The Dealer's Eye | London
The Dealer's Eye | London
PROPERTY FROM DEREK JOHNS LTD, LONDON
Lot Closed
June 25, 01:30 PM GMT
Estimate
80,000 - 120,000 GBP
Lot Details
Description
PROPERTY FROM DEREK JOHNS LTD, LONDON
LOUIS-JEAN-FRANÇOIS LAGRENÉE
Paris 1724 - 1805
BELLONA CALLING MARS TO WAR BY HANDING OVER THE REINS TO HER CHARIOT
signed lower left: L. Lagrenee
oil on canvas
unframed: 65 x 93.9 cm.; 25 3/8 x 37 in.
framed: 82.1 x 110.9 cm.; 32 3/8 x 43 5/8 in.
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Private collection, USA;
Anonymous sale, South Carolina, Charlton Hall Auctioneers, 6 March 2010, lot 115;
Where acquired by a private collector, UK;
With Galerie Michel Descours, Lyon and Paris.
M. Sandoz, Les Lagrenée, I. Louis (Jean-François) Lagrenée, 1725–1805, Paris 1983, p. 301, no. 442 (as location unknown).
"This is a wonderfully dramatic and energetic work by one of the most prestigious French artists of the second half of the 18th Century. Dating from the 1780s, the painting was likely made while Lagrenée was Director of the Académie de France à Rome (1781-1787)."
Alex Bell
Louis-Jean-François Lagrenée, also called Lagrenée the Elder, was born in Paris into a family of artists. He studied with his brother Jean-Jacques, trained with Carle Vanloo, won the Prix de Rome in 1749 and studied at the French Academy in that city. He became a member of the art academies in Saint Petersburg and in Paris, where he exhibited prominently in the Salon. Napoleon went on to make him chevalier of the Légion d’Honneur and rector of the École des Beaux-Arts in 1804.
The subject matter of this painting has traditionally been identified as the Ancient Roman goddess Bellona calling Mars, whose charioteer she is often cited as, to war - here she is seen astride a golden chariot and has handed over her reins. Recently however Dr Christoph Vogtherr, to whom we are grateful, and who dates the painting to the 1780s, has suggested that the mythological subject may be based on a scene from the Trojan Wars (1194–84 BC). Regardless, the subject matter of this painting would undoubtedly have been influenced by Lagrenée’s time in Rome and his exposure to its ancient history.