
Looking Forward: The Collection of Beverly Grossman
The Critic Smiles (ULAE 25)
No reserve
Estimate
2,000 - 4,000 USD
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Description
Looking Forward: The Collection of Beverly Grossman
Jasper Johns
b. 1930
The Critic Smiles (ULAE 25)
signed in crayon, dated, titled and numbered 35/40
lithograph with hand-coloring in metallic paint on Chatham wove paper
image: 13 by 11 ⅜ in. 330 by 291 mm.
sheet: 25 by 20 ⅜ in. 637 by 514 mm.
Executed in 1966, this impression is number 35 from the edition of 40 plus two artist's proofs, with the blindstamp of the publisher, ULAE.
Dayton's Gallery 12, Minneapolis
Acquired from the above in April 1967 by the present owner
Philadelphia Museum of Art, Jasper Johns: Prints 1960-1970, April - June 1970, no. 54
For more than six decades, art was at the center of Beverly Grossman’s life. As a collector, philanthropist, and museum leader, Beverly’s curiosity and generosity helped shape the cultural landscape of Minneapolis. Her education in contemporary art began in the 1960s through relationships that would prove lifelong inspirations. Among them was Gordon Locksley, then her hairdresser and an aspiring art student who later became a prominent collector and dealer to Pop artists including Andy Warhol, with whom Beverly also developed a close personal connection. Even more influential was her friendship with pioneering Minneapolis dealer Felice Wender, who introduced her to artists, deepened her understanding of their work and fostered enduring relationships with figures including Robert Indiana, Tom Wesselmann and Roy Lichtenstein. For Beverly, collecting was inseparable from friendship, conversation and firsthand engagement with artists, a philosophy that is reflected in the present selection of Pop Art prints from her extraordinary collection.
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