the standard edition of 50. It was printed by Curwen Prints Ltd., London and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in 1980.

Reclining Figure Architectural Background I

Ludwig Meidner

Street in Wilmersdorf, from: The Creators [Straße in Wilmersdorf, von: Die Schaffenden], by <a href="https://www.sothebys.com/en/search?query=Ludwig+Meidner&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Ludwig Meidner</a>, 1913.<ul><li>Ludwig Meidner (German, 1884-1966)</li><li>Drypoint on simili-Japan paper.</li><li>Hand signed and dated.</li><li>Part of an edition of 125.</li><li>Published by Paul Westheim for Euphorion-Verlag, Berlin, 1919.</li><li>This work is presented unframed.</li></ul> This drypoint is hand signed in pencil by the artists “Meidner” in the lower right margin.&nbsp;It is additionally dated “1913” below the signature.&nbsp;It was published in a total edition of 125 on thin simili-Japan paper for inclusion in the portfolio Die Schaffenden [The Creators].&nbsp;It was published by Paul Westheim for Euphorion-Verlag, Berlin, in 1919 and was the 6th sheet of the first year, fourth portfolio. The paper bears the blindstamp of the portfolio in the lower left corner.&nbsp;

Street in Wilmersdorf | Straße in Wilmersdorf

Joan Miró

The Convict and his Companion [Le Bagnard et sa Compagne], by <a href="https://www.sothebys.com/en/search?query=Joan+Mir%C3%B3&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Joan Miró</a>, 1975.<ul><li>Joan Miró (Spanish, 1893-1983).</li><li>Etching and aquatint in colors on Arches wove paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 50, this being 35.</li><li>Printed by Arte Adrien Maeght, Paris.</li><li>Published by Maeght Éditeur, Paris.</li><li>This work is presented unframed.</li></ul> This original etching and aquatint is hand signed in white pencil by the artist "Miró" in the lower right image. It is also hand numbered in pencil from the edition of 50, at the lower left image. There were also a small number of hors commerce impressions. It was printed in a limited edition of 50 signed and numbered impressions by Arte Adrien Maeght, Paris, and it was published by Maeght Éditeur, Paris in the same year. The paper bears the Maeght watermark in the lower left and right sheet.

The Convict and His Companion | Le Bagnard et Sa Compagne

Louis Marcoussis

Frontispiece for Planches de Salut, by <a href="https://www.sothebys.com/en/search?query=Louis+Marcoussis&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Louis Marcoussis</a>, 1931.<ul><li>Louis Marcoussis (Polish-French, 1883-1941).</li><li>Etching and engraving on chine collé on Arches paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 2, this being 2 and the third state of the edition's trial proofs.</li><li>Printed by Lacourière, Paris, 1931.</li><li>Published by Jeanne Bucher, Paris.</li><li>This work is presented unframed.</li></ul> This work is hand signed in pencil by the artist "Marcoussis" in the lower left corner.&nbsp;It is hand numbered 2/2 and inscribed "3 Etat" (third state, out of three printed) in pencil lower margin.&nbsp; This is one of the 10 etchings that Marcoussis created for the portfolio Planches de Salut.&nbsp;The portfolio was published by Jeanne Bucher, Paris in a limited edition of 71 copies in which the individual etchings were not signed. This impression is a rare trial proof of the third state (of three). Each one of the states had only two trial proofs that were signed by the artist. The etchings were printed by Lacourière, Paris in 1931.&nbsp;In Planches de Salut, Marcoussis pays homage to his favorite writers, such as Baudelaire, Dostoevski, Rimbaud, Shakespeare, and Gerard de Nerval.

