View full screen - View 1 of Lot 2. Balaam and the Ass.
2

Hans Bol

Balaam and the Ass

Estimate:

60,000 - 80,000 USD

Hans Bol

Hans Bol

Balaam and the Ass

Balaam and the Ass

Estimate:

60,000 - 80,000 USD

Live auction begins in:

Live auction begins in:

05:43:06

05:43:06

Authenticity guarantee

What is guaranteed?

Hans Bol

Mechelen 1534 - 1593 Amsterdam

Balaam and the Ass


Gouache, heightened with gold, on vellum laid down on panel;

signed and dated in gold, on the trunk of the central tree: HBol 1583

bears old numbering on the panel, verso: No 28

and an old inventory number on a label: 268

137 by 196 mm; 5⅜ by 7⅝ in.

A sheet of vellum has been laid down to an old panel backing. The borders of the sheet are covered by a black border which, judging by its age, is likely to be original. There are some small losses of gouache to the extremities and upper right corner and a small water stain to the lower left quarter. The work remains in otherwise very good condition. Sold in a modern faux tortoiseshell frame.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Private collection, Belgium
Brussels, Société Générale de Banque, Dessins du XVe au XVIIIe Siècle dans les collections privées de Belgique, 1983, no. 17

Bol's spectacularly elegant and beautiful landscape gouaches, often extensively heightened with gold, include some of the greatest achievements of late 16th-century landscape painting.  Combining elements and qualities from earlier traditions of manuscript illumination with an observational clarity that owes much to Pieter Breugel, Bol was a unique artistic personality. Many of his gouaches are, like this, executed on vellum, laid down on panel, and were probably conceived as 'cabinet miniatures,' to be kept and displayed in a wunderkamer


Most, though not all, of the artist’s compositions of this type incorporate a biblical subject, but totally subordinated to the landscape; the religious theme is effectively just an excuse for the creation of an image that is first and foremost a spectacular and beautiful landscape, combining elements from the real world, and real locations, into a visionary, idealised scene.


In this very well preserved work, Bol illustrates the episode from the Book of Numbers (22:22-28), when the Lord sends an angel to intercept Balaam, who is on his way to curse the Israelites, but initially only the ass on which Balaam rides can see the angel. The artist had previously depicted the same subject, but in a somewhat different landscape, in the seventh plate out of the series of 30 that constitute the Libellos Varios Regionum Tractus Continens, published by Philips Galle in Antwerp in 1574. Further gouaches by Bol incorporating Balaam and his ass are in Munich (dated 1586),1 and in an American private collection (dated 1578 or 1579). 


We are most grateful to Stefaan Hautekeete for his kind help while cataloguing this lot. 


See also the following lot.


1. Munich, Miniaturenkabinett der Residenz, inv. no. G0915