View full screen - View 1 of Lot 31. EDMUND GARVEY, R.A.  |  A VIEW OF LAKE GENEVA WITH THE MONT SALÈVE AND LE MÔLE, MONT BLANC BEYOND.
31

EDMUND GARVEY, R.A. | A VIEW OF LAKE GENEVA WITH THE MONT SALÈVE AND LE MÔLE, MONT BLANC BEYOND

Estimate:

15,000

to
- 20,000 GBP

PROPERTY FROM DEREK JOHNS LTD, LONDON

EDMUND GARVEY, R.A. | A VIEW OF LAKE GENEVA WITH THE MONT SALÈVE AND LE MÔLE, MONT BLANC BEYOND

EDMUND GARVEY, R.A. | A VIEW OF LAKE GENEVA WITH THE MONT SALÈVE AND LE MÔLE, MONT BLANC BEYOND

Estimate:

15,000

to
- 20,000 GBP

Lot sold:

21,250

GBP

PROPERTY FROM DEREK JOHNS LTD, LONDON

EDMUND GARVEY, R.A.

Kilkenny c. 1750 - 1813 London

A VIEW OF LAKE GENEVA WITH THE MONT SALÈVE AND LE MÔLE, MONT BLANC BEYOND


oil on canvas

unframed: 76.5 x 137.8 cm.; 30⅛ x 54¼ in.

framed: 92 x 150.5 cm.; 36¼ x 59¼ in.


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The canvas is lined, the paint surface is clean and the varnish is clear and even. The impasto brushwork is well preserved in areas such as the clouds. Inspection under ultraviolet light reveals scattered retouchings along all four margins and the stretcher mark, as well as to a handful of more concentrated areas of restoration in the sky, the largest of which is in the upper right corner measuring 3 x 5 cm. There is also retouching to two repaired tears: one in the sky upper left in a C shape measuring 18 x 13 cm.; the other in the lake lower left in a semi-circle measuring approx. 23 cm. These have been sensitively executed and do not impede the legibility of the painting, which is ready to hang in its current state.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.


With Sabin Galleries, London;

From whom acquired by a private collector, in 1971;

By descent until sold, London, Christie's South Kensington, 30 April 2015, lot 528.

Probably London, Royal Academy, either 1785, no. 425 (View of Geneva with the

Glaciers); or 1786, no. 6 (Lake of Geneva, nr Lausanne); or 1786, no. 22 (Lake nr Geneva).

"It’s unusual to see views of the Alps painted in the 18th Century by artists from the British Isles. Garvey was clearly much taken by the dramatic impact of the Alps, which he saw en route to Rome in the 1760s, and would continue to paint and exhibit Alpine views throughout his career."


Alex Bell


Born in Kilkenny, Ireland, Garvey was a pupil of Robert Carver, one of the foremost Irish landscape artists of the mid-18th century. During the 1760s he travelled to Rome to continue his studies. The journey to Rome took him through the Alps and down to Savoy, during which time he produced a number of works. His watercolour Waterfall in the Alps, displayed in 1769 at the Royal Academy, was one of the first Alpine paintings exhibited in Britain. At this time British artists were just discovering the natural beauty of the Alpine regions as many made the trip to Rome on land rather than by sea. Garvey would continue to exhibit such views throughout his career. He was elected to the Royal Academy in 1783.