The exhibition Campo Cerrado takes its name from the homonymous novel by Max Aub and looks to examine Spanish art in the complex and controversial 1940s, a decade that has received little attention and one that exists in a critical and historiographical vacuum, despite its importance in structuring modern sensibility in Spain.
Campo cerrado
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JudaicaA Medieval Masterpiece With One of the Rarest Provenances: The Rothschild Vienna Mahzor -
Old Masters WeekThe Woman Who Changed the World of Master Drawings: Inside the Diane Nixon Collection
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Old Masters WeekHeld, Kissed and Hidden for 500 Years: The Most Intimate Antonello da Messina You’ll Ever See
