View full screen - View 1 of Lot 9. RARE GOURDE EN PORCELAINE BLEU BLANC DYNASTIE QING, ÉPOQUE YONGZHENG | 清雍正 青花喜鵲登梅抱月瓶 | A rare Ming-Style blue and white moonflask, Qing Dynasty, Yongzheng period.
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RARE GOURDE EN PORCELAINE BLEU BLANC DYNASTIE QING, ÉPOQUE YONGZHENG | 清雍正 青花喜鵲登梅抱月瓶 | A rare Ming-Style blue and white moonflask, Qing Dynasty, Yongzheng period

Estimate:

150,000

to
- 250,000 EUR

Ancienne Collection Aristocratique Belge | 比利時貴族舊藏

RARE GOURDE EN PORCELAINE BLEU BLANC DYNASTIE QING, ÉPOQUE YONGZHENG | 清雍正 青花喜鵲登梅抱月瓶 | A rare Ming-Style blue and white moonflask, Qing Dynasty, Yongzheng period

RARE GOURDE EN PORCELAINE BLEU BLANC DYNASTIE QING, ÉPOQUE YONGZHENG | 清雍正 青花喜鵲登梅抱月瓶 | A rare Ming-Style blue and white moonflask, Qing Dynasty, Yongzheng period

Estimate:

150,000

to
- 250,000 EUR

Lot sold:

444,500

EUR

Ancienne Collection Aristocratique Belge

比利時貴族舊藏


RARE GOURDE EN PORCELAINE BLEU BLANC DYNASTIE QING, ÉPOQUE YONGZHENG

清雍正 青花喜鵲登梅抱月瓶

A rare Ming-Style blue and white moonflask, Qing Dynasty, Yongzheng period


la panse quasi-circulaire de section ovale, le col fin tubulaire flanqué de deux anses arquées, les deux côtés peints en bleu de cobalt profond de deux compositions représentant un sansonnet à joues blanches perché sur une branche de prunus fleurie mêlée d'une tige de bambou, entre deux frises des rinceaux feuillagés, le col rehaussé de feuilles de bambou, la base réservée


29,8 cm, 11¾in.

29.8 公分, 11¾英寸

Inspection with UV light reveals very fine firing lines to the glaze where the two handles join the shoulder and the neck. There is overall light wear to the glaze and minor scratching to the glaze of the handles and two larger fritts to the glaze on the rim. There is a small area of kiln grits above the base.


中文內容僅供參考,請以英文原版為準。瓶耳與瓶身連接處可見少許極輕微片紋,於紫光燈下可見。通體另見少許輕微磨損,兩耳釉面有輕微劃痕,口沿有兩處毛口,側面足部上方一處有少許窰粘。


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."


我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員,在此敦促您向其他專業修復人員索取諮詢,以獲得更詳盡、專業之報告。

準買家應該檢查每款拍品以確認其狀況,蘇富比所作的任何陳述均為專業主觀看法而非事實陳述。準買家應參考有關該拍賣的重要通知(見圖錄)。

雖然本狀況報告或有針對某拍品之討論,但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

This rare moonflask of oval section and nearly circular profile has a slender neck flanked by two scroll handles, the two sides painted in a deep cobalt blue under a blue-tinged glaze with different flower-and-bird compositions, both depicting a white-cheeked starling perched on a flowering branch entwined with a small stem of bamboo, both scenes bordered above and below by fanciful curly foliage motifs, the neck also with bamboo, and the handles accentuated by a scrolling line.


In its form and decoration, the present moonflask closely copies a Yongle prototype of which only one example appears to be extant, from the Sir Percival David Collection and now in the British Museum, London, illustrated in Regina Krahl and Jessica Harrison-Hall, Chinese Ceramics. Highlights of the Sir Percival David Collection, London, 2009, no. 28, p. 61. Only few Yongzheng examples of this design are known including the well-known example formerly in the Collection of Richard de la Mare and the Meiyintang Collection, first sold at Sotheby's London, 2nd April 1974, lot 369, last sold at Sotheby's Hong Kong, 7th April 2011, lot 76; and a second example of the same size and design but unmarked, sold Sotheby's Hong Kong, 4th and 5th November 1997, lot 1371.


Like the few other known examples of this type, the sensitivity of the Qing craftsmen to absorb and reproduce the qualities of the Yongle original is remarkable and manifest in the present Yongzheng version. Two of the unmarked Yongzheng examples were in fact considered as Yongle originals, see Duncan Mackintosh, Chinese Blue and White Porcelain, Newton Abbot, 1977, pl. 55, and Daisy Lion-Goldschmidt, Ming Porcelain, London, 1978, pl. 14. For a discussion on Qing porcelains with 'redesigns' of Ming patterns including Yongzheng examples, compare Julian Thompson, Chinese Porcelain. The S.C. Ko Tianminlou Collection, Part II, Hong Kong, 1987, p. 29.