ATTRIBUTED TO JEAN-SIMON FOURNIER | "LA DAME AUX ROSES"
Property from the Collection of Phyllis and C. Douglas Dillon
ATTRIBUTED TO JEAN-SIMON FOURNIER | "LA DAME AUX ROSES"
Lot Closed
 ATTRIBUTED TO JEAN-SIMON FOURNIER | "LA DAME AUX ROSES"
 ATTRIBUTED TO JEAN-SIMON FOURNIER | "LA DAME AUX ROSES"
 ATTRIBUTED TO JEAN-SIMON FOURNIER | "LA DAME AUX ROSES"
 ATTRIBUTED TO JEAN-SIMON FOURNIER | "LA DAME AUX ROSES"
 ATTRIBUTED TO JEAN-SIMON FOURNIER | "LA DAME AUX ROSES"
 ATTRIBUTED TO JEAN-SIMON FOURNIER | "LA DAME AUX ROSES"
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ATTRIBUTED TO JEAN-SIMON FOURNIER | "LA DAME AUX ROSES"

Estimate: 6,000 - 8,000 USD

Property from the Collection of Phyllis and C. Douglas Dillon

ATTRIBUTED TO JEAN-SIMON FOURNIER | "LA DAME AUX ROSES"

ATTRIBUTED TO JEAN-SIMON FOURNIER | "LA DAME AUX ROSES"

Estimate: 6,000 - 8,000 USD
Lot sold:37,500USD
(31 bids, reserve met)

Description

Property from the Collection of Phyllis and C. Douglas Dillon

ATTRIBUTED TO JEAN-SIMON FOURNIER

Paris active 1791 - 1799

"LA DAME AUX ROSES"


bears signature lower left: L. Boilly

oil on canvas

canvas: 28¾ by 23½ in.; 73 by 59.7 cm.

framed: 35½ by 29 in.; 90.2 by 73.7 cm.

Condition report

The canvas is lined. It presents an elegant sitter that reads well with some craquelure scattered throughout. A few frame abrasions are visible on the edges like at bottom left. Inspection under UV reveals a few spots of possible repair, like at center left on the sitter's skirt as well as another on the column at right. Painting can hang as is. Offered framed.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Provenance

Louis Rothschild, Vienna;

Confiscated from the above, October 20, 1939 and originally allocated for the Kunsthistorisches Museum in Vienna;

Intercepted and re-allocated for the Kunstmuseum Linz (inv. LR 717), July 31, 1940 and stored at Aussee Salt Mine (inv. 3057);

Munich Central Collecting Point (inv. 4408) (as “V.Boilly [Portrait of a Lady])”, July 15, 1945;

Repatriated to the Austrian government, May 6, 1946 and restituted to the Rothschild family in August 1947;

Rene Fribourg, by 1954;

By whom sold, London, Sotheby’s, 26 June 1963, lot 71 (as Boilly).

Literature

H. Harrisse, Louis Boilly: Peintre, Dessinateur, et Lithographe, Paris 1898, p. 97, cat. no. 155 (as Boilly);

F.J.B. Watson, The Wrightsman Collection of Furniture, 1966, vol. I, cat. no. 71 (as Boilly).

Exhibited

Pittsburgh, Carnegie Institute, Pictures of everyday life: genre painting in Europe, 1500-1900, 14 October - 12 December 1954 (as Boilly).