Enjoy access to fine art beyond our auction calendar. Our ready-to-buy selection of art includes <a href="https://www.sothebys.com/en/buy/fine-art/paintings" rel="noopener noreferrer" target="_blank">paintings</a>, <a href="https://www.sothebys.com/en/buy/fine-art/sculptures" rel="noopener noreferrer" target="_blank">sculptures</a>, <a href="https://www.sothebys.com/en/buy/fine-art/photographs" rel="noopener noreferrer" target="_blank">photography</a> and more, including work by <a href="https://www.sothebys.com/en/buy/fine-art/_gad-frederick-clement-artists-garden-34e1" rel="noopener noreferrer" target="_blank">Gad Frederick Clement</a>. Highlight: <a href="https://www.sothebys.com/en/buy/fine-art/estate-of-richard-hambleton" rel="noopener noreferrer" target="_blank">Sketches by Richard Hambleton</a>

Photographs

Paintings

Works on Paper

Prints and Multiples

Sculptures

Fine Art

Joan Miró (Spanish, 1893–1983).This work is offered in a giltwood frame.

Les Voyants (The Seers)

Marie Stobbe (American, 1909-2003)This work is offered in a foliate carved giltwood frame Marie B. Stobbe studied painting at numerous accredited schools and institutes, including the Pratt Institute and the Grand Central School of Art with Ogden Pleissner, Wayman Adams and Howard Hildebrandt. She also studied in Madison, Connecticut, under Robert Brackman and earlier with George Bruestle and Emile Gruppé. Marie’s accolades include being the first woman inducted into The Pastel Society of America and was also inducted into The International Society of the Artists. Marie drew sketches for The New York Herald Tribune and designed select book covers for Dodd Mead, one of the pioneer publishing houses of the United States.&nbsp;

The Gardens of Tuilleries

Henry Caro-Delvaille (French, 1876–1928)This work is offered in a carved 19th century stiff-leaf carved giltwood frame Henry Caro-Delvaille was born in 1876 as Henri Delvaille in Bayonne, France. After studying from 1895 to 1897 at the Bayonne School of Fine Arts, Delvaille became a pupil of Léon Bonnat (1833–1922) at the École des Beaux-Arts in Paris. He exhibited for the first time in the Salon of the Society of French artists in Paris in 1899. He won a medal in 1901 with the painting entitled La Manucure, which is now in the Museo Nacional de Bellas Artes in Buenos Aires, Argentine. Delvaille was also a member of the National Society of Fine Arts since 1903, and became secretary in 1904. In 1905, he obtained the gold medal of the International Exhibition of Monaco and, in 1910, he became a Knight of the French Legion of Honor. Captivated by female beauty and the self-conscious nature of his subjects, Delvaille was noted for his portraits and paintings of women, such as this one. A very similar painting appears in a photograph of the artist in his studio, taken by Maurice-Louis Branger.

In the Boudoir

Lyell Carr (American, 1857–1912)This work is offered in a fluted carved giltwood frame. Lyell Carr was born in Chicago, Illinois, in 1857. By the time he was 23, he had a studio in that city, but in late 1880 or early 1881, he moved to New York, which he would make his home for the rest of his life. There, he would become associated with artists of the National Academy of Design and the Society of American Artists. For one year, in 1884, Carr studied in Paris. He enrolled in the École des Beaux-Arts, where his teachers were Jules Joseph Lefebvre and Gustave Boulanger. These masters emphasized the importance of drawing to good painting. The effect of their training on Carr was such that his style throughout his career was characterized by the firm definition of form and a realistic handling of space. Returning to New York, regularly exhibited his paintings in the large annuals at the National Academy of Design and The Art Institute of Chicago. His paintings entered many fine collections. A Ride Home at Sunset (1891) was purchased from Carr by Thomas Benedict Clarke of New York, who was at that time the leading patron of contemporary American artists. In the Clarke home, Carr’s painting hung with those of Winslow Homer, Frederic E. Church and Thomas Moran. Carr was at the height of his popularity when he died quite suddenly in his studio on February 17, 1912.

Spaniel Profile

Louis-Jules Guedy (French, 1847–1926)This work is offered in a carved 19th century giltwood frame Born in Grenoble (Isère) in France, Louis Guedy was a pupil of Adolphe Yvon (1817–1893) at École des Beaux-Arts in Paris. When he moved to Pau in southern France, he opened a studio to the public. His works appear in many French museums, among which the Musée de l’Armée in Paris, the Hector Berlioz Museum in Côte-Saint-André, the Grenoble Museum, the Museum of Fine Arts in Chambéry and the Mainssieux Museum in Voiron, which includes a portrait of Jean-Baptiste-Camille Corot.

