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3114

ZHANG DAQIAN (CHANG DAI-CHIEN) 張大千 | ON ROUTE SWITZERLAND-AUSTRIA 瑞奧道中寫景

Premium Lots

Estimate:

12,000,000 to - 20,000,000 HKD

From the Zhang Daqian Family Collection 張大千家族藏〈瑞奧道中寫景〉

ZHANG DAQIAN (CHANG DAI-CHIEN) 張大千 | ON ROUTE SWITZERLAND-AUSTRIA 瑞奧道中寫景

ZHANG DAQIAN (CHANG DAI-CHIEN) 張大千 | ON ROUTE SWITZERLAND-AUSTRIA 瑞奧道中寫景

Estimate:

12,000,000 to - 20,000,000 HKD

Lot sold:

45,728,000

HKD

From the Zhang Daqian Family Collection

ZHANG DAQIAN (CHANG DAI-CHIEN, 1899-1983)

ON ROUTE SWITZERLAND-AUSTRIA


splashed ink and colour on paper, hanging scroll

signed, dated 1965, with five seals of the artist

127 x 61 cm 50 x 24 in.


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張大千家族藏〈瑞奧道中寫景〉

張大千 (1899-1983)

瑞奧道中寫景


潑墨潑彩紙本 立軸 一九六五年作


畫家署簽


簽書:瑞奧道中寫景。爰翁。中華民國五十五年五月十五日。付與澄兒。


款識:

光光白日銀漢落,短筇聊(可)支疲腳。

鳥吟斷磵錯雙眸,僧抱危闌專一壑。

破石雷車壓帽簷,泣珠鮫館垂簾箔。

噴霧君且起潛龍,抱月吾將控飛鶴,萬怪蟠胸如可作。爰翁。


鈐印:「張爰長壽」、「大千富昌大吉」、「乙巳」、「稅牛庵」、「大千」(鈐於簽條)。


展覽:

香港蘇富比藝術空間,〈無象之象︰張大千精品展〉,二○一九年十月十二日至十一月九日


著錄:

〈從古典到現代 — 張大千的藝術1950-1983〉(臺北,羲之堂文化出版事業有限公司,二○一九年九月),圖版47

〈無象之象︰張大千精品展〉展覽圖錄(香港蘇富比有限公司,二○一九年十月),頁34


來源:畫家第六子張心澄收藏

註:大千先生畢生好遊歷,足跡踏遍故國異域,去國後,遊踪擴至歐美諸國。他一九五六年七月首次踏足瑞士,便陶醉在其旖旎景色中,歎謂「山川秀發,水木明瑟,視之江南似堪媲美」。往後十年間,屢屢往遊,蘇黎世、日內瓦、瓦浪湖、愛痕湖、少婦山、滑雪勝地聖摩瑞斯等勝景,盡歸筆底,成為入畫最多之異國風光。該地四時景色變幻無窮,或湖光山色,或雲山雪景,為其筆下帶來不少別開生面之新鮮構圖,亦激發其潑墨潑彩抽象表現手法,將其藝事推至巔峰。


大千先生在當地搜奇峰,打草稿,惟入目者,不時勾起心中對故鄉之念想。有謂某地「大似嘉陵江上飛仙關、明月峽諸勝」,又訴曰「惜無寺剎園亭點綴耳」,賦詩如「一幅歐西瑞士山,紫巗青嶂似鄉關」,又「乘興西遊莫問程,好山處處不知名;夜來忽入還鄉夢,似挾飛仙逐月明」,片言隻語間,處處流露客途思舊之慨,屢圖之,以中式繪畫描寫西方山水,亦不無憑畫寄離愁之意。


本幅鈐「乙巳」印,乃寫於一九六五年,時畫家潑墨潑彩抽象技法成熟,筆底好作各種嘗試。簽書曰「瑞奧道中寫景」,可知取題自往來瑞士、奧地利公路上所見阿爾卑斯山脈之景。大千是年三訪其地,同年筆下即有數本同題者。本幅以半抽象手法完成,畫面近四尺整幅,主峰巍然聳峙,具雄峻之勢,山腰雲霧繚繞間,一道白練往下傾瀉,以留白劃破幾乎密填之畫面。前方峽谷,二岩平伸相倚,上築奧式房舍二三。畫境雖為異國風光,構圖仍見董巨影響,惟筆墨極富試驗性,後景除點景一二,幾乎不著一筆,純以層層石青石綠花青潑灑而成,盡見林木蔥蘢,山石披翠之色。前景以淡墨略鈎山體輪廓及蜿蜒小徑,復敷層層水墨,令景物在迷濛間若隱若現,輔以皮紙之粗糙纖維,營造山巒間水氣氤氳之畫境,在杳暗中烘托出礦物顏料之耀目亮麗,窮山水變化之微妙。


若參照畫家同年另幅〈瑞奧道中〉,尺寸與本幅相同,構圖類近,同以半抽象形式寫成,兩者堪稱姐妹作。據該畫題詩,乃描繪風雨欲來之陰晦,若二畫合而視之,可知本幅所寫,應為雨後山色之幽微,薄霧瀰漫,濕潤而深濃,亦是天際漸明之時。


寫畢,付精工裝池,飾以日本織錦,鑲以東瀛訂製之景泰藍軸首,上燒「大風堂」、「三千大千」字樣,自珍自存。翌年,長題簽書付六兒張心澄珍藏。二○一九年底,香港蘇富比舉行〈無象之象〉展覽,方首度公開。

參考資料:

一九六五年另幅〈瑞奧道中〉可參見〈張大千的世界〉,傅申著(臺北,羲之堂文化出版事業有限公司,一九九八年),圖版77


127 x 61 cm 50 x 24 in.

Generally in good condition. For detailed condition photos and further inquiries, please contact us at charlie.shen@sothebys.com


如需作品實景照片,或欲查詢作品資料,請電郵至charlie.shen@sothebys.com

-整體品相良好。


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."


我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員,在此敦促您向其他專業修復人員索取諮詢,以獲得更詳盡、專業之報告。


準買家應該檢查每款拍品以確認其狀況,蘇富比所作的任何陳述均為專業主觀看法而非事實陳述。準買家應參考有關該拍賣的重要通知(見圖錄)。


雖然本狀況報告或有針對某拍品之討論,但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

Gift from Zhang Daqian to his sixth son Chang Sing Chen

The Paintings of Chang Dai-chien, 1950-1983; From Traditionalism to Modernism, Xizhitang Publishing Co., Ltd., Sept 2019, pl.47

Zhang Daqian: The Master exhibition catalogue, Sotheby's Hong Kong Limited, Oct 2019, p.34

Hong Kong, Sotheby's Hong Kong Gallery, Zhang Daqian: The Master, 12 Oct - 9 Nov, 2019