ATTRIBUTED TO HANS JUNCKER (CIRCA 1582-1624), GERMAN, FRANCONIA, EARLY 17TH CENTURY | PAIR OF PUTTI WITH THE INSTRUMENTS OF THE PASSION
 ATTRIBUTED TO HANS JUNCKER (CIRCA 1582-1624), GERMAN, FRANCONIA, EARLY 17TH CENTURY | PAIR OF PUTTI WITH THE INSTRUMENTS OF THE PASSION
 ATTRIBUTED TO HANS JUNCKER (CIRCA 1582-1624), GERMAN, FRANCONIA, EARLY 17TH CENTURY | PAIR OF PUTTI WITH THE INSTRUMENTS OF THE PASSION
 ATTRIBUTED TO HANS JUNCKER (CIRCA 1582-1624), GERMAN, FRANCONIA, EARLY 17TH CENTURY | PAIR OF PUTTI WITH THE INSTRUMENTS OF THE PASSION
 ATTRIBUTED TO HANS JUNCKER (CIRCA 1582-1624), GERMAN, FRANCONIA, EARLY 17TH CENTURY | PAIR OF PUTTI WITH THE INSTRUMENTS OF THE PASSION
58

ATTRIBUTED TO HANS JUNCKER (CIRCA 1582-1624), GERMAN, FRANCONIA, EARLY 17TH CENTURY | PAIR OF PUTTI WITH THE INSTRUMENTS OF THE PASSION

Estimate: 12,000 - 18,000 GBP

ATTRIBUTED TO HANS JUNCKER (CIRCA 1582-1624), GERMAN, FRANCONIA, EARLY 17TH CENTURY | PAIR OF PUTTI WITH THE INSTRUMENTS OF THE PASSION

Estimate: 12,000 - 18,000 GBP

Lot Details

Description

ATTRIBUTED TO HANS JUNCKER (CIRCA 1582-1624)

GERMAN, FRANCONIA, EARLY 17TH CENTURY

PAIR OF PUTTI WITH THE INSTRUMENTS OF THE PASSION


imewood

36.5cm., 14⅜in. each

Condition Report

Overall the condition of the wood sculptures is good, with wear and some dirt to the surface consistent with age. Both of the putti's wings are lost, and the resulting cavities have been filled with what appears to be wax. One of the putti is missing its former attribute. There are some minor losses, including to the proper right fingers of the attribute-less putto, and the proper left index finger of the putto with the column, as well as to both figures' locks of hair. There are later replaced sections to both terrasses, notably that of the putto with the column. There is some stable splitting to the wood, consistent with the material, including an open but stable split with fill to the attribute-less putto's head. There is minor evidence of non-active worming in areas. There is some illegible ink writing to the back of the putto with the column. There is a reattachment to the proper left arm of the attribute-less putto.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Cataloguing

Provenance

With Heinemann, Wiesbaden, 1914;

private collection, southern Germany, circa 1970s;

the present owner

Literature

I. Lühmann-Schmid, 'Ein Unbekanntes Schnitzwerk von Hans Juncker' in Mainzer Zeitschrift 67/68, 1972/73, pp. 195-200 and figs. 24a-c

Catalogue Note

This charming pair of putti, one holding the Column of the Flagellation, was the subject of a 1972 article (op. cit.), in which the figures were attributed to Hans Juncker, the leading sculptor of the early Baroque in Franconia, who excelled in the representation of corpulent cherubs. With their contorted contrapposto poses and abundant locks of hair, the present putti find a direct comparison in a pair of winged putti carved by Juncker for the High Altar of the Schlosskirche in Aschaffenburg (op. cit., figs. 24d,e). Their rather more sketchy appearance suggests that the present pair may have been bozzetti for another altarpiece.

 ATTRIBUTED TO HANS JUNCKER (CIRCA 1582-1624), GERMAN, FRANCONIA, EARLY 17TH CENTURY | PAIR OF PUTTI WITH THE INSTRUMENTS OF THE PASSION
ATTRIBUTED TO HANS JUNCKER (CIRCA 1582-1624), GERMAN, FRANCONIA, EARLY 17TH CENTURY | PAIR OF PUTTI WITH THE INSTRUMENTS OF THE PASSION
Lot Closed