Meeting on a Country Road

Jose Weiss (British, 1859–1919)This work is offered in a giltwood frame with high-relief carved acanthus ornament Joseph Vincent Nicholas Francis Weiss, also known as Jose Weiss, was born in Paris, France, in 1859. He was the son of John Frederick Weiss and Sylvie Marie Talbot. After living in France during his childhood, he moved to England and eventually became a naturalized British citizen. He lived and painted in Houghton, Sussex, for the remainder of his life. Weiss was a prolific and great painter of English landscapes in the style of the Barbizon School, mostly depicting scenes of the surrounding Sussex countryside. He exhibited at the Royal Academy and sold his paintings to a wide group of admirers, particularly in the United States. They are on view in galleries and museums in both countries.

On the Thames

Charles Hancock (British, 1795-1868)This work is offered in a giltwood and gesso frame.

Hunting Dog on Point

Auguste Charles Gerboux (French, 1838–1878).This work is offered in a giltwood frame.

Vue Prise Dans Le Parc de Cambron Casteau de Hainaut Belgique

Jason Martin (British, b. 1970).This work is offered unframed.

Decade

Daniel Chadwick (British, b. 1965).Sold as a set of 3 mobiles.

Untitled

<a href="https://www.sothebys.com/en/buy/fine-art/estate-of-richard-hambleton" rel="noopener noreferrer" target="_blank">From the Estate of Richard Hambleton.</a>Richard Hambleton (Canadian, 1952-2017).This work is offered unframed. This work is part of an outstanding selection from the Estate of Richard Hambleton, the enigmatic artist whose haunting shadow portraits helped define the urban interventionist spirit of street art in New York during the early 1980s, with a portion of the Estate’s proceeds from the sale to benefit Arts Education at the New Museum of Contemporary Art.

Untitled (Three Sketchbooks)

<a href="https://www.sothebys.com/en/buy/fine-art/estate-of-richard-hambleton" rel="noopener noreferrer" target="_blank">From the Estate of Richard Hambleton.</a>Richard Hambleton (Canadian, 1952-2017).Sold as a set of 6.These works are offered unframed. This work is part of an outstanding selection from the Estate of Richard Hambleton, the enigmatic artist whose haunting shadow portraits helped define the urban interventionist spirit of street art in New York during the early 1980s, with a portion of the Estate’s proceeds from the sale to benefit Arts Education at the New Museum of Contemporary Art.

Untitled (Six Trump Tower Drawings)

<a href="https://www.sothebys.com/en/buy/fine-art/estate-of-richard-hambleton" rel="noopener noreferrer" target="_blank">From the Estate of Richard Hambleton.</a>Richard Hambleton (Canadian, 1952-2017).Sold as a set of 8.This work is offered unframed. This work is part of an outstanding selection from the Estate of Richard Hambleton, the enigmatic artist whose haunting shadow portraits helped define the urban interventionist spirit of street art in New York during the early 1980s, with a portion of the Estate’s proceeds from the sale to benefit Arts Education at the New Museum of Contemporary Art.

Untitled (Eight Drawings of a Horse and Rider)

<a href="https://www.sothebys.com/en/buy/fine-art/estate-of-richard-hambleton" rel="noopener noreferrer" target="_blank">From the Estate of Richard Hambleton.</a>Richard Hambleton (Canadian, 1952-2017).Sold as a set of 3.These works are offered unframed. This work is part of an outstanding selection from the Estate of Richard Hambleton, the enigmatic artist whose haunting shadow portraits helped define the urban interventionist spirit of street art in New York during the early 1980s, with a portion of the Estate’s proceeds from the sale to benefit Arts Education at the New Museum of Contemporary Art.

Untitled (Three Graph Books)

<a href="https://www.sothebys.com/en/buy/fine-art/estate-of-richard-hambleton" rel="noopener noreferrer" target="_blank">From the Estate of Richard Hambleton.</a>Richard Hambleton (Canadian, 1952-2017).Sold as a set of 5.These works are offered unframed. This work is part of an outstanding selection from the Estate of Richard Hambleton, the enigmatic artist whose haunting shadow portraits helped define the urban interventionist spirit of street art in New York during the early 1980s, with a portion of the Estate’s proceeds from the sale to benefit Arts Education at the New Museum of Contemporary Art.

