SAMUEL FOSSO | LE CHEF: CELUI A VENDU L'AFRIQUE AUX COLONS, TATI SERIES, 1997
SAMUEL FOSSO | LE CHEF: CELUI A VENDU L'AFRIQUE AUX COLONS, TATI SERIES, 1997
SAMUEL FOSSO | LE CHEF: CELUI A VENDU L'AFRIQUE AUX COLONS, TATI SERIES, 1997
SAMUEL FOSSO | LE CHEF: CELUI A VENDU L'AFRIQUE AUX COLONS, TATI SERIES, 1997
11

SAMUEL FOSSO | LE CHEF: CELUI A VENDU L'AFRIQUE AUX COLONS, TATI SERIES, 1997

Estimate: 10,000 - 15,000 GBP

SAMUEL FOSSO | LE CHEF: CELUI A VENDU L'AFRIQUE AUX COLONS, TATI SERIES, 1997

Estimate: 10,000 - 15,000 GBP

Lots begin closing in:
16:20:47
Current Bid:10,000GBP
(3 bids, reserve met)

Lot Details

Description

SAMUEL FOSSO

Cameroonian

b.1962

LE CHEF: CELUI A VENDU L'AFRIQUE AUX COLONS, TATI SERIES, 1997


4 of an edition of 8

chromogenic print

102 by 102cm., 40 by 40in.(image); 106.5 by 106.5cm., 42in by 42in.(sheet)


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Condition Report

Surface: There appear to be a few slight handling marks and bumps across the sheet, all in the margins and away from the image. On close inspection, there are a few creases on the image such as in the lower left corner, to the right side of the stool and between the sitter's feet and bag, as well as a handful of other places, only visible in raking light. The work is undulated due to rolled storage.


Summary: This excepting the work is in excellent condition and exhibits very strong tones and contrast.


Please note that this work is framed.


Further Enquiries:

Please telephone the department on +44 (0) 207 293 6323 or email africanctp@sothebys.com if you have any questions regarding the present work.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.  

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE INCLUDED IN THE CATALOGUE.

Saleroom Notice

This work is signed and numbered 4 of an edition of 8 on accompanying label.

Cataloguing

Provenance

Tickle & Stir Ltd, London

Acquired from the above by the present owner

Exhibited

Dusseldorf, Museum Kunst Palast, Africa Remix Contemporary Art of a Continent, 24 July-7 November 2004, illustrated in colour in the catalogue p. 76 and on the cover; London, Hayward Gallery, 10 February-17 April 2005; Paris, Centre Georges Pompidou, 24 May-15 August 2005; Tokyo, Mori Art Museum May-August 2006 (another example)

Literature

Maria Francesca Bonetti & Guido Schlinkert, Samuel Fosso, 5 Continents editions, Milan, 2004, illustrated in colour p. 146-147 (another example)

Chris Spring, Angaza Africa: African Art Now, Laurence King Publishers, 2008, illustrated in colour p. 110 (another example) 

Okwui Enwezor, Chika Okeke-Agulu, Contemporary African Art Since 1980, Damiani, 2009, illustrated in colour p. 196 (another example) 

V.S. Naipaul, La Masque de l’Afrique, Grasset, 2011, illustrated in colour on the front cover with detail on the back cover (another example)

Chris Spring, African Textiles Today, British Museum Press, 2012, illustrated in colour on the back cover (another example)

Okwui Enwezor (ed.), Samuel FossoAUTOPORTRAIT, Steidl Verlag/The Walther Collection, New York, 2020 (another example)

Modern and Contemporary African Art Online
ONLINE BIDDING CLOSES:31 Mar 2020 | 01:00 PM GMT