Susan Inglett founded I.C. Editions, Inc. in 1991 to heighten awareness of artist editions and publish compelling works by her generation. Since founding Susan Inglett Gallery, she has been exhibiting unique works and hosting lectures. <a href="https://www.sothebys.com/en/buy/editions-hot-off-the-press" rel="noopener noreferrer" target="_blank">All Editions Hot Off the Press</a>&nbsp;|&nbsp;<a href="https://www.sothebys.com/en/buy/fine-art?locale=en" rel="noopener noreferrer" target="_blank">All Fine Art</a>

I.C. Editions

Rona Pondick (American, b. 1952). Pondick has selected the book format as the perfect vehicle for her explorations of desire. Her repetition provides not only a formal structure for the work, as exhibited in the sculpture, but a metaphorical one. The mantra-like repetition of the text,&nbsp;I want, enveloped by the wrappers of the book becomes the physical embodiment of secret or hidden desires.

I want

Bruce Conner (American, 1933-2008).This portfolio is offered unframed. Beginning about 1959, Bruce Conner began to secretly piece together paper collages using 19th-century wood engravings which he had collected or accumulated. His working method was not unlike that used to make the film and assemblage for which he had become well-known. Taking advantage of the public’s ignorance of this new and seemingly disparate body of work, Conner decided to attribute the collages to yet another artist, Dennis Hopper. The unwillingness of a dealer to exhibit the work under another’s name and the unwillingness of the artist to reveal his identity, led to their relative obscurity. It was not until the late '60s that the wood engraving collages were resurrected. Conner returned the collages to their original printed state, producing 26 etchings bound in three black leather volumes and titled collectively&nbsp;THE DENNIS HOPPER ONE MAN SHOW VOLUMES I - III. Acting simultaneously as artwork and as foil for a larger conceptual project, this series is considered by many to be among Conner’s major works.

Take Two, D.H.O.M.S., Volume I

Erika Rothenberg (American, b. 1950).This portfolio is offered within a box. Images in this portfolio represent a wide range of the artist's socio-political and cultural observations. The project can be maintained as a multiple within the greeting card box or as prints in an installation.

GREETINGS

Aaron Spangler (American, b. 1971).This work is offered unframed. A seasoned woodcarver, this project represents Aaron Spangler’s first print and woodcut. As noted by Ken Johnson in The New York Times, Spangler “uses his extraordinary technique to elaborate profusely detailed, darkly comic visions of rural Post-apocalyptic ruin...he leaves things a bit rough (creating) a magical tension between the raw material and the epic fantasy”. Spangler’s Sculpture Park is no less a rough place. Here, a scrapheap of earlier iconography, burned-out cars, downed power lines and discarded tires shares ground with Constructivist assemblage, Memorial statuary and a weed-infested Horn of Plenty. This Sculpture Park seems located somewhere between a memorial garden down on its luck and a backyard shrine on the way up.

Sculpture Park

Fred Tomaselli (American, b. 1956).This work is offered unframed. Tomaselli begins this foray into the nature of nature and its intersection with the psyche and the cosmos with leaves from his own garden. The pattern laid down creates a base for radiating rings of color which burst forth full bloom from each individual pad. The result is lush and hypnotic, a ready-made mandala for modern man.

Bloom

Dana Schutz (American, b. 1976).This work is offered unframed.

Backstroke

Anna Gaskell (American, b. 1969).This portfolio is offered unframed. In Gaskell's Atonement, a figure struggles, her body morphing ineluctably between unruly animal and contrite child. Her entrapment resonates with the minotaur of Jorge Luis Borges'&nbsp;The House of Asterion, imprisoned behind unlocked doors surrounded by ample empty space. Her penance parallels that of Carlo Collodi's puppet&nbsp;Pinocchio, whose physical transformation to beast of burden follows that fateful trip to Pleasure Island. The punishment hardly fits the crime, yet the woman embraces the penalty in the hopes of atonement.

Atonement

Paul Noble (British, b. 1963).This work is sold as a set of 2 and is offered unframed. Paul Noble has devoted his recent years to the creation of Nobson Newtown, a new town built according to the perceived needs and preferences of its inhabitants. Of course as self-appointed spokesperson, this particular folly tells us as much about the artist as it provides yet another example of questionable city planning. With Nobson Newtown, Noble joins a long line of distinguished artists who have invented fantastic and eccentric worlds through which to explore their own psychological landscape. Located on the outskirts of town,&nbsp;A&nbsp;and&nbsp;Paul’s Place&nbsp;adds sculpture park and sensory respite to a burgeoning “Nobson Central” replete with “Nobspital,” “Lidonob,” and, of course, Paul’s Place.