Untitled (Five Drawings of Boxers)

Sydney Ball (Australian, 1933 - 2017).This work is offered unframed.

Chromix Lumina #2

Stonehead

Art Zelin (American, 1941-2016).Printed 2022.High-quality wood frame.

David Bowie at the Carlyle

Kim Gottlieb Walker (American, b. 1947).Printed 2023High-quality wood frame.

Joni Mitchell on the Verge of Tears, Isle of Wight

Byron Browne (American, 1907-1961).This work is offered unframed.

Scott Zuckerman (American, b 1951)This work is offered in a parcel gilt burl wood cushion moulded frame Connecticut artist, Scott Zuckerman studied at the Pratt Institute of Art (Brooklyn, NYC) and the Art Students League (Manhattan, NYC). He believes that “the zenith of painting was reached during the impressionist period” and that although the impressionist painters “had a profound impact” on him, he states that “nothing can replace the time spent in the field…fishing, hunting or simply observing.” James D. Balestrier (J.N. Bartfields Gallery, NYC) states that “Scott Zuckerman’s paintings recall those of the masters of natural impressionism, Bruno Liljefors, Carl Rungius, George Brown and others.” Zuckerman himself says that “he is fascinated by the mystic rhythms of the woods.” It is no wonder that he is considered to be one of America’s premiere sporting and wildlife artists. He has had solo exhibitions throughout Connecticut, Maine and New York City, in addition to many other exhibitions throughout the United States, including Hiram Blauvelt Art Museum (Ordell, NJ); Corpus Christi Museum of Science and History (Corpus Christi, TX); National Geographic Society: Explorers Hall (Washington D.C.); Utah Museum of Natural History (Salt Lake City, UT); Burpee Museum of Natural History (Rockford, IL); Cleveland Museum of Natural History (Cleveland OH); Disney’s Animal Kingdom, Orlando, FL); The Delaware Museum of Natural History (Wilmington, DE); The Carnegie Museum of Natural History, Pittsburgh, PA); The Ward Museum of Wildfowl Art (Salisbury, MD); Saint Hubert’s’ Giralda Animal Art Museum (Madison, NJ); Denver Museum of Natural History (Denver, CO); The Academy of Natural Sciences (Philadelphia, PA); Salmagundi Club (NYC); and Game Conservation International (San Antonio, TX).

Pheasant in Flight

Jonas Joseph LaValley (American, 1858-1930) Jonas Joseph LaValley was born in Rouse Point, New York. His early eclectic “career” runs contrary to what one would expect from someone with an artistic nature. His youth was spent toiling on the family farm in New York. He later migrated to Chicopee, Massachusetts where he worked in the cotton mills. A later move to Springfield Massachusetts found him working as a professional barber. It was during this latter time, that he began honing his skills as an artist, first pencil sketches and pastels, then progressing toward oil painting. LaValley studied with Willis Seaver Adams, Edmund Case and George Newell Bowers. He eventually turned to painting full-time, opening a studio on Main Street in Springfield. LaValley enjoyed a successful art career as a painter of still-lifes, finding markets in Boston, Springfield and New York City. LaValley admits that his favorite subjects were succulent peaches and luscious raspberries. The color red figures prominently in his pallet as observed in the above painting and many of his other works. He eventually moved to Westfield, Massachusetts, where he bought a home at the base of Mount Tekoa, a stunning geologic feature carved by ancient glaciers, the West Field River and Moose Meadow Brook. LaValley spent his summers here painting landscapes and his winters painting still-lifes.

Roses in a Glass Vase

Alfred De Breanski Snr. (British, 1852-1928)This work is offered in a low relief carved giltwood frame Alfred De Breanski (a.k.a. Alfred de Branski, Alfred Breansky) was born in London, England and is best today known for his paintings of the rugged Welsh mountains and the isolated Scottish lochs. He was a master at capturing natural textures—rocks and foliage, complemented by his exquisite treatment of light. His attention to detail, however, does not disguise nor detract from his romantic approach to portraying the natural world of his time. He first exhibited at the Royal Academy in 1872, and his landscape was purchased by the Bishop of Peterborough. He was firmly established as an artist by 1880, and began spending time in London where painted scenes of the Thames River. De Breanski began exhibiting his Welsh landscapes at the Royal Cambrian Academy in Wales circa 1882. De Breanski exhibited at the Royal Cambrian Academy; the Royal Society of British Artists; Royal Institute of Oil Painters; Royal Society of Artists (Birmingham); London art galleries Dudley, Grosvenor and Arthur Tooth &amp; Sons; Walker Art Gallery (Liverpool); Manchester City Art Gallery; Royal Institute of Painters in Watercolor; and the Royal Hibernian Academy.

