Sotheby’s global Contemporary Art team, based in key cities worldwide, connects collectors across continents through exhibitions, private viewings, and sales. With a dynamic calendar of events, they showcase works spanning from Abstract Expressionism to today’s leading artists.

Contemporary Art

Tatsuo Miyajima

Opposite Square

Oscar Murillo

Mango by <a href="https://www.sothebys.com/en/search?query=Oscar+Murillo&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Oscar Murillo</a>, 2026.<ul><li>Oscar Murillo (Colombian, born 1986).</li><li>LITO Hi-Rnd© print on alu dibond.</li><li>Limited Edition of 50.</li><li>Hand-signed and numbered by the artist via adhered backplate.</li><li>This work is sold with dark brown aluminum frame.</li></ul>&nbsp;Sotheby’s and LITO present Exclusive Editions: original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief, and color. This release marks Oscar Murillo’s first-ever limited edition print, based on his celebrated “Word Paintings” series, Drawings off the Wall (2010–2014). Combining gestural abstraction with fragments of language, the works draw on personal memory and everyday cultural references to explore how ordinary words can carry layered social and cultural meaning. In celebration of the South London Gallery's 135th anniversary, all artist proceeds are being donated to the SLG.&nbsp;

Mango

Louis Vuitton “REBONDS” Book | Signed by [Celebrity Name]

Zeng Hao 曾浩 |  12 June, 2002 2002年6月12日

Fernando Zóbel 費南度·索培爾 | Untitled 無題

Ronald Caringal 羅納德·卡林加爾 | I Scream Sundae

Florentijn Hofman 弗洛倫泰因·霍夫曼 | Bubblecoat Elephant Soft Replica 抱抱象公仔

Yuichi Inoue 井上有一 | Wa - Peace 和

Lu Peng 呂鵬 | Capital Night 京城夜

Heri Dono  赫里 · 鐸諾 | Penemu Bulan (Moon Discoverer) 探月者

You Jin 由金 | Moving City 移動的城

Supreme Bolt Cutter Red | Supreme 紅色斷線鉗

A Group Of 5 Supreme Baseball Accessories | 一組五件Supreme棒球用品

Supreme Franklin Batting Gloves Red

Burton Morris 伯頓‧莫利斯 | Liberty 自由

Chang Chia-Chu (Zhang Jiaju) 張家駒 | Portrait 肖像

Jaypee Samson 傑伊皮·薩姆森 | Iskul Bukol (School Lump in the Head)

Stanley Whitney

Untitled

Yayoi Kusama

Stars

Fernando Botero

Paul Cezanne, Jr.&nbsp;&nbsp;signed Botero- and dated 63 (lower left); signed Botero-, dated 63 and titled (on the reverse)&nbsp;&nbsp;oil on canvas&nbsp;17 ⅛ by 15 ⅛ in.&nbsp;43.5 by 38.4 cm.&nbsp;Executed in 1963.&nbsp;

Paul Cezanne, Jr.

Peter Halley

Rebus I, by <a href="https://www.sothebys.com/en/search?query=peter+halley&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Peter Halley</a>, 2026.<ul><li>Peter Halley (American, born 1953).</li><li>Acrylic and fluorescent acrylic, on LITO Hi-Rnd© technology print on aluminum.</li><li>Part of a limited edition of 20.</li><li>Hand signed and numbered via adhered backplate.</li></ul> Sotheby’s and LITO present <a href="https://www.sothebys.com/en/buy/fine-art/editions/exclusive-editions" rel="noopener noreferrer" target="_blank">Exclusive Editions</a>: original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief and color. The two new artworks, Rebus I and Rebus IV, by American artist Peter Halley, feature the artist's signature Roll-A-Tex textured surface digitally rendered and "cloned" twelve times. Inspired by Halley’s ‘Cell Grid’ paintings, a series which began in 2014. Each edition offers the tactility of Halley’s iconic textured paintings combined with intense and vibrating colors, creating a new hybrid art form that is both serial and unique. A central figure in the American Neo-Conceptualist movement of the 1980s, Peter Halley is known for the use of geometric abstraction and grid-like compositions in his paintings. Over the past five decades, Halley’s lexicon has included three elements which explore the digital era and industrialization: ‘prisons’, ‘cells’ and ‘conduits.’ The texture of Rebus I, and Rebus IV is informed by Halley’s use of Roll-A-Tex in his paintings (a low-budget paint additive seen in popcorn ceilings). Halley challenged LITO Editions to "clone" this material, repeating the twelve individual cells on metal frames, which were then bolted together into a tightly packed contra- punctual grid, an effect heightened by the arrangement of each cell at a different level of relief. The series has been conceived through digital processes – to create the texture, relief and structure of the work – and then hand-painted at the LITO Tech Lab – a large space in Austria spanning a laboratory, studio and workshop.

