View full screen - View 1 of Lot 12. SAMUEL FOSSO | LA FEMME AMÉRICAINE LIBERÉE DES ANNÉES 70, TATI SERIES, 1997.
12

SAMUEL FOSSO | LA FEMME AMÉRICAINE LIBERÉE DES ANNÉES 70, TATI SERIES, 1997

Estimate:

10,000

to
- 15,000 GBP

SAMUEL FOSSO | LA FEMME AMÉRICAINE LIBERÉE DES ANNÉES 70, TATI SERIES, 1997

SAMUEL FOSSO | LA FEMME AMÉRICAINE LIBERÉE DES ANNÉES 70, TATI SERIES, 1997

Estimate:

10,000

to
- 15,000 GBP

Lot sold:

20,000

GBP

SAMUEL FOSSO

Cameroonian

b.1962

LA FEMME AMÉRICAINE LIBERÉE DES ANNÉES 70, TATI SERIES, 1997


4 of an edition of 8

chromogenic print

102 by 102cm., 40 by 40in.(image); 106.5 by 106.5cm., 42in by 42in.(sheet)


To view shipping calculator, please click here

Surface: There appear to be creases in the upper and lower right-hand corners of the sheet, due to previous framing. There are a couple of stains and rubbings in the center-left margin. On close inspection, there appear to be light handling marks and creases scattered across the work, both in the margins and image, visible in raking light. The work is undulated due to rolled storage.


Summary: This excepting the work is in very good condition and exhibits very strong tones and contrast.


Please note that this work is framed.


Further Enquiries: Please telephone the department on +44 (0) 207 293 6323 or email africanctp@sothebys.com if you have any questions regarding the present work.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.  

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE INCLUDED IN THE CATALOGUE.

This work is signed and numbered 4 of an edition of 8 on accompanying label

Tickle & Stir Ltd, London

Acquired from the above by the present owner

Maria Francesca Bonetti & Guido Schlinkert, Samuel Fosso, 5 Continents editions, Milan, 2004, illustrated in colour p. 158-159 (another example)

Okwui Enwezor, Chika Okeke-Agulu, Contemporary African Art Since 1980, 2009, illustrated in colour p. 196 (another example) 

Okwui Enwezor (ed.), Samuel FossoAUTOPORTRAIT, Steidl Verlag/The Walkther Collection, New York, 2020 (another example)

Dusseldorf, Museum Kunst Palast, Africa Remix Contemporary Art of a Continent, 24 July-7 November 2004, illustrated in colour in the catalogue p. 76; London, Hayward Gallery, 10 February-17 April 2005; Paris, Centre Georges Pompidou, 24 May-15 August 2005; Tokyo, Mori Art Museum May-August 2006 (another example)

Wien, Kunstforum Wien, The Cindy Sherman Effect, 29 January-21 June 2020 (another example)