Swans on the Thames

Edgar Longstaffe (British, 1852-1933)Contemporary frame Landscape painter, Longstaffe was born near Derby, on the River Derwent, Derbyshire, in the English Midlands region, the son of doctor. After his marriage, he moved to Newport, Essex. He is best known for his landscapes of the English moors, Welsh countryside, Scottish Highlands and Lochs, painted for use as postcards by the well-known postcard publishers Raphael Tuck &amp; Sons and S. Hildesheimer &amp; Co., Ltd. Longstaffe exhibited his paintings Royal Academy and at the Royal Hibernian Academy and at Birmingham during the mid- to late-1880s. In the early part of the 20th century, he moved to Laindon, Essex, where he resided until his death in 1933. Longstaffe varied his signature on his paintings; more common was the use of his monogram, but other variations include “E.L” or “E. Longstaffe.”

Fisherman at the End of the Day

Bill Rice (American, b. 1952) Contemporary sculptor Bill Rice has a deep love for America’s landscape and its wildlife. Rice keeps an aviary at his home in Connecticut and takes field trips to observe the habits and attitudes of birds in order to create dynamic renditions of domestic and wild birds. Self-taught as a painter, he started sculpting birds while he was working as a carpenter. Rice typically incorporates some aspect of the bird’s natural habitat into each piece, which serves to bring the subjects to life. Rice is a member of the Society of Animal Artists. He has exhibited at New England Wildlife Exposition (Wallingford, CT, 1986, 1987, 1989); the Ward Foundation World Championship Competition (Ocean City, MD, 1984); National Museum of Wildlife Art’s Miniatures and More Show (Jackson Hole, WY, 2001, 2002, 2003 and 2004); Bennington Center for the Arts; Art of the Animal Kingdom Show; Impressions of New England Show (Bennington, VT, 2002); and the Leigh Yawkey Woodson Art’s Museum’s Birds in Art Show (2002, 2003, 2004). His work has been in national wildlife annuals--the Cape Cod Museum of Natural History’s Birds in Art Show, and the Easton Waterfowl Festival in Easton, Maryland. Rice is a member of the Society of Animal Artists. His work can be seen in the Ward Foundation Museum of Wildfowl Art ( Salisbury, MD) and is in the permanent collection of the Leigh Yawkey Woodson Art Museum, in addition to many private and corporate collections throughout the United States, Canada, China, England, Bermuda and South Africa.

Cock Pheasent

John Henry Dolph (American, 1835-1903) Dolph was a versatile and talented artist who became the foremost “cat-painter” in America. He left home (Fort Ann, New York) at a young age, after the death of his mother, and generated income for himself by doing decorative painting on coaches and carriages. He eventually made his way to Cleveland where he studied with Allen Smith, a prominent portrait painter. This training prepared him for a career in portraiture, which he pursued in Detroit. As common with artists of the time, Dolph went abroad to further hone his skills. He studied with the noted animal painter Louis Van Kuyek in Antwerp, and then spent some time in Paris before returning to American and settling in New York City. Following his return to America, he broadened his artistic range and was first recognized for his Hudson River School landscapes, domestic genre scenes and still-lifes. He turned from portraiture to concentrate on farmyard genre and animal life. However, Dolph became somewhat bored with this subject matter and began to paint cats. These paintings were popular and sold well. Having found his niche, from 1875 on, he concentrated on realistic, playful paintings of cats and dogs. Dolph helped organize the Society of American Artists and was an academician of the National Academy of Design. He exhibited at the National Academy, Brooklyn Art Association, the Pennsylvania Academy of the Fine Arts, and the Paris Salon. His works are exhibited in the Whitney Museum of American Art, the Portland Art Museum and the Newark Museum.