Rebus I

Alexander Calder

Parallelogram

Yoshitomo Nara

Nara Yoshitomo Untitledmarker on chromogenic print25.5 by 20 cm. 10 by 7 7/8 in.Executed in 2003.

Mark Grotjahn

Mark Grotjahn: Untitled (Black Butterfly over Blue M02G), 2002, oil on canvas, 36 by 28 in.

Untitled (Black Butterfly over Blue M02G)

Antony Gormley

Antony Gormley: Limn II, 2011, 1.5 mm square section stainless steel bars, 66 by 21 ⅝ by 18 ⅞ in.

Limn II

Barkley L. Hendricks

Barkley L. Hendricks: New Michael, 1971, oil and acrylic on canvas, 22 by 22 in. 55.9 by 55.9 cm.&nbsp;

New Michael

Roy Lichtenstein

Roy Lichtenstein, Inaugural Print (study)

Inaugural Print (Study)

Richard Prince

Cowboys No. 8

Andy Warhol

Andy Warhol: Brillo Box, silkscreen ink on fabric, 94 1/2 by 44 1/2 in.

Brillo Painting (3¢ Off)

Andy Warhol: Dollar Sign, 1981, synthetic polymer and silkscreen inks on canvas, 90 by 70 in. 229 by 178 cm.

Dollar Sign

Rebus IV, by <a href="https://www.sothebys.com/en/search?query=peter+halley&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Peter Halley</a>, 2026.<ul><li>Peter Halley (American, born 1953).</li><li>Acrylic and fluorescent acrylic, on LITO Hi-Rnd© technology print on aluminum.</li><li>Part of a limited edition of 20.</li><li>Hand signed and numbered via adhered backplate.</li></ul> Sotheby’s and LITO present <a href="https://www.sothebys.com/en/buy/fine-art/editions/exclusive-editions" rel="noopener noreferrer" target="_blank">Exclusive Editions</a>: original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief and color. The two new artworks, Rebus I and Rebus IV, by American artist Peter Halley, feature the artist's signature Roll-A-Tex textured surface digitally rendered and "cloned" twelve times. Inspired by Halley’s ‘Cell Grid’ paintings, a series which began in 2014. Each edition offers the tactility of Halley’s iconic textured paintings combined with intense and vibrating colors, creating a new hybrid art form that is both serial and unique. A central figure in the American Neo-Conceptualist movement of the 1980s, Peter Halley is known for the use of geometric abstraction and grid-like compositions in his paintings. Over the past five decades, Halley’s lexicon has included three elements which explore the digital era and industrialization: ‘prisons’, ‘cells’ and ‘conduits.’ The texture of Rebus I, and Rebus IV is informed by Halley’s use of Roll-A-Tex in his paintings (a low-budget paint additive seen in popcorn ceilings). Halley challenged LITO Editions to "clone" this material, repeating the twelve individual cells on metal frames, which were then bolted together into a tightly packed contra- punctual grid, an effect heightened by the arrangement of each cell at a different level of relief. The series has been conceived through digital processes – to create the texture, relief and structure of the work – and then hand-painted at the LITO Tech Lab – a large space in Austria spanning a laboratory, studio and workshop.

Rebus IV

Julian Pace

Julian Paceb. 1988Maldini 13.25 by 11.25 inches

Contemporary Art

Contemporary Art

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Artist

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Tatsuo Miyajima

Oscar Murillo

Stanley Whitney

Yayoi Kusama

Fernando Botero

Peter Halley

Alexander Calder

Yoshitomo Nara

Mark Grotjahn

Antony Gormley

Barkley L. Hendricks

Roy Lichtenstein

Richard Prince

Andy Warhol

Andy Warhol

Peter Halley

Julian Pace