View full screen - View 1 of Lot 76. Mesolithic Quartzite "Figure Stone".

Mesolithic Quartzite "Figure Stone"

Mesolithic (approx. 12,000-8,000 years ago), Épône, Yvelines, France

Session begins in

July 14, 02:00 PM GMT

Estimate

3,000 - 5,000 USD

Bid

200 USD

Lot Details

Description

Mesolithic Quartzite "Figure Stone"

Mesolithic (approx. 12,000-8,000 years ago)

Épône, Yvelines, France


6 x 4¾ x 5 inches (15.2 x 12.1 x 12.7 cm), 7½ inches (19.1 cm) on a custom metal stand. 6 pounds (2.72 kg).


A quartzite figure stone of compact form, selected and subtly shaped, emphasizing a striking skull-like appearance. The composition is defined by a rounded upper mass above a projecting lower element suggestive of a skull. The surface retains a dense, softly weathered texture throughout.


Included in the lot is a copy of Tony Berlant and Thomas Wynn's First Sculpture: Handaxe to Figure Stone (Nasher Sculpture Center, 2018), where the present piece is illustrated.

Formerly in the collection of artist Tony Berlant (b. 1941).


With EU license 2025DMF0222 permitting export, issued by the French Ministry of Culture

First Sculpture: Handaxe to Figure Stone. 27 January - 29 April 2018. Nasher Sculpture Center, Dallas, Texas.

Berlant, Tony, and Thomas Wynn. First Sculpture: Handaxe to Figure Stone. Nasher Sculpture Center, 2018, Cat. 72.

A STRIKING MESOLITHIC FIGURE STONE WITH SKULL-LIKE FORM, ATTRIBUTED TO HOMO SAPIENS


Dated to the Mesolithic period and attributed to Homo sapiens, this compelling quartzite figure stone represents a later and more developed stage within the tradition of selected and minimally worked forms.


The present example is notable for the clarity and force of its composition. A rounded upper mass suggests a cranium, while the projecting lower element reads as a jaw-like form, creating a compact and highly legible skull-like silhouette. The intervention appears restrained, with the emphasis placed on isolating and presenting a naturally suggestive form rather than extensively reshaping it.


Its inclusion in both the Nasher Sculpture Center’s landmark exhibition First Sculpture: Handaxe to Figure Stone and the Benaki Museum’s The Origins of Sculpture places it within a key group central to current discussions surrounding the emergence of representation in early human history.

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