A Society Lion

Robert Emmitt Owen (American, 1878-1957)This work is offered in a carved giltwood frame Owen, a noted Impressionist landscapist, was born in North Adams, Massachusetts. He studied at the Eric Pape Art School (Boston), Art Students League of New York, National Academy of Design School and the New York School of Art. His education included instruction under noted Impressionists Frederick Mulhaupt and Leonard Ochtman. His later style was particularly influenced by noted American Impressionists Willard Metcalf, J. Alden Weir, and Childe Hassam. Before his New York studies, he was already established as an illustrator, selling illustrations to the Boston Globe, National Magazine, and Brown Brook Magazine. Later, his illustrations would appear in Scribner’s Magazine, and Harper’s Monthly. It was only after he moved to New York City in 1901 to further his art training that he was exposed to and enamored of the Impressionist manner of painting. Owen traded in the tight precision drafting style that characterized his illustrations, for a style executed with loose, vigorous brush strokes, using a vivid palette. In 1910, he moved to Bagnall, Connecticut to concentrate on painting New England landscapes. Owen’s landscapes of the New England countryside have been likened to the poetry of Robert Frost, as both realistically depicted scenes of rural American life. In 1919, he was commissioned by Temple Gwathmey, former president of the New York Stock Exchange, to paint a series of 20 paintings. In 1923, he was commissioned by Stephen H.P. Pell, founder of the Fort Ticonderoga Museum for another series of images. Later commissions included those for Edward Stettinus,Jr., former U.S. Secretary of State and Percy Rockefeller. In 1920 Owen, moved back to New York City and opened the Robert Emmett Owen Landscape Gallery, where he exhibited and sold his own work. The business operated until America’s involvement of World War II, after which, he closed the gallery. Owen moved to New Rochelle, NY and became the artist in residence at the Thomas Paine Memorial Museum. Owen exhibited widely, including at the former Corcoran Gallery of Fine Art, the Pennsylvania Academy of the Fine Arts and the Art Institute of Chicago, among many others.

Hemlocks in Snow

Jules Frederic Ballavoine (French, c. 1844-1914)This work is offered in a carved giltwood frame Ballavoine was born in Paris and was to become a highly recognized Parisian illustrator and painter. He received some notoriety during the early decades of the French Third Republic for his paintings of nude women. Ballavoine received his formal art education at the École des Beaux Art in Paris under historical painter Isidore Alexandre Augustin Pils. He exhibited his first oil painting at the Paris Salon in 1865, where he exhibited regularly for the next thirty years. Ballavoine had great success with his paintings of small Paris street scenes, which were said to rival those of Jean Beraud. But it was his exquisitely executed pictures of young women, such as Penning a Love Letter, that are the most desirable. Ballavoine last exhibited in 1911. Most of his works are now held in private collections.

Penning a Love Letter

William Henry Ahrendt (American, b. 1933) William Harry Ahrendt is a contemporary painter known for his historical figures-genre paintings. He first studied art at the Cleveland Museum of Art. He became interested in landscape when his family moved to Arizona .to care for his grandmother. His art studies continued when he returned to Cleveland and attended the Cleveland Institute of Art. At that time, the Abstraction movement was underway, a style that Ahrendt found unappealing. He left the United States for eleven years to tour Europe, living primarily in Germany, where he attended the Munich Academy of Creative Arts. There he studied the painting techniques of the Renaissance and Baroque periods, techniques that he applies to his own work.After returning to the United States, he worked as a commercial artist in California, before being appointed Chair of the Glendale Community College Art Department (Arizona). For many years he contributed many paintings and drawings to “Arizona Highways Magazine”; however, in 1979, Ahrendt retired to the Pine Mountains, where he and his wife had built a home and studio, to concentrate on art. The original “Zoroaster Temple at Sunset, Thomas Moran, 1916“ painting is part of the Phoenix Art Museum collection.

The Grand Canyon

Frederick Stone Batcheller (American, 1837-1889)This work is offered in a 19th century giltwood frame Batcheller was born in the fledgling industrial city of Providence, Rhode Island. As Providence was growing into a major industrial center, Batcheller, along with fellow artists (George Whitaker, Edward Bannister, James Lewin, John Arnold, Charles Stetson, Thomas Robinson, and Marcus Waterman), were molding it into an eastern cultural center. Together they formed The Group of 1855 to promote art and culture in Providence. Known primarily for his beautifully detailed still-lifes, he had begun his career as a sculptor, having apprenticed as a youth with Providence marble cutters, Tingley Brothers. His foray into painting apparently coincided with the inception of The Group of 1855. He was known for his “moodiness” and during periods of melancholy he would confine himself to his studio with his violin, not unlike the fictional sleuth, Sherlock Holmes. This quirk led his friend George Whitaker to call him “the "Romantic". His mood swings did not hamper his art, but perhaps even enhanced it—his still-lifes are among the best of those produced during that time. Batcheller, with Sydney Burleigh, George Whitaker, among others, was a founder of the Providence Art Club in 1880, the nation's second-oldest art club, only after the Salmagundi Club in New York City. He exhibited his still-lifes there, in addition to some of his landscapes. A skilled artist and well respected by his contemporaries, Batcheller never attained the same level of recognition as his friends. Nonetheless, his paintings are treasures waiting to be rediscovered by those with a discerning eye.

