SIR PETER LELY | Lady Penelope Nicholas (1640–1703), seated three-quarter length, wearing a gold dress and holding an orange

By direct descent from the sitter to William Nicholas, West Horsley House (where seen by George Vertue in 1747);
H. Weston, Esq., West Horsley House, by 1908;
Private collection, UK, acquired circa 1908, and by descent until sold
Anonymous sale ('The Property of a Gentleman'), London, Christie’s, 17 July 1992, lot 4;
Where acquired by the present owner.

G. Vertue, ‘Notebooks’, in The Walpole Society, vol. XX (‘Vertue II’), 1931–32, p. 80.

The canvas has a firm relining, the paint surface is relatively clean and the varnish is clear and even. There are no major damages visible to the naked eye but some old discoloured retouching is visible in the centre of the upper margin. Inspection under ultraviolet light reveals this but little other intervention is visible beneath the very opaque varnish. In overall good condition. Offered in a carved and painted wood frame in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Lady Penelope Nicholas, née Compton, was the daughter of Spencer, 2nd Earl of Northampton, K.B., the heroic Royalist commander who was killed at the Battle of Hopton Heath in 1643, and Mary Beaumont. Lady Penelope married Sir John Nicholas, K.B. (1623–1704), son of Sir Edward Nicholas, K.B. (1593–1669), Secretary of State to King Charles I and II. George Vertue, the eminent eighteenth century diarist and antiquarian, visited William Nicholas, the grandson of the sitter, at West Horsley House, Guildford on 19 August 1744. There he noted ‘some good modern family pictures’ including several by Lely: Portrait of Lord Clarendon, a portrait of the sitter’s father, the sitter’s brother, Sir William Compton (1625 – 1663), also an eminent Royalist commander,¹ and the series of portraits of the Nicholas family. Vertue records this portrait as ‘Lady Penelope Nicholas ½ PL (monogram) a fine picture.’ The portrait of her father-in-law is now in the National Portrait Gallery, London, and the companion portrait to this picture, depicting her husband, is in the Birmingham City Art Gallery.² Vertue records the portrait of Sir John as having been painted in 1662, and presumably the portrait of Lady Penelope was completed at the same time.

1 Now in the collection of the National Trust, hanging at Ham House, London.
2 Acc. no. 1937P891; see City Museum and Art Gallery, Catalogue of Paintings, Birmingham 1960, p. 91, cat. no. 891'37. For an image see R.B. Beckett, Lely, London 1951, p. 55, cat. no. 381, reproduced pl. 73.