Frontispiece for Planches de Salut

David Hockney

I Say They Are, from: The Blue Guitar, by <a href="https://www.sothebys.com/en/search?query=David+Hockney&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">David Hockney</a>, 1976.<ul><li>David Hockney (British, 1937-2026).</li><li>Etching and aquatint in colors on Inveresk paper.</li><li>Hand signed and numbered.</li><li>Part of an artist's proof edition of 35, this being 4.</li><li>Printed by Maurice Payne of the Petersburg Press, London.</li><li>Published by Petersburg Press, London, 1977.</li><li>This work is presented unframed.</li></ul>&nbsp;This etching and aquatint is hand signed in pencil by the artist "David Hockney" at the lower right margin.&nbsp;It is also inscribed “AP” [artist’s proof] and hand numbered in pencil from the edition of 35, at the lower left margin. This impression is one of 35 artist’s proofs hand signed and numbered with Roman numerals aside from the standard edition of 200. This composition is the 16th from the series of 20 for The Blue Guitar. This work was printed by Maurice Payne of the Petersburg Press, London and was published by Petersburg Press, London in 1977. The title is stamped in ink at the center of the lower margin, verso.&nbsp;

I Say They Are

Yuri Vladimirovich Matushevsky

Poppies

Jacques Villon

The Small Mechanical Workshop [Le Petit Atelier de Mécanique], by <a href="https://www.sothebys.com/en/search?query=Jacques+Villon&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Jacques Villon</a>, 1914.<ul><li>Jacques Villon (French, 1875-1963).</li><li>Etching on Arches laid paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 50.</li><li>This work is presented unframed.</li></ul> This is the first example of Villon’s use of dividing the surface of the plate with pyramidal shapes, a key component of the Cubist style.

The Small Mechanical Workshop | Le Petit Atelier de Mécanique

Jean Dubuffet

Line with Five Characters [Site Avec Cinq Personnages], by <a href="https://www.sothebys.com/en/search?query=jean+dubuffet&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Jean Dubuffet</a>, 1981.<ul><li>Jean Dubuffet (French, 1901-1985).</li><li>Screenprint and lithograph in colors on Wove paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 90.</li><li>Published by the Louisiana Museum, Humlebæk, Denmark.</li><li>This work is presented unframed.</li></ul>

Line with Five Characters | Site Avec Cinq Personnages

Conrad Felixmüller

The Old Collier [Der alte Kohlenarbeiter], by <a href="https://www.sothebys.com/en/search?query=conrad+felixmuller&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Conrad Felixmüller</a>, 1921.<ul><li>Conrad Felixmüller (German, 1897-1977).</li><li>Drypoint on Wove Paper.</li><li>Hand signed.</li><li>Part of an edition 100.</li><li>Printed by Walter Kunzel, Dresden.</li><li>Published by Klinkhardt &amp; Biermann Verlag, Leipzig.</li><li>Published as a contribution to the Jahrbuch der Jungen Kunst, Vol II in 1921.</li><li>This work is presented unframed.</li></ul>

The Old Collier | Der Alte Kohlenarbeiter

Ed Ruscha

Red Ants, from: Insects, by <a href="https://www.sothebys.com/en/search?query=ed+ruscha&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Ed Ruscha</a>, 1972.<ul><li>Ed Ruscha (American, born 1937).</li><li>Screenprint on Wove Paper.</li><li>Hand signed and numbered.</li><li>Part of an edition of 100.</li><li>Printed by Styria Studio, New York.</li><li>Published by Multiples Inc., New York in a portfolio of six screenprints.</li><li>This work is presented unframed.</li></ul>

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Roy Lichtenstein

Tom Wesselmann

Martial Raysse

After Pierre Parrocel

Le Pho

Josef Albers

José Gurvich

Willem de Kooning

Sam Francis

Kehinde Wiley

Peter Halley

Peter Halley

Walasse Ting

Sam Francis

Oscar Murillo

George Condo

Marc Chagall

Willem de Kooning

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Zao Wou-Ki

Zao Wou-Ki

Zao Wou-Ki

Georg Baselitz

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Gerhard Richter

Emil Nolde

Henry Moore

Ludwig Meidner

Joan Miró

Louis Marcoussis

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Yuri Vladimirovich Matushevsky

Jacques Villon

Jean Dubuffet

Conrad Felixmüller

Ed Ruscha