Flowers in Victorian Vase

James Jackson Curnock (British, 1839-1891) Curnock was born in Bristol, on the River Avon in England. He was the son of the genre and portrait painter James Curnock. Curnock is best known for his paintings of the Welsh landscape, notably that of the lakes mountain ranges and river valleys of Snowdonia—Tryfan, Carnedd Dafydd, Llynnau Mymbyr, Glyderau mountain ranges, the valleys of the Llugwy, and Mawddach, Lledr rivers, and the Glaslyn, Llyn Idwal lakes, among others. Curnock also painted the glens, lochs and moors of Scotland, the Cornish coast and the river valleys of England. The English writer and art critic, John Ruskin, whose “truth to nature” philosophy influenced 19th century landscape artists, gave Curnock favorable revies. He exhibited at the Royal Academy (London, England) and the Royal Cambrian Academy (Wales).

Sunny Day

Henry Collins Bispham (American, 1841-1882) Bispham was a Philadelphia, Pennsylvania artist known for hunting and fishing genre and wildlife paintings. He studied under noted Philadelphia landscape and marine artist, William Trost Richards and later in Paris under genre and landscape painter, Otto Weber. Nineteenth- century New York art critic Theodore Tuckerman said of his work, “his excellent pictures of animals in landscapes are delineated with great authenticity and feeling”. Bispham exhibited at the Boston Art Club, National Academy of Design, Brooklyn Art Association, Philadelphia Sketch Club, and the Pennsylvania Academy of the Fine Arts.

Misty Morning on the Lake 

William Sidney Cooper (British, 1854-1927) William Sidney Cooper studied with his great-uncle Thomas Sidney Cooper at his School of Art in Canterbury (now he University College for the Creative Arts at Canterbury). Following in his great-uncle’s footsteps, the younger Cooper’s forte became cattle and sheep, which feature prominently in his watercolour and oil paintings. In 1890 Cooper moved to Herne Bay in Kent where he painted the surrounding pastoral countryside with its herds of cattle and flocks of sheep. Cooper was an avid golfer and enjoyed playing tennis and lawn bowls. A capable musician, he played at local events. He also apparently possessed architectural skills as he built a number of houses in Canterbury and the surrounding area of Alcroft Grange. Cooper exhibited at the Royal Academy, the Royal Society of British Artists, and the Royal Watercolour Society.

Landscape with Sheep

Carl Sommer (German, 1829-1894)This work is offered in a 19th century fluted cove frame Very little biographical information is currently available for Carl Sommer. He was born in Germany, but when he came to the United States is unknown, nor do we know if he returned to Germany at some point. That he was a landscape artist in the style of the Hudson River School seems apparent from an examination of his work. It is known that he painted scenes in the Catskill and Adirondack Mountains; Hudson and Delaware River valleys; and the rocky coasts at Newport, RI. Sommer exhibited at the National Academy of Design (NYC) and the Pennsylvania /academy of the Fine Arts (Philadelphia, PA).

Lone Traveler

Horst P. Horst (German-American, 1906-1999).Printed later.This work is offered framed.

Coco Chanel

Arnold Newman (American, 1918-2006).This work is offered framed.

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Joan Miró

Marie Stobbe

Henry Caro-Delvaille

Lyell Carr

Louis-Jules Guedy

Jose Weiss

Charles Hancock

Charles Gerboux

Jason Martin

Daniel Chadwick

Richard Hambleton

Richard Hambleton

Richard Hambleton

Richard Hambleton

Richard Hambleton

Sydney Ball

Peter Hayes

Art Zelin

Kim Gottlieb Walker

Byron Browne

Scott Zuckerman

Jonas Joseph LaValley

Alfred de Bréanski, Snr.

Edgar Longstaffe

Bill Rice

John Henry Dolph

Robert Emmett Owen

Jules Frederic Ballavoine

William Henry Ahrendt

Frederick Stone Batcheller

James Jackson Curnock

Henry Collins Bispham

William Sidney Cooper

Carl Sommer

Horst P. Horst

Arnold Newman