Pierre Le-Tan
Une femme de dos regardant vers la tour Eiffel, assise sur un banc d’une terrasse dans un jardin parisien
Pierre Le-Tan
1950 - 2019
Une femme de dos regardant vers la tour Eiffel, assise sur un banc d’une terrasse dans un jardin parisien
black ink and watercolour on paper
27 x 19,9 cm; 10⅝ x 7⅞ in.
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Pierre Le-Tan
1950 - 2019
Une femme de dos regardant vers la tour Eiffel, assise sur un banc d’une terrasse dans un jardin parisien
plume et encre noire, aquarelle sur papier
27 x 19,9 cm; 10⅝ x 7⅞ in.
The work has been examined framed. Executed on cream wove paper. The sheet is slightly undulating and a bit light stained. This work is in overall very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
This timeless drawing, which exudes a sense of detachment, was probably made by Le-Tan in the 2000s. In the background is the quintessential Parisian monument, the Eiffel Tower, which was often depicted by Le-Tan. The layout and the dimensions suggest that it was intended as a cover design.
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Ce dessin intemporel, émanant un sentiment de détachement, a probablement été exécuté par Le-Tan dans les années 2000. La Tour Eiffel en arrière-plan, monument typiquement parisien, a souvent été représenté par Le-Tan. La mise en page et les proportions suggèrent qu’il soit un projet de couverture.