View full screen - View 1 of Lot 93. Allegory of Time.

Property from the Estate of Stanley Moss, Sold Without Reserve

Follower of Carlo Maratta

Allegory of Time

No reserve

Live auction begins on:

June 2, 02:00 PM GMT

Estimate

8,000 - 12,000 USD

Bid

3,200 USD

Lot Details

Description

Property from the Estate of Stanley Moss, Sold Without Reserve

Follower of Carlo Maratta

Allegory of Time


oil on canvas

canvas: 27 ½ by 23 ⅝ in.; 69.9 by 60.0 cm

framed: 32 by 28 in.; 81.3 by 71.2 cm

This unusual and richly allegorical composition derives from a celebrated invention by Carlo Maratta created for the painted face of a notturno da mensola, or night clock. The scene represents an allegory of the passage of time and the inevitability of death; Time, personified as a winged old man steering Charon’s boat, ferries the four Seasons and a sleeping youth across the River Styx toward the barren shore of Death, where skeletons and abandoned emblems of worldly ambition—including a cardinal's hat and papal tiara—serve as reminders of life’s transience. Above the sleeping boy, a putto unfurls a scroll inscribed “TV DORMIIS ET TEMPVS TVVM NAVIGAT” (“You sleep, and your time sails on”), a phrase derived from Saint Ambrose. The composition was especially suited to the function of a night clock, a mid-seventeenth century invention designed to operate silently and to be softly illuminated from within by a lamp inside the painted copper clockface, allowing the hour to be read at night. 


The subject is known through an engraving by Bernard Picart and preparatory studies by Maratta, including a drawing in the Musei Civici e Gallerie d’Arte, Reggio Emilia, as well as a small autograph oil sketch in a private Roman collection.1 The composition was originally devised for a remarkable clock commissioned from the celebrated Roman clockmaker Giuseppe Campani by Cardinal Antonio Barberini and presented as a diplomatic gift to Louis XIV. The original clock incorporating Maratta’s allegory survives today in a private collection in London, formerly with Colnaghi, while another related example with the same decoration is preserved in the church of Santa Maria delle Grazie.2


1 See S. Rudolph and S. Prosperi Valenti Rondinò, Carlo Maratti (1625–1713) tra la magnificenza del Barocco e il sogno d'Arcadia, Rome 2024,  p. 516, cat. no. 73, reproduced.

2 Colnaghi, Objects for a“Wunderkammer”, Alvar Gonzalez-Palacios (ed.), exhibition catalogue, London 1981, cat. no. 49.