A and Paul's Place

Terry Winters (American, b. 1949).This work is offered unframed. Location Plan is related to a series of drawings included in a recent exhibition at the Kunsthalle Basel. Inspired by advanced imaging technologies from information mapping systems to spatial renderings, the drawings explore a dialogue between order and disorder. In the print, Winters combines 30 unique images in a grid or storyboard which seems to serve as a key to his current investigations. Moving from one image to the next, through ever-shifting relationships, a sense of flux develops, suggesting weather patterns, emotional states and urban dynamics.

Location Plan

Jessica Diamond (American, b. 1957), Sol Lewitt (American, 1928-2007), Lawrence Weiner (American, 1942-2021).This work is housed in a black, cloth-covered box. A do-it-yourself kit containing paper, pencil, stencil, overhead transparency, diagrams and complete instructions. In a good-humored way, Do-It-Yourself captures the essence of conceptual art. Each artist has contributed a concept, the execution of which is left to the collector. By selecting artists of three successive generations, the project emphasizes the adaptability and strength of the movement.&nbsp;

Do-It-Yourself

Annette Lemieux (American, b. 1957).This portfolio is offered unframed. For this portfolio, Lemieux has chosen a multi-racial battalion of soldiers as her subject matter. By employing the pixilated dot, the artist comments not only on the ability of war to render all men equal in the face of battle, but on the rather facile attempts by our government and the media to protect the innocent. The side panels mirror one another in color and black and white. The center panel is generated from the pixilated circles of the left and right hand panels.

Stolen Faces

Jessica Stockholder (American, b. 1959). Stockholder is trained as both sculptor and painter, each discipline is well-represented in&nbsp;With Your Salad. Red plastic cooler, brushed aluminum wall sconce, neon extension cord and artistic folly meet in a riot of color, texture and light. While Stockholder credits a surrealist’s game of chance as the starting point for her work, she proceeds to masterfully weave an inspired web of flotsam and jetsam which she personalizes with a plastic splash of Tropicana Cabana and Lime Green. In the artist’s hands, the commonplace acquires heightened stature while the exotic gains parity with the ordinary. One man’s junk is another’s man’s treasure.

With Your Salad

Simone Shubuck (American, b. 1969).This portfolio is offered in a box. Shubuck is at the forefront of a growing number of artists making paper their primary medium. Preferring to work on antique papers and stationary, the artist creates jewel-like collages using graphite and colored pencil, weaving together imagery inspired by the Viennese Secessionists, Indian miniatures of the Mughal Empire, graffiti art and rap music. The work is obsessive, compulsive, sumptuous, sensual, cerebral, intuitive and ultimately irresistible.

(Various Titles)

Raymond Pettibon (American, b. 1957).This work is offered unframed. The text reads: “Inside the bookcase is a bust of Shakespeare, rub its nose and the wall of the library will shift and rotate like a turning page or revolving stage, revealing a hidden passageway…which opens into another room full of books.”

Untitled (Inside the Bookcase)

Philip Taaffe (American, b. 1955).This work is sold as a set of 3, all unframed. Foreign cultures and traditions have frequently found a place in the work of Philip Taaffe. Recent paintings take their cue from the ancient craft of paper marbling while works on paper look to the art of paste paper. Paste paper is a form of decorative paper making which originated in the 16th century. Brushing colored paste onto wet paper, artisans created designs using found objects and special tools. Taaffe has generously produced three sumptuous examples of this ancient craft that have been editioned for this occasion.

Molossus, Cernunno, Acerodont

Catherine Opie (American, b. 1961).This work is housed in a black cloth box with the letter O debossed on the cover. The O portfolio represents Opie’s first use of photogravure, a female response to Robert Mapplethorpe’s controversial X portfolio. The work was realized exclusively for this project using details of images taken over the course of the year during casual studio shoots with friends. Photogravure was chosen to soften already subtle images and for its history of use by Mapplethorpe.

I.C. Editions

I.C. Editions

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Rona Pondick

Bruce Conner

Erika Rothenberg

Aaron Spangler

Fred Tomaselli

Dana Schutz

Anna Gaskell

Paul Noble

Terry Winters

Sol LeWitt, Lawrence Weiner, Jessica Diamond

Annette Lemieux

Jessica Stockholder

Simone Shubuck

Raymond Pettibon

Philip Taaffe

Catherine Opie