“It started with the prisons. And then I began to think about prisons being connected to each other. And then I began to think that prisons were maybe a bit 19th century, and that I should get rid of the windows…so they became cells […] I do feel that each painting is both autobiographical and a view of the external world; each painting is both a self-portrait and a landscape at the same time.”
In the Studio with Painter Peter Halley. Invervista di Alexandre Stipanovich con Kathy Grayson e Jeremy Liebman
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