Old Masters Evening Sale

Old Masters Evening Sale

View full screen - View 1 of Lot 26. Portrait of George Hay, 2nd Earl of Kinnoull (circa 1595–1644), full-length, wearing armour, and holding a baton in his right hand, his left resting on a table with a red cloth, upon which is his helmet | 《喬治・黑伊,金諾伯爵二世(約1595-1644年)身披鎧甲、右手持棍、左手搭在桌邊的全身肖像,桌上鋪紅色桌布並擺放頭盔》.

Property from a Private Collection | 私人收藏

Sir Anthony van Dyck and Studio

Portrait of George Hay, 2nd Earl of Kinnoull (circa 1595–1644), full-length, wearing armour, and holding a baton in his right hand, his left resting on a table with a red cloth, upon which is his helmet | 《喬治・黑伊,金諾伯爵二世(約1595-1644年)身披鎧甲、右手持棍、左手搭在桌邊的全身肖像,桌上鋪紅色桌布並擺放頭盔》

Auction Closed

December 10, 06:47 PM GMT

Estimate

150,000 - 200,000 GBP

Lot Details

Description

Property from a Private Collection

私人收藏

Sir Anthony van Dyck and Studio

安東尼・凡・戴克爵士及其工作室

Antwerp 1599 - 1641 London

Portrait of George Hay, 2nd Earl of Kinnoull (circa 1595–1644), full-length, wearing armour, and holding a baton in his right hand, his left resting on a table with a red cloth, upon which is his helmet

《喬治・黑伊,金諾伯爵二世(約1595-1644年)身披鎧甲、右手持棍、左手搭在桌邊的全身肖像,桌上鋪紅色桌布並擺放頭盔》


inscribed lower left: EARLE OF KENNOVL

款識:題款EARLE OF KENNOVL(左下)

oil on canvas

油彩畫布

218 x 132 cm.; 86 x 52 in.

218 x 132 公分;86 x 52 英寸

The Earls of Kinnoull, Dupplin Castle, near Perth, Scotland;

Edward Hyde, 1st Earl of Clarendon (1609–1674), Clarendon House, London;

By descent in the Clarendon family at Cornbury Park, Oxfordshire and at The Grove, Watford, Hertfordshire, until sold by Edward Villiers, 5th Earl of Clarendon (1846–1914);

With Arthur J. Sully, London;

With Sir Joseph Duveen, New York, by 1929;

The Norton Simon Foundation, San Francisco;

By whom sold, London, Sotheby's, 27 June 1973, lot 4;

Private collection, Europe, by 1988;

Anonymous sale, London, Sotheby's, 9 November 1994, lot 21, where acquired.

The List of Pictures at Cornbury, circa 1683–85, British Museum, London, Ms.19.027, ff. 35, 36;

J. Smith, A Catalogue Raisonné..., vol. III, London 1831, p. 198, no. 689;

H. Walpole, Anecdotes of Painting in England, 1768–1771 (London 1849 ed.), vol. I, p. 330;

Lady T. Lewis, Lives of the Friends and Contemporaries of Lord Chancellor Clarendon, vol. III, London 1852, p. 319, no. 31;

G.F. Waagen, Treasures of Art in Great Britain, London 1854, vol. II, p. 456, no. 11 (as in the Drawing Room at Grove Park);

J. Guiffrey, Antoine van Dyck; sa vie et son œuvre, Paris 1882, p. 269, no. 642;

Sir L. Cust, Anthony van Dyck. An historical study of his life and works, London 1900, p. 277, no. 111;

E. Schaeffer, Klassiker der Kunst: Van Dyck, Stuttgart and Leipzig 1909, p. 382, reproduced;

W.R. Valentiner, Aus der Niederländischen Kunst, Berlin 1914, p. 207, no. 44;

W. Heil, 'Die van Dyck-Ausstellung in Detroit', in Pantheon, vol. IV, 1929, p. 305, reproduced;

G. Glück, Klassiker der Kunst: Van Dyck, Stuttgart 1931, pp. 462 and 572, reproduced;

R. Gibson, Catalogue of Portraits in the Collection of the Earl of Clarendon, London 1977, pp. XIV, 139 and 142 (all the above as Van Dyck);

E. Larsen, The Paintings of Anthony van Dyck, Freren 1988, vol. 2, p. 492, cat. no. A235 (as a later copy);

O. Millar, in Van Dyck, A Complete Catalogue of the Paintings, S. Barnes et al. (eds), New Haven and London 2004, p. 473, under no. IV.55 (as studio of Van Dyck).