Sold Without Reserve | MARCHIGIAN SCHOOL, LATE-15TH CENTURY | CHRIST AS MAN OF SORROWS
Sold Without Reserve | MARCHIGIAN SCHOOL, LATE-15TH CENTURY | CHRIST AS MAN OF SORROWS
Sold Without Reserve | MARCHIGIAN SCHOOL, LATE-15TH CENTURY | CHRIST AS MAN OF SORROWS
3

Sold Without Reserve | MARCHIGIAN SCHOOL, LATE-15TH CENTURY | CHRIST AS MAN OF SORROWS

Estimate: 30,000 - 50,000 USD

Sold Without Reserve | MARCHIGIAN SCHOOL, LATE-15TH CENTURY | CHRIST AS MAN OF SORROWS

Estimate: 30,000 - 50,000 USD

Lot Sold:20,000USD

Lot Details

Description

Property from a Distinguished Private Collection, Sold Without Reserve

MARCHIGIAN SCHOOL, LATE-15TH CENTURY

CHRIST AS MAN OF SORROWS


tempera on gold-ground panel, with a shaped top

6¾ by 7¼ in.; 17.1 by 18.2 cm.



Condition Report

The following condition report has been provided by Karen Thomas of Thomas Art Conservation LLC., 336 West 37th Street, Suite 830, New York, NY 10018, 212-564-4024, info@thomasartconservation.com, an independent restorer who is not an employee of Sotheby's.


This painting is nicely preserved with a surface free of abrasion. The fluidity of the brushwork is unbroken by wear, and the tiny brushstrokes that build up the facial details, including the individual eyelashes, remain well-defined. Although there may be some reinforcement of the gilding, the gold ground displays a patina of age that is convincing and appropriate to the picture. Small areas of restoration include a cluster of small losses at the edge of the chest, right, and near the wound in Christ's side, as well as a few old, toned losses in the greenery at left. An isolated area of well-executed reconstruction along the bottom of the picture compensates for loss that could conceivably date to when the painting was removed from its original setting in a church; the loss includes a portion of the hand on the right and a good part of the front face of the tomb. The vertically grained wood support is planar and free of structural defects, and the surface is coated with a clear, even varnish. This painting may be displayed in its current state.


"This lot is offered for sale subject to Sotheby's Conditions of Business, which are available on request and printed in Sotheby's sale catalogues. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller."

Cataloguing

Provenance

Chancellor Konrad Adenauer, 1949-1963;

Heinz Kisters, Constanz;

His sale, London, Christie's, 26 June 1970, lot 11 (as circle of Ludovico Brea da Nizza);

Ian Woodner, New York;

By whose family sold ("Property from the Ian Woodner Family Collection"), New York, Christie's, 19 May 1993, lot 20 (as Marchigian School, circa 1480);

There acquired by a private collection, Switzerland;

Anonymous sale, Zurich, Koller Auktionen, 22 March 2013, lot 3002 (as Marchigian School, circa 1480);

There acquired. 

Catalogue Note

Although the author of this small and expressive panel has yet to be identified, it closely compares to works painted in the Marche in the late 15th century such as a predella of circa 1475-1480 by the Marchigian artist Nicola di Maestro Antonio d'Ancona in the collection of the Brooklyn Museum [1]. 



1. Inv. no. 34.855, tempera on panel, 15.9 by 184.8 cm. See A de Marche and M. Mazzalupi, Pittori ad Ancona nel Quattrocento, Milan 2008, pp. 281-284, cat. no. 5, reproduced. 

Master Paintings
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