K. LAXMA GOUD | UNTITLED (SMILING GOAT)
K. LAXMA GOUD
UNTITLED (SMILING GOAT)
Ink and watercolor on paper. Signed and dated (indistinctly) in Telugu lower left. Bearing Aicon Gallery label on reverse
9 ½ x 13 ⅜ in. (24.2 x 34.1 cm.)
Frame: 17 x 21 ⅛ in. (43.3 x 53.7 cm.)
Minor creasing in the lower right is inherent to the type of paper. This work is in very good condition, as viewed.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
Chester & Davida Herwitz Collection, Massachusetts
Acquired from the above by Aicon Contemporary in 2002
Chester Herwitz was a designer and manufacturer of handbags from Massachusetts who first went to India in 1961 and then continued to visit the country almost yearly. He would sometimes remain there for months with his wife, Davida. Together, they started to collect art locally and went on to become one of the biggest patrons of Indian contemporary art. “In India, I saw contemporary art of incredible seriousness, pushing forward in a very dramatic and powerful way, where artists had a very close connection to their visual memory.” (S. Long, Sotheby’s New York, Contemporary Indian Paintings, The Chester and Davida Herwitz Charitable Trust, 1995, unpaginated) The Herwitzes were responsible for bringing international attention to Indian contemporary art. Their collection of more than 3,000 paintings and drawings has been exhibited globally in world-class institutions and sold with Sotheby’s in 1995, 1996 and 2000. These sales kick-started the Modern and Contemporary Indian art market and this provenance is thus considered platinum. A large part of their collection resides in the Peabody Essex Museum in Salem, Massachusetts in galleries named after the couple.
The goat is one of the mainstays of Laxma Goud’s art. Goud's family raised buffaloes and goats which served as the artist’s earliest inspirations and models. ‘Goats, both full-uttered and with erect penises, became a signature motif. These goats are not just symbols of rural India. In Goud's words, "No one cares for a goat except perhaps for the artist who sees in the creature the dogged determination of a people who have learnt to live off their landscape by foraging for what they can get out of it.’ (G. Doctor, Manifestations, Delhi Art Gallery, New York, 2005) Both lots 1830 and 1831 come with the illustrious provenance of Chester and Davida Herwitz, one of the artist’s earliest patrons.