Old Master Sculpture & Works of Art

Old Master Sculpture & Works of Art

View full screen - View 1 of Lot 62. AFTER A MODEL BY GIAMBOLOGNA (1529-1608), ITALIAN, FLORENCE, 17TH CENTURY | PACING BULL.

AFTER A MODEL BY GIAMBOLOGNA (1529-1608), ITALIAN, FLORENCE, 17TH CENTURY | PACING BULL

Auction Closed

July 2, 02:29 PM GMT

Estimate

25,000 - 35,000 GBP

Lot Details

Description

AFTER A MODEL BY GIAMBOLOGNA (1529-1608)

ITALIAN, FLORENCE, 17TH CENTURY

PACING BULL


bronze, on an ebonised wood base

with two labels to the back of the base inscribed: PADUA and: Gian / Bologna / ??? / Bronze Bull / High cliffe Castle / June/July 1939 / Sale (Xtie / or Sothy)

bronze: 19.5 by 27cm., 7⅝ by 10⅝in.

base: 13 by 22cm., 5⅛ by 8⅝in.

Probably Charles Stuart, 1st Baron Stuart de Rothesay (1779-1845), Highcliffe Castle, Hampshire;

Rt. Hon. Earl and Countess of Abingdon, Highcliffe Castle, Hampshire, by 1942;

their sale, Christie's London, 5 July 1949, lot 414;

Michael Inchbald (1920-2013), London;

his estate sale, Christie's London, 22 January 2014, lot 173

Inspired by classical sculptures of sacrificial bulls, Giambologna's Pacing Bull was probably conceived as a pendant to the sculptor's Pacing Horse. According to Dimitrios Zikos, it is likely that the model is the same as the bronze Bull recorded on 14th March 1588 as being in the Galleria del Casino di San Marco (Paolozzi Strozzi and Zikos, op. cit. p. 242, no. 45). The attribution to Giambologna is confirmed through comparison with the Bull in his Lion attacking a Bull and by the explicit mention in the 1609 posthumous inventory of the collector Benedetto Gondi to 'a wax bull by the hand of the said (Giambologna)' (Avery, op. cit. p. 56).


The present bull is an example of one of two known versions of Giambologna's bull, the other version being of heavier build. The slighter model of the bull is often seen as a reworking by Antonio Susini (Avery, op. cit., cat nos. 143-144). The present cast shows some fine detailing in its execution, including to the edges of the ears, the hair on the head, and the well combed and divided strands of hair on the tip the bull's tail. 

Formerly in the collection of the Earl of Abingdon at Highcliffe Castle, the bull is visible in an image taken of the library, published by Country Life in 1942 ('Highcliffe Castle, Hampshire, The Home of the Hon. Mrs. Stuart-Wortley). 


RELATED LITERATURE

C. Avery, Giambologna: The Complete Sculpture, London, 1993, pp. 56-9; A. Radcliffe and C. Avery (eds.), Giambologna 1529-1608: Sculptor to the Medici, exh. cat. Arts Council of Great Britain, London and Edinburgh, 1978, p. 192, no. 177; B. Paolozzi Strozzi and D. Zikos (eds.), Giambologna gli dei, gli eroi, Museo Nazionale del Bargello, Florence, 2006, p. 242, no. 45