BENT.
Lot 37
JEFF BURTON | UNTITLED #217 (PULL CORD)
37

JEFF BURTON | UNTITLED #217 (PULL CORD)

Estimate: 2,000 - 3,000 USD

JEFF BURTON | UNTITLED #217 (PULL CORD)

Estimate: 2,000 - 3,000 USD

Lot Details

Description

JEFF BURTON

b. 1963

UNTITLED #217 (PULL CORD)


framed

Cibachrome print, front-mounted to acrylic and flush-mounted to aluminum

26½ x 40 in.; 67.3 x 101.6 cm

2005, this work is number 2 from an edition of 5.

This work is accompanied by a certificate of authenticity signed by the artist. 

Condition Report

This Cibachrome print is in generally excellent condition. The colors remain rich and saturated, with no apparent fading. As is typical of works that are front-mounted to acrylic, the following are visible on the acrylic surface when examining the work closely under raking light: a few fingerprints; superficial hairline scratches; and some dust.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Cataloguing

Provenance

Galleria Franco Noero, Turin

Private collection, acquired from the above in 2006

Thence by descent

Catalogue Note

After completing graduate school, Jeff Burton was hired by Catalina Videos as a still photographer for their gay adult films and sets. For his Untitled series he draws from these experiences, focusing his lens on mundane objects found in the typically-unglamorous interiors in which these films are shot, rather than on the actors. The present work shows a disembodied hand (possibly resting on an actor’s leather-clad back) as well as a pull cord and the faint reflection of a human figure in the window at the center.

BENT.
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