Old Masters Evening Sale
Old Masters Evening Sale
Property from a Private Collection | 私人收藏
Portrait of George Hay, 2nd Earl of Kinnoull (circa 1595–1644), full-length, wearing armour, and holding a baton in his right hand, his left resting on a table with a red cloth, upon which is his helmet | 《喬治・黑伊,金諾伯爵二世(約1595-1644年)身披鎧甲、右手持棍、左手搭在桌邊的全身肖像,桌上鋪紅色桌布並擺放頭盔》
Auction Closed
December 10, 06:47 PM GMT
Estimate
150,000 - 200,000 GBP
Lot Details
Description
Property from a Private Collection
私人收藏
Sir Anthony van Dyck and Studio
安東尼・凡・戴克爵士及其工作室
Antwerp 1599 - 1641 London
Portrait of George Hay, 2nd Earl of Kinnoull (circa 1595–1644), full-length, wearing armour, and holding a baton in his right hand, his left resting on a table with a red cloth, upon which is his helmet
《喬治・黑伊,金諾伯爵二世(約1595-1644年)身披鎧甲、右手持棍、左手搭在桌邊的全身肖像,桌上鋪紅色桌布並擺放頭盔》
inscribed lower left: EARLE OF KENNOVL
款識:題款EARLE OF KENNOVL(左下)
oil on canvas
油彩畫布
218 x 132 cm.; 86 x 52 in.
218 x 132 公分;86 x 52 英寸
Edward Hyde, 1st Earl of Clarendon (1609–1674), Clarendon House, London;
By descent in the Clarendon family at Cornbury Park, Oxfordshire and at The Grove, Watford, Hertfordshire, until sold by Edward Villiers, 5th Earl of Clarendon (1846–1914);
With Arthur J. Sully, London;
With Sir Joseph Duveen, New York, by 1929;
The Norton Simon Foundation, San Francisco;
By whom sold, London, Sotheby's, 27 June 1973, lot 4;
Private collection, Europe, by 1988;
Anonymous sale, London, Sotheby's, 9 November 1994, lot 21, where acquired.
The List of Pictures at Cornbury, circa 1683–85, British Museum, London, Ms.19.027, ff. 35, 36;
J. Smith, A Catalogue Raisonné..., vol. III, London 1831, p. 198, no. 689;
H. Walpole, Anecdotes of Painting in England, 1768–1771 (London 1849 ed.), vol. I, p. 330;
Lady T. Lewis, Lives of the Friends and Contemporaries of Lord Chancellor Clarendon, vol. III, London 1852, p. 319, no. 31;
G.F. Waagen, Treasures of Art in Great Britain, London 1854, vol. II, p. 456, no. 11 (as in the Drawing Room at Grove Park);
J. Guiffrey, Antoine van Dyck; sa vie et son œuvre, Paris 1882, p. 269, no. 642;
Sir L. Cust, Anthony van Dyck. An historical study of his life and works, London 1900, p. 277, no. 111;
E. Schaeffer, Klassiker der Kunst: Van Dyck, Stuttgart and Leipzig 1909, p. 382, reproduced;
W.R. Valentiner, Aus der Niederländischen Kunst, Berlin 1914, p. 207, no. 44;
W. Heil, 'Die van Dyck-Ausstellung in Detroit', in Pantheon, vol. IV, 1929, p. 305, reproduced;
G. Glück, Klassiker der Kunst: Van Dyck, Stuttgart 1931, pp. 462 and 572, reproduced;
R. Gibson, Catalogue of Portraits in the Collection of the Earl of Clarendon, London 1977, pp. XIV, 139 and 142 (all the above as Van Dyck);
E. Larsen, The Paintings of Anthony van Dyck, Freren 1988, vol. 2, p. 492, cat. no. A235 (as a later copy);
O. Millar, in Van Dyck, A Complete Catalogue of the Paintings, S. Barnes et al. (eds), New Haven and London 2004, p. 473, under no. IV.55 (as studio of Van Dyck).