- 49
FAUSTO PIRANDELLO | Natura morta
估價
20,000 - 30,000 EUR
招標截止
描述
- Fausto Pirandello
- Natura morta
- firmato
- olio su tavola
- cm 52,5x74
- Eseguito nel 1937
來源
Collezione Helena Rubinstein, New York
Asta Christie's, Milano, 24 novembre 1997, n. 204
Collezione privata, Roma
Ivi acquisito dall'attuale proprietario
Asta Christie's, Milano, 24 novembre 1997, n. 204
Collezione privata, Roma
Ivi acquisito dall'attuale proprietario
展覽
Roma, Galleria Nazionale d’Arte Moderna, Fausto Pirandello, 1976-77, n. 56
出版
Claudia Gian Ferrari, Fausto Pirandello. Misura e ritmo, Milano 1991, n. 115
Renato Diez, Magico. Straniante. Pirandelliano. Un teatro dipinto, in "Arte", Milano, n. 316, dicembre 1999, pp. 34-36
Claudia Gian Ferrari, Fausto Pirandello. Catalogo generale, Milano 2009, n. 144, p. 117, illustrato
Renato Diez, Magico. Straniante. Pirandelliano. Un teatro dipinto, in "Arte", Milano, n. 316, dicembre 1999, pp. 34-36
Claudia Gian Ferrari, Fausto Pirandello. Catalogo generale, Milano 2009, n. 144, p. 117, illustrato
Condition
Overall, this work appears to be in generally good condition. The work is less yellowish compared to the catalogue illustration. There are two pin-pointed holes along the right edge towards the centre and lower part. There are stable and thin craquelures inherent to the wooden support on the upper left and in a small area towards the lower right of the pigment layer. Under UV light, two tiny retouching by the edge of the bowl are visibile, as well as different inhomogeneous refractions due to the artist's choice of materials.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
“Pirandello rallenta la visione e filtra una scabra realtà attraverso un gusto del brutto tutto originale, tormentato e a densi impasti, senza esitare a flettere il suo personale espressionismo alla Pascin in variazioni di scala che allungano e deformano le figure e gli oggetti rappresentati.” Alessandra Borgogelli
"Pirandello slows down the vision and filters a rough reality through a taste for ugliness entirely original, tormented and in dense mixtures, without hesitating to flex his personal expressionism to Pascin in scale variations that stretch and deform the portrayed figures and objects.”
Alessandra Borgogelli
"Pirandello slows down the vision and filters a rough reality through a taste for ugliness entirely original, tormented and in dense mixtures, without hesitating to flex his personal expressionism to Pascin in scale variations that stretch and deform the portrayed figures and objects.”
Alessandra Borgogelli