ITALO-FLEMISH SCHOOL, CIRCA 1550 | A WOODED LANDSCAPE WITH COTTAGES ALONG A HILLSIDE
ITALO-FLEMISH SCHOOL, CIRCA 1550 | A WOODED LANDSCAPE WITH COTTAGES ALONG A HILLSIDE
Lot Closed
 ITALO-FLEMISH SCHOOL, CIRCA 1550 | A WOODED LANDSCAPE WITH COTTAGES ALONG A HILLSIDE
 ITALO-FLEMISH SCHOOL, CIRCA 1550 | A WOODED LANDSCAPE WITH COTTAGES ALONG A HILLSIDE
 ITALO-FLEMISH SCHOOL, CIRCA 1550 | A WOODED LANDSCAPE WITH COTTAGES ALONG A HILLSIDE
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ITALO-FLEMISH SCHOOL, CIRCA 1550 | A WOODED LANDSCAPE WITH COTTAGES ALONG A HILLSIDE

Estimate: 6,000 - 8,000 USD
91011

ITALO-FLEMISH SCHOOL, CIRCA 1550 | A WOODED LANDSCAPE WITH COTTAGES ALONG A HILLSIDE

Estimate: 6,000 - 8,000 USD

Description

ITALO-FLEMISH SCHOOL, CIRCA 1550

A WOODED LANDSCAPE WITH COTTAGES ALONG A HILLSIDE


Pen and brown ink

194 by 270 mm; 7¾ by 10⅝ in

Condition report

Hinge mounted to a modern cream mount. There are two old repairs to the left centre of the sheet and a diagonal area of white staining (gouache?) to the right centre. There is some slight toning to the sheet and the ink has fractionally sunk in places. There are two small pin prick holes to the centre of the right edge and two old adhesive tabs to the verso. The pen and ink remains in predominantly good condition throughout with the image reasonably strong. Sold unframed.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue note

While the artist responsible for this atmospheric landscape drawing must, for the time being, remain unknown, the influence of Pieter Bruegel the Elder (1525/30–1569), particularly in the handling of the foliage and hatching within the trees, can be keenly felt. It does seem most plausible, on stylistic grounds, that this intriguing sheet is the work of a Northern artist working in Italy.