

We are grateful to José Gómez Frechina who, upon inspection of the painting in person, has endorsed the attribution to Ribalta.
1 Inv. no. P000345; see J.M Ortega Calderon, Todo El Prado, Madrid 1996, reproduced p. 349, fig. 971.
The panel is formed of 3 vertical planks, has 2 horizontal batons along the upper and lower margins, and is flat and stable. The paint surface is relatively dirty and the varnish slightly discoloured. The joins are visible from the front, and have small spots of associated retouching, although neither are distracting. There is also visible retouching throughout the lower quarter of the composition and scattered in the tunic of the furthest left figure. Inspection under ultraviolet light reveals a thick varnish underneath which the aforementioned retouchings are visible, as well as further scattered small spots, most notably in the upper half of the cross. The painting is ready to hang with no need for further intervention. Offered in a parcel gilt frame with some scuffs.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
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