ATTRIBUTED TO JAN OLIS
(Gorinchem 1610 - 1676 Heusden)
A VANITAS PORTRAIT OF A YOUNG WOMAN, HALF LENGTH, HOLDING A SKULL
oil on canvas
27¼ by 23¼ in.; 69.2 by 59.1 cm.
Canvas is lined. A beautiful image reads well, especially on the details of the skull and hands. A few areas in the background, like the hair of the sitter, have sunken. Inspection under UV shows some scattered spots of retouching at the bottom right corner. Thin, scattered inpaintings fluoresce on the sitter's face, neck, and proper left arm though these are not visible to the naked eye. Two slightly bigger spots of retouching are at center on the figure's neck, which are visible to the naked eye. Offered in an ebonized wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Anonymous sale, Paris, Ferri, 12 June 2009, lot 28 (as Attributed to Salomon de Bray and Sainte Madeleine);
Private collection, Netherlands.
Though a relatively rare artist, Jan Olis’s artistic legacy is quite varied. In addition to genre paintings, comprised of conversation pieces and guardroom scenes in the tradition of Anthonie Palamedesz. (1601-1673) and Pieter Codde (1599-1678), Olis is known for renderings of individual figures on a much larger scale, of which this painting serves as an illustrative example .
In this vanitas scene, the skull represents the transience of time and the inevitability of death. This symbolism is combined with a clear spiritual connotation as the young woman's eyes gaze towards the heavens seeking guidance. Jan Olis explored such imagery on other occasions, including a painting in the Musée des Beaux-Arts, Lyon of an Old Man Praying, which is datable to circa 1650. A notable difference between these two paintings is the disparity in age of the sitters. While the Lyon painting portrays an elderly penitent awaiting salvation, this painting shows a delicately rendered youthful sitter filled with piety and hope.
We are grateful to Dr. Paul Huys Janssen for endorsing the attribution to Jan Olis after firsthand inspection.
1. For more on his figural paintings, see F. Meijer, "Jan Olis (c. 1610-1676) as a painter of larger figures”, in Oud Holland, vol. 118, 2005, pp. 92-102.