
Revival: A Unique Collection of 19th-century Jewels
Japonisme gold and enamel earrings, circa 1870.
Lot Closed
November 27, 03:31 PM GMT
Estimate
4,500 - 6,500 GBP
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Description
Each circular disc set with cloisonné enamel depicting on one side birds in a natural setting, the reverse depicting a fan and a floral display consisting of a vase of flowers and branches respectively, both with gold beading to the rim, hook fittings, maker's mark, accompanied by an original fabric fitted case.
Ashmolean Museum, Oxford, WA1964.29.2, 1865 - 1867 for a pair of earrings of similar design by Falize
Various contributers, The Belle Epoque of French Jewellery, 1850 - 1910, 1990, page 156-157 for similar designs by Falize
Henri Vever, French Jewellery of the Nineteenth Century, translated by Katherine Purcell, 2001, page 814 for similar designs by Falize
Alexis Falize (1811-1898) began his career in 1832 under the jeweller Mellerio dits Meller. In 1838, he established his own workshop, focusing on intricate enameling techniques. During the Second French Empire (1852-1870), his creations drew inspiration from various historical periods, particularly the French Renaissance, as well as from distant cultures. His efforts elevated jewellery to a true decorative art form. Upon his retirement in 1876, his son Lucien (1839-1897) took over the business.
Japan began to trade with the West in the 1850s, which allowed for a gradual influence of Japanese art over European art and decoration. Falize himself became fascinated with cloisonné enamel as it allowed for a beautiful rendering of the natural world. His son Lucien also shared this passion and leveraged the firm's enamelling expertise to create highly refined pieces inspired by Japanese designs. They joined forces with Antoine Tard the enameller to create these exquisite pieces in the workshop.
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